Jeanskynebu the audience applauded

TaryBiggBall It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

Ava-Grace Willis Story: It's very simple but honestly that is fine.

Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.

bkoganbing Paramount's Dollar Bills, William Pine and William Thomas continued putting out films in the Fifties as they did in the Forties for Paramount's B picture unit. Only they were given a bit more bucks to play with and some bigger stars in the Fifties. For Those Redheads From Seattle they got not only color, but also 3-D making it the first musical released in 3-D.With some elements of The Harvey Girls as part of the story, Pine-Thomas could have used some better songs for the score. I noted that several different writers contributed to this one. Usually you have only one team, maybe an interpolation from another writer for the score. But in Those Redheads From Seattle it was all original material. It was like some various songwriting teams just opened the trunk for some unused material and sold it to Paramount.As one of those redheads is Rhonda Fleming who is the oldest of Agnes Moorehead's four daughters who have come to the city of Dawson in the Klondike Gold Rush you certainly have the redhead covered. Agnes is a redhead her and so are Teresa Brewer and the Bell Sisters except one of them is a blond and wonders how she got in this family. No exceptions were allowed in the Day Family in Life With Father. They got a last letter from their husband and father who ran the newspaper in Dawson and is leading a fight to clean up the bad elements in Dawson. Then one of those bad elements plugs Frank Wilcox, but not before his family has pulled up from Seattle to join him. Another of those bad elements is the owner of the largest gambling palace in Dawson Gene Barry. He's thought of as the one responsible for Wilcox no longer being among the living. He has the whole film to prove himself innocent and gain one of the daughters as a bride.Taking care of the musical chores are Guy Mitchell who sings in Barry's establishment and Teresa Brewer who would like to. Nothing here that stands out in the score. 3-D was also used by MGM for Kiss Me Kate. If you can see that in 3-D I'd recommend it before Those Redheads From Seattle.

mark.waltz The freedom of the press is in jeopardy and it takes a hot-blooded redhead to preserve it. She is Rhonda Fleming, the daughter of a murdered newspaper man up in the Klondike. Along with her mother and three sisters (as well as a pregnant cat named President McKinley), they travel up north from Seattle into the Canadian wilds and face the horrifying truth about the corruption there. Blaming the wrong man for murder (as he owns the sinful saloon her father was writing about), Fleming prints a series of exposes and accusations when the accused (Gene Barry) tries to clear his name. Of course, the two also happen to be in love, and this leads to further complications.While nicely filmed in Technicolor, this musical lacks in humor, and has only a few rather mediocre musical numbers, generic in tone, and ultimately forgettable. One saloon number, though, is interestingly staged, utilizing only the gloved hands and tight-covered legs for the chorus girls as Teresa Brewer sings the sultry song "Baby Love Me Do". Resembling a slightly more feminine Ethel Merman, she is supposed to be the stereotypical saloon singer with proverbial heart of gold hidden by wisecracks (think Angela Lansbury in "The Harvey Girls") but her character isn't really well developed, at least personality wise.Agnes Moorehead is appropriately strict but loving as the mother of the four girls, all redheads except one. There's an exciting final where the villain is exposed but unfortunately even with different themes than most musicals, the results are rather standard.

GeoSlv The attractive thing about this movie is the presence of Teresa Brewer, in her only film. So if you're a fan this is a must see. Secondly, how often do you judge a musical as a great movie in itself? The plot is usually there to support the music and the stars. That's the way I look at it, so I'm not hard on it. I know there are fans of Rhonda Fleming too, and the other stars. They appear attractive in color and the music is fine, especially when Teresa is on stage as a showgirl singing Baby Baby Baby. That was a hit for her that year. The Bell Sisters sing one, and so does Guy Mitchell. Teresa also sings Mr Banjo Man and a duet with Guy of It Must Have Been You All The Time. This film has recently been prepared for a 3-D video release that has not occurred, and there have been a couple of limited theatrical preview showings recently. Never been on video. Can be seen online in some places or as a TV recording. As of 2017 there is a DVD and Bluray 3D release. Better get yours before they are out of stock.

conneide When I saw this movie in first run, 1953, everyone in the theater laughed out loud. As the film progressed people started to make random comments aloud, increasing the laughter. In 1953 it was the worst movie I had ever seen and, even though a child, I had seen a lot of movies. It still is though The Sicilian ranks close. Rhonda Fleming was beyond awful. Teresa Brewer, a top of the charts pop singer of the day, not only couldn't act, she looked terrible. Many of the scenes were shot against backdrops to show the vast Artic region, and those shots were also terrible. Gene Barry was miscast. The plot was inane. The acting was painful to watch. The only reason I went to see this movie was because they were having a sneak preview that night and, WHAT LUCK!, the preview was "Singin' in the Rain."