Isle of Dogs

2014 "Three lovers. Two corpses. One way out."
3.5| 1h30m| R| en| More Info
Released: 21 January 2014 Released
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Synopsis

When London gangland boss Darius Deel discovers his new trophy-wife Nadia is having an affair, he hunts down her lover Riley and a deadly game begins.

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Reviews

Mjeteconer Just perfect...
Fairaher The film makes a home in your brain and the only cure is to see it again.
Derrick Gibbons An old-fashioned movie made with new-fashioned finesse.
Candida It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.
yoitserin I went into this film expecting something similar to the Fabulous Mr Fox, but was disappointed to find out that this movie isn't animated at all. My kids were very upset as well, since they loved the fox movie and couldn't wait to see this one. I don't know what happened to Wes Anderson. Honestly, he's been on a steady decline since Rushmore.
MoviegoerinWI This was one of the worst movies I've seen in ages. The gangsters were a bunch of weak, school yard knuckleheads. Furthermore, they treated gorgeous women very severely in a number of scenes.I won't be able to tell you how it ended because I turned it off after about five or ten minutes when the knot headed moron who supposedly was a tough guy gangster began beating his gorgeous wife on the arm or hand, I couldn't tell with a meat hammer because she went around on him. No wonder. Of course it's only a movie. It's just a really, really bad movie. Don't waste your money.Hold it. Or was it propaganda? People shouldn't have to pay for propaganda.
ozwillb What??? I watched this film for 20mins, turned it of because it was so bad. Felt guilty, because maybe I hadn't given it a fair chance, another 20mins was given. My God, am I demented, or was this movie a film school project that they forgot to write a script for. The acting wasn't terrible, but why watch an improv class. For the final stage of the film, I just watched with dismay, waiting for a clown to pop up shouting "Gotcha", now that would have been funny. Sadly this didn't happen, however, some of the effects did make me snigger, especially the hand chopping incident. If this film had been any worse it would probably become a cult classic! Unfortunately this was not the case.
gothkgrafx Isle of Dogs is a taut thriller, the tale of a kept woman, struggling between her criminal husband and a young lover.That's as much spoiler as you'll get in this review because I would hate to ruin even one of the reveals, which come fast (get your popcorn beforehand) and, just when you think it's out of surprises, think again.(And again.)A well-crafted crime-thriller, Isle of Dogs' narrative is smooth, tantalizing as the pieces come together and the drama builds. Rather than abusing non-linear techniques as a gimmick, it uses them to accent the narrative, giving the viewer WHAT they need to know WHEN they need to know it. Fans of early Brain Michael Bendis' comics (Jinx, Torso, Goldfish) will certainly get this film, which is paced, and unravels, more like a classic Eastwood western than a contemporary lime-y-crime. And it's foolish to compare this film to a Guy Ritchie shoot-em-up just because of the locale. While it packs PLENTY of action and some marvelously grotesque shocks, there is a depth of character and tragedy here that goes well beyond the standard cockney-crime offering.(And again.) (sorry, another unexpected, awesome reveal)Sutton is clearly an actor's director, giving her cast the freedom to breathe, to spit (!), and to turn in stellar, layered performances. Edward Hogg, Barbara, Nedeljakova, and especially Andrew Howard are all performers who own their camera time and Sutton is gifted enough to capture the nuances that might otherwise be lost. Her direction makes even the most mundane of events intriguing, sometimes juxtaposing an almost Kubrikian stillness of camera with scenes of dramatic, sweeping motion. She frames shots for impact and knows how to capture moments for their chill factor. (I'll personally never forget the body dragged past the doorway in her film, Sutures).From the title (a subtle metaphor for loyalty and captivity), to Worman's score (eerie with f'n' attitude), this film hooked me all the way through and, several times, had me shouting out loud. (And again.) (Yeah, those twists just keep coming.)