Catangro After playing with our expectations, this turns out to be a very different sort of film.

AshUnow This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Keeley Coleman The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

Deanna There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

poj-man I popped this in for my 88 year old Mom to watch to stop her from dawdling. It is hard to find anything that will grab her interest. Momma was rapt and I was quite surprised.The story is also well written for the times. The dialog is not so stock as is wont for films of the time.Claudette Colbert absolutely shines in this pre-code picture. Her nude swimming and bondage scenes are spectacular for 1933. She also is a believable 1930's female.The rest of the cast is not bad. Ernest Torrance is a commendable lovable scoundrel.If you can appreciate an early cinema 1930's film you will enjoy this movie! I know I enjoyed it!

classicsoncall Wow, where to start? Here's a real gem from the pre-Code days that touches on just about every controversial subject that the Hayes Commission took to task in print and film. It starts out with reporter Joe Miller (Ben Lyon) investigating a nude moonlight swim, leading to a highly risqué exchange between himself and Julie Kirk (Claudette Colbert), discreetly positioned behind a large boulder. From there, the story moves to Miller's work on a Chinese smuggling operation, using his connection to Miss Kirk to try and get the goods on her father, a crusty seaman who plies the ocean for all sorts of contraband.I have to say, I wasn't quite prepared for some of the scenes depicted in the story. When the Coast Guard moves in to get a closer look at Captain Eli's (Ernest Torrence) fishing boat, the Captain has his crew drop a shackled Chinese immigrant overboard! All part of the risk involved as Eli would explain. "The poor Chink tried pretty hard to get into the United States" is Miller's reaction, and to make his point, brings the body back to the City Editor's desk! What!!?? There's also the scene aboard the Santa Madre prison ship, where Miller playfully traps Julie in manacles and a neck restraint in a classic bondage scene. The only thing missing was a tattered leopard print dress for Colbert, which might have crossed someone's mind if it wasn't such a completely different genre.The scene that really had me jumping out of my seat though was the shark chase by Eli and Ortegus (Maurice Black) in the small fishing boat. That was just outrageous, especially when they harpooned the fish and it ran away with the boat! That segment for me was just about as frightening as the opening scene of "Jaws"; I mean, who would ever even think of making a living in an occupation with that kind of hazard? Then think about this for a minute - how do you convince a Chinese immigrant that he's got to crawl inside a shark to make it to shore? Did stuff like this really happen? Well if nothing else, this is a unique film, with all the noirish atmosphere you could ask for in a flick from the Thirties. Perhaps a bit too dark in spots, making it hard to follow the action, but when accentuated with that lonesome old foghorn in the distance, you've got just the right touch. Made to order for a dark and rainy night, as Claudette Colbert might suggest, watching from the comfort of a roaring fireplace.

tavm With the title I Cover the Waterfront, I expected a social-conscience picture on the order of Warner Bros.' then contemporary I Am a Fugitive from a Chain Gang. What I got was a part screwball comedy, part romance, part soap opera. Ben Lyon is the "I" in the title, a Joe Miller who hates his reporting job for a San Francisco paper because of non-event stories his boss keeps getting him. One of them is about a skinny-dipping woman named Julie Kirk (Claudette Colbert) who is the daughter of Eli Kirk (Ernest Torrence), a man Miller is interested in because he believes Eli has smuggled some Chinese immigrants illegally. This being pre-Code, there are some scenes that wouldn't have made it past the censors after 1934 like the one where Lyon and Colbert tour an old torture ship and Ben tricks Claudette into getting chained into one of the ship's devices just so he can kiss her without resistance! And she likes it too! There's also a brief picture of a nude woman in another scene. Witty lines dominate the first half with the two leads while the conflict between Colbert, Torrence, and Lyon takes part in the next in mostly compelling fashion resulting in a pretty satisfying denouement for those who believe in heartfelt conclusions. Well worth seeing for Colbert enthusiasts. P.S. This was Ernest Torrence's final movie.

Snow Leopard Although some aspects of the film don't quite work, "I Cover the Waterfront" is a pretty good atmospheric drama with some good moments. The setting works very well for a story of suspense and crime, and the good story mostly makes up for the less impressive elements of the movie.Joe Miller (Ben Lyon) is reporter assigned to find interesting stories along the waterfront. His obsession is to prove that ship captain Eli Kirk is involved in a smuggling operation with an occasional murder thrown in. When Miller has a chance meeting with Kirk's charming daughter Julie (Claudette Colbert), he seizes the opportunity to get information about her father. He quickly becomes enamored of Julie, and find himself with conflicting loyalties. Some of the story that follows is predictable, but there are some moments of tension and some good scenes.The waterfront setting is done nicely, and it makes a good background to the events in the plot. It also includes an exciting and realistic shark-fishing scene. On the other hand, there are some features that are less effective or even a bit dated: for example, the very callous attitudes of all of the characters towards Chinese immigrants, and Miller's irritating sidekick, who is supposed to provide comic relief by his habitual drunkenness, but who is really just an annoyance that contributes nothing whatsoever to the plot.Overall, this is an interesting film despite a few flaws, and it is worth watching for anyone who likes films of the era.