Mjeteconer Just perfect...

Chirphymium It's entirely possible that sending the audience out feeling lousy was intentional

Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Raymond Sierra The film may be flawed, but its message is not.

Chrysanthepop Finally, got to see 'Jhoom Barabar Jhoom' after hearing mixed opinions of people. Anurag Kashyap has been credited as the writer but he claimed that he had an idea about a guy and girl meeting at the train station and they tell their stories but then 'someone else' tampered with the script and made changes. That said, I quite enjoyed most of the first half where Riki and Alvira tell their stories at the train station. It is the second half, once they leave the station, which is a downright disaster. The less said about it, the better. 'Jhoom Barabar Jhoom' starts, intervals, the interval of the post interval (that is an interval that takes place when you've finished watching three thirds of the movie) and ends with Amitabh Bachchan's 'item number' (which is the title song itself). Bachchan is dressed as a flamboyant busker who looks like he's ready to lure children and kidnap them. Back to the song, it's a catchy energetic number. There are two other versions of this song all of which work well. 'Kiss of Love' and 'Bolna Halke Halke' are also foot-tapping songs that have been brilliantly visualized. The costumes are a little too flashy (especially the horrible ones worn in the dance competition sequence, yes, surprise surprise, there's a dance competition). Where acting is concerned, Lara Dutta stands out as the French hotel manager slash British-Pakistani harlot. The character Alvira is nothing new for Preity Zinta and she does a fair job but frankly I'm a little tired of watching her repeatedly do this kind of role. Abhishek Bachchan is irritating to the core. I wonder why a sophisticated woman like Alvira would even like a sleazy toilet brush like Riki, let alone fall in love. Bachchan ought to fire his makeup artist-hairstylist or whatever for making him look like a sleazy turd of a pimp. Bobby Deol is dull. Shaad Ali has probably hit rock bottom (careerwise) with this movie (or at least I hope so because I don't want to see any worse than this). I would like to say this to whoever the writer is, whether it was Kashyap or some script-tamperer: Way to go for ruining what could have been at least good entertainment.

rsa5387 By far, the worst film i've seen all year. The less said about this one the better. The storyline was interesting in concept but executed terribly. On top of that, the movie was mind-numbingly boring. The main characters are both shallow and illog...(read more) ical...words cannot describe how random and boring the background stories that occupy the first half of the film are. The whole Ticket To Hollywood sequence in Abhi's story was both pointless (ticket to Hollywood?) and crude (the Princess Diana bit). Preity Zinta's story was even more absurd (the whole superhero aspect) and insulting (india vs Pakistan, Indian's skin color). Overall, ridiculous and pointless can describe the majority of Jhoom's plot. Ditto for the 'dance off' sequence that occupies most of the second half. By the time the so called 'twist' shows up...the audience cannot sympathize with the characters since their is no reason given for their feelings...their really is no plot development to speak of...this movie just goes nowhere. The only reason to see this is for its beautifully staged songs. But even those get annoying...seeing Amitabh Bachchan (in a pointless cameo) and company repeat the title song 6 times throughout the movie is enough too drive a person insane. While the film is told in a very unconventional fantasy musical type style...it cant pull it off. Unlike last years wonderful Jaan-E-Mann...Yash Raj didn't even try. The script and direction is absolutely abysmal. As far as acting...Abhishek was very annoying, and Preity Zinta sleepwalked through her role. On the other hand, Lara/Bobby gave credible performances as Abhi and Preity's love interests and lended some life to the film. They showed both sides of their characters excellently...along with some of the songs and cinematography, they were the saving grace of the movie. Overall, as of all Yash Raj productions of late...this film is all gloss no substance. Avoid.

Avinash Patalay The movie is blunder from the word "go". I waited.... and waited... and waited for the story to gain momentum but each passing minute was a rolling stone. The glitz and glitter is all around there in the movie including London.... but who wants to see that? It is evident that Shaad Ali got the lavish budget owing to Saathiya and BnB. To play the devil's advocate, the credit for the success of Saathiya should go to Mani Rathnam and A R Rahman. As for BnB, there are a lot of unexplained mysteries in life.YRF is losing credibility big time and should realise that their standard formula is no longer appealing and the mantra of heavy publicity is backfiring. They should learn a lesson or two from PNC who risk to being different and place emphasis on the script/ content. And finally, please keep a tab on the production. Past performance doesn't really guarantee the future benefits – I would really be surprised if Shaad Ali gets another chance from YRF.The only saving grace of the movie is the music especially the title track. Gulzar's lyrics as usual mystical.

Karishma Tiwari JBJ is a classic example for theory that a great ensemble of a big production house, star-kids, a beauty queen, a queen bee and a great musical score does not guarantee a great film.The supporting cast has over shadowed the main leads, Lara was a delight to watch with her street antiques, while Bobby was the cute mama's boy. Both Preity and Abhishek are as stale as their last year's flick together, KANK. One fails to understand why a classy girl like Alvira falls for the piracy-specialist Rikki.This movie has everything in the book for a good film, except a story, which was clearly missing from the big picture. It was like watching a movie of nicely choreographed music videos, all the songs make you jhoom literally, and cinematography was top notch. Song sequence of bol na halke looks something out of Veer-Zaara, which makes me wonder, is the message of the movie is kiss and make up between India and Pakistan?