Cubussoli Very very predictable, including the post credit scene !!!

FeistyUpper If you don't like this, we can't be friends.

Listonixio Fresh and Exciting

Onlinewsma Absolutely Brilliant!

kapelusznik18 ****SPOILERS**** With his girlfriend Mary Kirk Logan, Jean Parker,to be executed that evening at 11:00 PM sharp the Sing Sing Prison executioner Dr. Brad Bradford, Douglas Fowley, is finding it more and more difficult to do his job in juicing her, by pulling the switch, in the prison's hot seat. It's then that the movie goes into back or forward mode, were not quite sure which one, with famed psychologist Charles Finch, Lionel Atwill, telling a group of friends about a letter he received from Mary just before she was to be executed. In it Mary explains how she's been framed in killing the person who was blackmailing her, in revealing her dad's criminal past to her boss, mobster Willy Mullin, Dick Curtis, by someone who did him in while she was locked up in another room in her apartment.The flashback scene comes across as if it were in the present making it more and more difficult to gage what time is taking place in the movie. We slowly get the message that it was Mary's kid sister the bug eyed and spaced out Suzy, Marcia Mea Jones, who knew who killed Millen and is covering it up at the expense of her older sister Mary's life. It's Finch who slowly uncovers the person, through a number of clues, who killed Millen but as usual in movies like this, working against the clock, time is running out for Mary to be saved from being zapped. With the only person who can save her Governor Harrison, Sam Flint, nowhere to be found and contacted before 11:00 PM the time for Bradford to pull the switch.****SPOILERS**** Lionel Atwill in one of his last appearances, he passed away two years later, is excellent as both psychologist and part time private eye Charles Finch who saves the day as well as Mary Kirk's life by getting the Governor, through a radio broadcast, to get the news that Mary is innocent and stop her execution. But it was Mary's boyfriend Brad Bradford that made that all possible by at the very last moment refusing to pull the switch and locking himself up in the power room that gave Finch the needed time to get the word out to Gov. Harrison about her being innocent. Thus stopping in the nick of time Mary's impending execution.

zardoz-13 This low-budget but entertaining crime thriller about a dame scheduled to die in the electric chair for a murder that she didn't commit is a fine example of a movie that impugns the death penalty. Mary Kirk Logan (Jean Parker)has been shielding her younger sister Suzy and herself from the truth that her father was a criminal in the pin-ball racket. Nevertheless, one of her father's old accomplices, Willis Millen (Dick Curtis) has come back to blackmail her because he knows that she has some of her dad's dough. Moreover, Millen knows that her stiff, stuck-up, morally superior boss, Gregory (George Irving),will fire her if he catches a whiff of her shady past. Actually, Mary's boss at the bank, who hired her because he needed somebody who he could trust to handle confidential information, played a crucial role in a law and order crusade to put her father behind bars. As it turns out, Mary has been paying a high price to buy the silence of her the silence of her father's former associate. Ironically, the villain who is blackmailing Mary is considered a low-life even by his own kind. Mary has managed to fool Gregory about her checkered past for five years."Lady in the Death House" opens with Mary taking the final 39 steps of her life to the electric chair. She has been convicted of a murder that she didn't commit based on the testimony of two passersby who were staring up at the window in her apartment when the murder occurred. All these two spectators really saw was two dark shadows against a fully lighted window with the shade pulled down. Nevertheless, they swear under oath that they saw Mary kill Millen. It doesn't help matters that they rushed up to Mary's apartment after the murder and found the slain man in the floor with the murder weapon--a statue--nearby his body. Millen uttered Mary's name as his final words and the police detective (Cy Kendall)puts two and two together to convict Mary. Since Millen was trying to blackmail Mary, the detective argues that Mary killed Millen to thwart his scheme. Happily for Mary, she knows a tenacious criminologist Charles Finch (Lionel Atwill) who uses his skills to set her free."Revenge of the Zombies" director Steve Sekely tells the story in flashback for maximum suspense and doesn't have Mary exonerated until the last three minutes.

Alex da Silva Mary (Jean Parker) is due to die on the electric chair. She makes the walk towards her fate but there is still hope for a reprieve. The story is told by Charles Finch (Lionel Atwill) in flashback. Will Mary be saved for a crime that she didn't commit...?...While Atwill is quite good, the acting is all rather forgettable. As is the story. I only watched it yesterday and there are already some gaps in my memory. The cast are uninspiring to watch with Marcia Mae Jones's character as Suzi, Parker's sister, being the standout performance. Not because she is any good, but because she is mad. The fadeout techniques between scenes are interesting to begin with but endless repetition cheapens the device. The film also seems rushed. It's not a particularly bad film but it's nothing great.

David Kelsey This tautly constructed little movie should serve as a model for those modern film authors who cannot unfold the simplest story line in less than two hours.The movie opens with Mary Kirk being led from her cell to walk to the death chamber. She leaves a letter for Charles Finch, a psychologist and criminologist. In it she has outlined the events which led to her situation. We then see Finch reading the letter to a small group of reporters, supplementing it with an account of his own involvement in the affair. His first person narrative alternates with flashback depiction of the events. Half way into the movie he has reached the point at which Mary was convicted and sentenced to death. The next 20 minutes cover his subsequent efforts to find the evidence which will clear her. He still has not succeeded by the time we have caught up to the opening of the movie and see Mary finish her walk to the electric chair. The remaining few minutes are a desperate race against the clock played more or less in real time.The movie does not waste an inch of film. Every scene conveys information and advances the action, with smooth and skillful links. Particularly effective is the way in which the character of Mary's younger sister, Suzy, is handled. Her appearances are almost always incidental to the main action, but as the movie progresses it becomes clear that she is somehow central to the solution.The nature of the plot means that the title character plays a passive rather than an active role. Jean Parker is persuasive in the part, wisely forgoing the opportunities for melodramatics. Marcia Mae Jones' porcelain-doll prettiness frequently led to her being cast as a vain and foolish little madam, and her role here as Suzy suits her talents. Lionel Atwill makes a convincing sleuth, neatly conveying a blend of scientific detachment, humanitarian concern, and an occasional twinkle of humour.Anybody who thinks that "first class B movie" is an oxymoron should study this film and learn better.