ThiefHott Too much of everything

SunnyHello Nice effects though.

VeteranLight I don't have all the words right now but this film is a work of art.

UnowPriceless hyped garbage

scoup What an unexpected Great Movie! Having come across this movie and noticing Timothy Olyphant in the cast, I decided to watch. Another fantastic movie that did not get press. Shameful.Excellent acting. Each character was well crafted, quirky and emotive. Timothy Olyphant rocked as Dick. Each shot showcasing spot on facial expressions and genuine likability. Rossif Sutherland glides on the screen with charm and wit; hands down his best work. Joe Anderson was perfectly cast and so money, even with his "one lung". Stephen McIntyre made it hard to believe he was acting it was that good.This was a stellar ensemble cast. Story was tight. Editing fantastic. Music kept the viewer involved and geared. Well paced with no slow parts. Consistently comedic interwoven with drama.The joy of this movie is its slice of life character realism with their flaws just drawing you into their world. No perfect car chases. No crazy stunts. One very funny car honking scene.This is one of those few movies I will watch again and again any time.

Suzanne Licht The only criticism of this movie, is that it left me wanting MORE. It is one of the most darkly hilarious drug user movies I have ever seen, and each character was unique and quirky. The dialog, rhythm and strange twists and turns of the plot were highly entertaining. I would like to see more work in future projects by all these talented actors, who worked so well together. Rossif Sutherland, as Billy, was sensational, and presented a fascinating characterization. Timothy Olyphant was a very believable drug abuser, roughing up his usual extremely handsome appearance, and provided a kind of heroic center. This is edgy, brilliant work!

edumacated yeah. yeah. yeah. for me, it's the best dope shooter movie since drug store cowboy. but spun was really good too. but anyway, drugstore cowboy made me want to shoot dope, but this flick made me want to flush it all down the toilet. it is a big bummer. no glamor at all.high life, shows that dope draws many types of people together in common junky endeavors--primarily getting high, but also in doing time.these guys don't just share the junky drive, they also share the junky attention span. they're like two year olds--the world flying by them doesn't exist past six hours and the need for the next bump.and timothy olyphant, man he's good. i'd watch a half hour infomercial if he was in it. and hopefully he'll just keep getting better--that is if he isn't pulled off course by some home-made junky fix, or he just gets burned out on all that Hollywood crud.i really liked this, it's a good flick. the characters are well developed, but that's kinda easy--you probably know all these guys already; except i hope there's no bug in your life. cause' if there is, chances are you're living this movie and not watching it.

nofo04 I saw High Life last night at the Toronto International Film Festival. As caper movies go, it was one of the better ones I've seen. The real focus in on the four hapless criminals, who are all interesting, multi- faceted (and often amusing) characters. The script is clever, and the acting is uniformly strong. The film starts with the (now somewhat clichéd) tactic of showing the audience a scene of how everything has fallen apart for the four criminals during the heist, and then taking us back a few days to see how things got to that point. Make no mistake, this is a 'light' film and not a particularly memorable one, but it's a fun and often unpredictable ride that provided plenty of chuckles right until the end. After the screening, Director Yates and the cast fielded some questions. Yates was an amusing guy and made some insightful comments (particularly regarding the fun soundtrack), but I was a bit disappointed at how flippant/glib Timothy Olyphant's responses were. Seemed like a bit of a douche to be honest--like he saw himself as 'above' the project or something.