Frankenstein

1910
6.4| 0h14m| en| More Info
Released: 18 March 1910 Released
Producted By: Edison Studios
Country:
Budget: 0
Revenue: 0
Official Website: https://blogs.loc.gov/loc/2018/11/the-first-film-version-of-frankenstein-newly-restored/
Synopsis

Frankenstein, a young medical student, trying to create the perfect human being, instead creates a misshapen monster. Made ill by what he has done, Frankenstein is comforted by his fiancée; but on his wedding night he is visited by the monster.

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Reviews

Lovesusti The Worst Film Ever
Beanbioca As Good As It Gets
Humbersi The first must-see film of the year.
Matho The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.
Leofwine_draca This short has a place in film history, due to the fact that it is the first filmed version of the FRANKENSTEIN story. The piece will be familiar to any horror fan, with the creator making his creature which then terrorises lover Elizabeth.The acting is over the top and the film is crudely simple, yet it holds a certain charm due to the period in which it was made. Although the special effects are extremely primitive, there is a spooky moment of a flesh-covered skeleton waving at Frankenstein out of a creation bath.The Monster is a strange looking beast, played in a stilted manner typical of the era by Charles Ogle, and its appearance is unlike any other screen monster, the bushy hair and dirty clothing a total contrast to Karloff's black-clad and deathly pale figure. Although this film is too short to summon up anything other than some ghastly imagery and a few moments of atmosphere, it's a must for horror fans interested in the evolution of the genre.
skybrick736 Before Boris Karlof brought Frankenstein to stardom there was this particular short silent film that got the horror genre ball rolling. I'll admit I'm a tough critic on the film with a three rating but I thought two scenes dragged on way longer than what they could have, especially the scene inside the cauldron. Also, while that was going on there was a blatant few seconds of over acting by the main lead. Besides that gripe I thought the monster looked tremendous afterwards and I really dug the music and thought it flowed really well with the script. Finally, I was intrigued about the camera work and why different colors were shot at different scenes. Pretty sure there is a meaning to the hot (orange) and cold (blue) contrast as well as the typical black and white scenes. I wasn't impressed with the old 1910 Frankenstein but that doesn't mean I didn't enjoy it. Its a pretty neat film I suggest watching it if you are a horror buff.
sddavis63 Compared to either Mary Shelley's novel or the later talkie version of "Frankenstein" with Boris Karloff as the monster, this would certainly have to be described as a bare bones effort - to be expected, I suppose, from this era and in a 12 and a half minute short.The basics are there. Frankenstein discovers the secret of life and death (how, we're not told) and he uses that secret to create what he believes will be the perfect human being (the method of creation isn't explained) but that instead turns out to be only grotesquely human-like, rather than the perfect human. The monster (played by an actor named Charles Ogle) isn't as non-human as Karloff's version was, and there seems to be a certain sense of comedy about him. Eventually, this short becomes a story of jealousy. Frankenstein returns home to marry his sweetheart, but his monster haunts him and is overcome by jealousy against Elizabeth, Frankenstein's fiancé. The monster's demise wasn't sufficiently explained. Standing in front of a mirror, suddenly the monster disappears, leaving only its image, which also disappears after Frankenstein enters the room. The final scene shows the love between Frankenstein and Elizabeth, and I was left wondering if there really was a monster, or if this was all just a figment of Frankenstein's imagination, overcome finally by love.This short (perhaps inevitably) left a lot of questions.
calvinnme This twelve minute adaptation of Mary Shelley's tale has an element that the later versions don't have. In this version Frankenstein apparently uses some kind of potion to create the monster in a large pot. You then get to see the monster emerge from the pot, first as a skeleton, and then skin and even clothing form over the skeleton. This was filmed by starting with a model of the monster, melting the form, and then filming the reverse of this melting as the creation of the monster.The story starts with Frankenstein going to college. Here he never becomes a doctor, but apparently two years into his studies he has discovered the secret of life and death and is ready to create a perfect human being. Instead he forms an extremely mishapened creature. The creature then follows Frankenstein around, even becoming jealous of Frankenstein's bride-to-be. How the monster is eliminated is very odd, and I'll let you see it for yourself to find out how it ends. Just let me say that there are no crowds of villagers with torches and pitchforks in this one. Instead the ending is very Victorian and even magical.This is very much worth looking at if you get the chance.