grypnhmr
I was prepared for a lot of entertaining acts and a passable story line. The story line was so ridiculous and invasive, about a young soldier and his crush on Joan Leslie (played by herself), that this movie ends up being a big gobble-gobble. Some performance highlights are an aging Eddie Cantor (whose banjo eyes are not as cute at 52) doing a tired old his-wife-is-pregnant routine, an all-black singing group called the Golden Gate Quartet that I've never heard of but probably should have, a TERRIBLE number featuring Joan McCracken with embarrassing crotch shots and the worst costumes ever to grace the big screen (I am embarrassed for her), and a quasi-flamenco dance by the Spanish team of Rosario and Antonio. The one incredibly good performance was by Carmen Caballero. Peter Lorre and Sydney Greenstreet do a small bit that is genuinely funny. I've also watched Stage Door Canteen, which is poignant and entertaining as well, and of the the two, SDC is without a doubt, the better of the two WWII-era morale boosters.
TheOneManBoxOffice
In 1941, America took a turn for the worse when the naval base known as Pearl Harbor was bombed by the Japanese, and was issued a declaration of war from Nazi Germany, thus pulling the country into the second World War. While our military forces were combating the enemy overseas, at home, we also contributed to their effort by buying war bonds, recycling important materials such as metal and rubber, among other things. Hollywood, especially, had a big part in this, with every major studio producing propaganda and war-themed shorts (both animated and live- action) and feature films that encouraged our troops overseas as well as took our minds off the mayhem. Why did I give you this little history lesson, you ask? Well, when I said that Hollywood had a big part in supporting our own troops and allied forces, they did more than just make films.In 1942, actors John Garfield and Bette Davis, along with the former president of the Music Corporation of America, Dr. Jules Stein, opened up an exclusive club reserved only for servicemen called the Hollywood Canteen. There, men who were on leave from military service, whether local or from one of the allied countries, got to relax and enjoy food, drink, dancing, and entertainment from some of Hollywood's greatest performers until they were ordered to return to active duty. Many of the performers also served as waiters, dishwashers, and cooks, believe it or not. The canteen would stay open up until the end of the war in 1945. In 1944, however, the place was so popular amongst the public that Warner Brothers Pictures decided to make a musical motion picture based around the establishment.This two-hour picture, filmed entirely in black-and-white, had one of the biggest star rosters in film history at the time, with most of the stars playing themselves, including founders Bette Davis and John Garfield, as well as Peter Lorre, Joan Crawford, Joe E. Brown, The Andrews Sisters, Jack Carson, Roy Rogers (along with Trigger, "the smartest horse in the movies"), among others. There is a story underlying this, though. It's about two Army soldiers who served in the South Pacific, with one of them, named Slim, falling in love with film actress Joan Leslie, who reminds him of his past fiancée. On the third night, Slim becomes the millionth customer, and wins a date with Joan. It then becomes a romantic drama between the two, as they both have feelings for one another. Thus, Joan makes it her goal to give Slim the best night he's ever had before he goes back to active duty.Aside from the story, the film is mainly a variety show, featuring several musical numbers and skits performed by the stars. A musical, it may be, but it's not the kind of musical where a character sporadically breaks into song a la Rodgers & Hammerstein in order to move the plot along. Even though the underlying storyline is put aside throughout a good portion of the picture, the film does not stray from its main attraction: the canteen itself and what it accomplished for our troops. The film got mixed reception from critics upon release, but audiences were all over it, with 40% of the ticket sales going to the real canteen.The film was enjoyable to watch, and serves as a time capsule of a bright moment in U.S. history during a dark time. Warner Bros. even made a parody/tribute of this film two years later via an animated Merrie Melodies short entitled "Hollywood Canine Canteen", which featured dogs that were reminiscent of Hollywood stars. This short can be seen as a bonus feature on the DVD. As for the film, an entertaining, yet informative watch for history and WWII buffs.
utgard14
All-star Warner Bros. hokum about a soldier (Robert Hutton) with the biggest crush on Joan Leslie. Who can blame him? So he spends his leave at the Hollywood Canteen meeting various stars and, of course, the lovely Joan Leslie herself. The story is slight but it's just an excuse to promote the Hollywood Canteen, a club that offered free food and entertainment to servicemen during World War II. The Canteen's founders, Bette Davis and John Garfield, are among the many movie stars that appear here. Ann Sheridan is one of the few stars that doesn't appear, despite her name being dropped repeatedly.It is a little bit self-congratulatory, with movie stars patting themselves on the back for what good people they are. Some things never change as that's still the case today. But, cynicism aside, it's all good fun and completely charming. There are lots of musical performances from the likes of the Andrews Sisters, Roy Rogers, Sons of the Pioneers, Jimmy Dorsey and His Orchestra, and several actors. Highlights among the cameos is Joan Crawford's first appearance under contract to WB and Syndey Greenstreet & Peter Lorre spooking a Marine. It's not high art but it's a good time and it made me smile.
robcat2075
Almost every face in this movie was a notable star but only a handful are remembered today. A few, like Joe E. Brown, I knew only from caricatures in cartoons.The musical performances are the best part, in fact, I fast-forwarded through most of the cringe-worthy story sections to concentrate on those. The story almost seems like a horrible joke on any real servicemen who might have seen this.As others have noted, one of the highlights is the Golden Gate Quartet number. I've read that studios had to plan scenes with substantial black performers ( i.e. those not portraying servants) so that they could be cut from the movie without damaging the story. Southern white audiences demanded that. It is very much in evidence here. Unlike most of the other musical segments they have no tie-in with the action on the floor.Too bad someone couldn't come up with a better story to tie it all together but the time-capsule nature of it makes up for some of that.
