Ensofter Overrated and overhyped

Borserie it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.

Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.

Hattie I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

arfdawg-1 Let's be honest. The ONLY reason this horrible movie got decent reviews is because of the gay theme.It's a cheaply made film that is poorly acted.It doesn't keep your attention unless you have an agenda.Growing up in the Mission district of San Francisco, Che Rivera (Benjamin Bratt) has always had to be tough to survive. He's a powerful man respected throughout the Mission barrio for his masculinity and his strength, as well as for his hobby building beautiful lowrider cars. A reformed inmate and recovering alcoholic, Che has worked hard to redeem his life and do right by his pride and joy: his only son, Jes, whom he has raised on his own after the death of his wife. Che's path to redemption is tested, however, when he discovers Jes is gay. To survive his neighborhood, Che has always lived with his fists. To survive as a complete man, he'll have to embrace a side of himself he's never shown.

lohrelem It was fun to see a movie set in San Francisco with places I've been to in the background. Most of the time I forgot I was watching actors in a movie. When that happens I know I'm watching a good show with solid acting and direction. I felt anxiety, fear, and foreboding during much of the movie and that was authentic too. I've been in the Mission lots of times but I'm not Hispanic, didn't grow up there, and usually feel some degree of anxiety and sense of danger when I am there.The thunder during Che's cathartic moment seemed a bit phony since that only happens once in a great while in San Francisco and all of the Bay Area.I was wondering how Che was going to fuel his Biodiesel '64 Chevy during the trip to LA. Maybe it could run on regular diesel fuel?I saw it on DVD and was disappointed that the only special feature was the music soundtrack. I would love to see interviews and some behind the scenes footage.

gradyharp Writer/director Peter Bratt had the choice in LA MISSION to make a film about the Hispanic culture in San Francisco's Mission district to create a predictable imitation of life or a sensitive study of a culture with all of its beauty and with all of its problems: gratefully he took the latter. This is a film bursting with fantastic color from the inimitable clash of pigments used for the interiors of the homes of this culture to the fantasyland carefully restored old cars painted with religious and emotional scenes - the proud mark of the Low Riders - and the street celebrations full of lust and glamour and the intoxicating foods and dance. But it is also an internal film dealing with such realities as alcoholism, prison time, single parenting problems, pride in a child's educational and athletic achievements - and the delicate issue of responding to the presence of same sex relationships. It is a banquet of delights and problems that Bratt handles magnificently well. Che Rivera (Benjamin Bratt in a role that defines his fine acting abilities) has served time in prison, is an Alcoholics Anonymous member, and since his wife's death early in their marriage is the loving father of his well-educated and well-loved son Jesse (Jeremy Ray Valdez, in a role that should mark him for an important career). Che works hard as a bus driver, spends his free time restoring old cars to ride every Friday evening - 'slow, low riding through the streets of San Francisco's Mission neighborhood'. His family includes Rene (Jesse Borrego) and Ana (Talisa Soto) who share as much pride in Jess as Che: their only son was born with a cardiac defect that has made them more sensitive to the differences in children. Che has only one problem: Jesse is gay and has a boyfriend Jordan (Max Rosenak) and the discovery of Jesse secret life destroys Che image of his family and of himself. A neighbor Lena (Erika Alexander) befriends Jesse and eventually Che and Lena are draw together over a tragedy that occurs: Jesse is shot by a homophobic fellow student, forcing Che to face his own demons and begin to understand his son more fully. The excellent way in which Bratt handles these major crossroad confrontations is written and directed and acted with such sensitivity - nothing occurs as expected and everyone maintains dignity - a very difficult range of emotions to handle. The entire cast is excellent, the dialogue is spicy, the characters are well conceived, the particular gifts of Erika Alexander as a woman with a history of abuse who is devoting her life to working in a women's shelter who allows her physical needs to be met while maintaining her ownership of a wise woman of experience are extremely well utilized, and this film offers a platform deserving of the talent of Benjamin Bratt and Jeremy Ray Valdez. It is a tough story told with great sensitivity and truth. Hiro Narita's cinematography and Mark Kilian's musical score round out this very fine achievement in cinematic art. Grady Harp

reelinspiration "La Mission" is a project of love about the barrio neighborhood the Bratt brothers grew up in. Writer/Director Peter Bratt takes time and care to set up a strong sense of cultural pride with Aztec dancers, Catholic rituals, "slow and low" cruising in shiny low riders through the family oriented Mission District of San Francisco.Che Rivera (Benjamin Bratt) an ex-con and recovering alcoholic, has worked hard to earn the respect of his community by going straight and being a good father to his college bound son (Jeremy Ray Valdez.) Benjamin Bratt portrays Che as the embodiment of Mexican machismo. The director presents him as a sympathetic character who was brought up to use his fists to survive on the hard streets. Che finds strength for his quest for redemption in his culture and religion. But when he discovers that his beloved son is gay, that homophobic culture drives his negative response. Enhancing the theme is a multi-racial relationship with Che's black, culturally diverse, social-worker neighbor Lena (Erika Alexander.) Lena sees through Che's violent, macho exterior. Experience has taught her that this kind of man is incapable of changing, but she can't help but be moved by the wounded boy inside. There is an odd visual metaphor which I believe is meant to show the contrast between past and present Chicano culture: colorful Aztec dancers perform at the shine of a murdered teen with a sign, "No more violence." I found it odd because the Aztec's practiced human sacrifice. Whether intentional or not, the Aztec dancers are a good metaphor for the theme: We need to keep what is healthy from our culture or religion and let go of what is destructive. "La Mission" isn't perfect. A few scenes were just left hanging - especially in the romantic subplot. I didn't feel the chemistry between Che and Lena. But Benjamin Bratt delivers one of his strongest performances. The brothers have given us an authentic, loving depiction of the culture in the Mission barrio with an important theme for our times. Movie Blessings! Jana Segal,Reel Inspiration