Janie

1944 "She's the gleam in the eye of every G.I.! It's an All-American riot!"
5.9| 1h42m| NR| en| More Info
Released: 02 September 1944 Released
Producted By: Warner Bros. Pictures
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Budget: 0
Revenue: 0
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Synopsis

Teenage Janie falls in love with a private from an Army base opposed by her editor father.

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Reviews

Jeanskynebu the audience applauded
Glucedee It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.
Fairaher The film makes a home in your brain and the only cure is to see it again.
Mandeep Tyson The acting in this movie is really good.
JohnHowardReid Producer: Alex Gottlieb. Copyright 2 September 1944 by Warner Bros. Pictures, Inc. A Warner Bros.-First National picture. New York opening at the Strand: 4 August 1944. U.S. release: 25 July 1944. U.K. release: 22 February 1945. Australian release: 28 February 1946. Running times: 106 minutes (US); 95 minutes (Aust).NOTES: The stage play opened on Broadway at the Henry Miller on 10 September 1942 and ran a remarkable 642 performances. Gwen Anderson, Howard St John and Linda Watkins starred. Antoinette Perry directed. Incredibly, Owen Marks was nominated for an Oscar for Best Film Editing, losing to Barbara McLean's Wilson. Sequel: Janie Gets Married.COMMENT: Janie is every bit as bad as the players, synopsis of the story and a contemporary New York Times review by Bosley Crowther led us to expect. Its only redeeming promise lay in the movie credits, but regrettably these gentlemen all let us down. The film is very sloppily and often atrociously edited and Mike Curtiz lets his players run riot. Admittedly the script is very weak, but no amount of excess fulminating by Ed Arnold could improve it. Miss Reynolds makes Janie a precocious twit and Robert Hutton is a dill. Richard Erdman does what he can with the painfully ridiculous role of Scooper. Robert Benchley glides through the motions of his role with customary hand-out-for-his-weekly-pay-check aplomb. As far as production values are concerned, it's little more than a photographed stage play with a few crowd scenes thrown in.
moonspinner55 Joyce Reynolds seems a might grown-up for the role of Janie, a boy-crazy sixteen-year old in small town America who ditches her steady guy for a visiting soldier AND winds up on the cover of Life magazine (smooching at a blanket party) all in the same week! Non-stop barrage of wisecracks, put-downs, bull talk, and unfunny bits of business such as Janie's little sister bribing family members, Hattie McDaniel (as the maid) constantly scuttling after sassy kid sis, Janie's mother involved with the Red Cross, and Janie's father trying to write an editorial on the problems with today's teenagers (as the parents, stuffy, sexless Edward Arnold and pert, chatty Ann Harding make an unlikely couple, even for 1944; he looks incapable of helping to conceive a child much less raising two of them). Nominated for an Academy Award (!) for Owen Marks' editing, Warner Bros. followed this in 1946 with "Janie Gets Married". Reynolds must have outgrown her co-horts by then--she was replaced by Joan Leslie. *1/2 from ****
PoohsHunnyBee I usually find movies of this era a little too slow or dull, this one kept me. It was humorous and well paced, nostalgic. Nothing too serious, but not too goofy either. Of course the girls were all immaculately dressed and the costumes and scripting for phrases was excellent. The premise was the same as what they use to build sitcoms today, Small town girl has beau that she has grown up with, romantic older fellow in uniform sweeps her off her feet, girl is torn between childhood ties and grownup romance...girl plans small affair while her parents are out, huge crowd shows up, party ensues and is broken up by the police and all of the characters still love each other in the end; all of the little side plots are happily resolved and that's the end. Good family film. (doesn't Janie look remarkably like Geena Davis?!?)
sarasdano Janie is a cute little piece of fluff with a few good laughs, but I must say the patriotic stance it takes really killed the fantasy. This sort of WWII down-with-Hitler, hurray-for-the-military talk was common at the time, I realize, but Janie's excuse for her big party, not for fun but for the well being of the army and navy, and the nation at large, just added an extra "message" layer that wasn't necessary to enjoy the movie. Other than that, it was fun to see all of Janie's boy-hungry girlfriends yelling "jeepers" and "golly" all over the place. I must say the musical number took me aback at first, but it surprised me how enjoyable it was. If only everyone could sing in perfect harmony at house parties...