Texas Lady

1955 "WOMANLY WILES WERE HER WEAPONS!"
5.5| 1h22m| en| More Info
Released: 23 November 1955 Released
Producted By: RKO Radio Pictures
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Budget: 0
Revenue: 0
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Synopsis

Claudette Colbert plays Prudence Webb, who arrives in the wide-open town of Fort Ralston, Texas, to assume control of her late father's newspaper. Her first major print crusade is aimed at gambler Chris Mooney (Barry Sullivan), whom Prudence holds responsible for her dad's suicide. She then takes aim at a couple of crooked cattle barons (Ray Collins and Walter Sande), who'd like nothing better than to put Prudence out of the way for keeps.

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Reviews

NekoHomey Purely Joyful Movie!
Senteur As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.
AshUnow This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
Caryl It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties. It's a feast for the eyes. But what really makes this dramedy work is the acting.
Keith Kjornes She was 51 when she made this turkey, though she still tried the best she could to make it work. NO CLOSEUPS of her AT ALL in the film, and everything is shot from her LEFT SIDE, or straight on. A few glimpses of her right profile when she danced and the such, but 95% from her left side. Incredibly hokey film, the color is faded, Barry Sullivan looks bored to tears, Ray Collins spends half the movie sitting down. Gets interesting when the mean sheriff gets involved, and his resolution caught me off guard. But all in all, lame and dull and not up to snuff. Watch CLEOPATRA instead for a solid Claudette Colbert fix. Or better yet, catch the milk bath scene from THE SIGN OF THE CROSS or any scene from IT HAPPENED ONE NIGHT for a good dose. This movie just doesn't work.
Marlburian Flat and disappointing. As suggested by others, Claudette Colbert didn't convince in her role, nor did the affable Ray Collins as the local big land owner, Mica Ralston. Only towards the end of the film was the idea put over that he and the other cattle baron, aided by corrupt lawmen, were dominating the town.The barons and their henchmen never seem very threatening.The film's opening sequences suggest that Chris Mooney is an ace gambler, but he can't be that great if he's wiped out first by a woman who's only learnt the game a year ago and then by the owner of a small-town saloon, the Wigwam, Meade Moore. And he's a very forgiving guy because he falls for the woman and immediately becomes close buddies with Moore.It doesn't seem to dawn on the barons that the US mailman would seek help once they let him through their cordon around the town. Mind you, the help turns out be just two Texas Rangers, to whom Ralston meekly gives in.Yet again in a 1950s Western, I wondered if the sums being gambled had been inflated to present-day values to convey their size; $10,000 was a heck of a lot of money in the 1880s.Several of the supporting cast were very wooden.The best thing were some of the outdoor shots of the countryside, albeit photographed in slightly curious tints.
writers_reign Horace McCoy, arguably best known for his Depression novel They Shoot Horses, Don't They, subsequently adapted into an Oscar-winning film, is credited with the story and screenplay here and clearly phoned it in. The only possible reason anyone would want to spend time with it is the presence of Claudette Colbert in the lead role. One can only speculate what made her get involved in something so cliché-ridden; money, a need to retain a career in front of the camera at what amounted to any price? Who knows. Barry Sullivan was a generally reliable support in A-movies (see, for example, Queen Bee) who just as often got to play a lead in pieces of cheese like this. See it if you must but don't say I didn't warn you.
Film_Dex >>Claudette Colbert looking far too old and matronly for the part of an ambitious small-town journalist and card sharp Colbert certainly doesn't look matronly in this film - she's just as slender and attractive as ever.I've just attended the WIllimasburg Film Festival, which showed this film. It has great meaning for Gregory Walcott- it was his "breakthrough" role, and his wife was pregnant with his first child, which she gave birth to a week after the movie finished filming.In Walcott's biography, Hollywood Adventures, he tells the story of how he first met Colbert, who was concerned that he was so much younger than she was. But if older leading men can be put in with actresses 20 years younger than them, than women should be able to get the same treatment.It is a bit episodic, but fun nevertheless.