M'Liss

1918 "The School Master begins to like M'Liss."
6.5| 1h13m| en| More Info
Released: 05 May 1918 Released
Producted By: Mary Pickford Company
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Budget: 0
Revenue: 0
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Synopsis

M'liss, a feisty young girl in a mining camp, falls for Charles Gray, the school teacher. Charles is implicated in a murder of which he is innocent, and the two must fight to save him from a lynching.

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Reviews

Colibel Terrible acting, screenplay and direction.
Vashirdfel Simply A Masterpiece
Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
Staci Frederick Blistering performances.
PamelaShort M'Liss is the quintessential feisty, self-sufficient adolescent girl, that Mary Pickford naturally played the best. This story is about a bold and sassy girl, more mother than daughter to her alcoholic father, who is killed leaving the girl to fend for herself. M'Liss is also an amusing parody on Westerns, with the brazen girl holding up stagecoaches with a slingshot and romping around the countryside like a wildcat. Theodore Roberts is adorable as her drunken father , with his sole asset Hidegarde, the chicken he guards so lovingly as her eggs are traded for whiskey. All the supporting actors are very good in their roles. I especially enjoyed Charles Ogle, as Yuba Bill who cares for M'Liss in a fatherly fashion. Mary plays M'Liss with her usual combination of charm and pluckiness. There is a scene in the film in which M'Liss carries a snake into a classroom, causing some turmoil. Pickford found out later that the scene, which was not in the script, was a result of a bet between director Mickey Neilan and the crew. Neilan came up with the idea of working a snake into the story and the crew told him Mary would never agree. He laid a bet, and he won. All the exterior scenes were filmed very artistically on location, near Boulder Creek in Northern California, by the outstanding cinematographer Walter Stradling. Though not considered one of Pickford's best films, M'Liss is still very enjoyable to watch.
Cineanalyst "M'Liss" is a pleasant, if pointless, Marry Pickford vehicle. In it, the then-26-year-old played a mischievous teenage mountain girl who sports a slingshot. Mary often played child roles, but it's somewhat unseemly here considering that little time elapses between her character placing a doll in a coffin and grave to her and her schoolmaster falling in love. Today's audiences might also find it interesting to see in the film a public classroom where Bible stories appear to be the main curriculum (and Mary is amusing playing the skeptic)."M'Liss" is a mostly breezy and light film, but it would've benefited from further shortening, namely in the plentiful number of title cards. Scenarist Frances Marion deserved much credit for helping to launch Mary's stardom and typecasting her in child roles, beginning with "The Poor Little Rich Girl", and Marion is one of the most important screenwriters in film history, but in the silent era, she sometimes had the vice of talking too much. The subplot of inheritance from a rich relative, which helps tack on a happy ending, was also unnecessary.
caldoni I have little or anything to add the comments of others who have spotted this movie for what it is, a story-vehicle for Mary Pickford, which is okay.The story itself isn't worthless but it feels a little worn in. I did however appreciate the messages ingrained in about families not being traditional, it's mediations on alcoholism, vigilantism and even pedophilia are interesting peaks into a time and a place we missed, but they don't occupy a lot of screen time. Some of the cinematography is great, but really the supporting cast is excellent, in particular the drunk old dad.The most relevant story convention is that of the indigent people ousted by cruel capitalist bent on their land, but that story is told better in both "Tess of the Storm Country" and "Heart O' The Hills" (this movie is featured on Milestone's "Heart O' The Hills DVD release.)
burntoutsquid It may not be Pickford's best movie, but it's definitely her cutest. I can't help but be a little biased, however: I always felt that her melodramas were a little too dated, and the ones that really last are these scantily plotted, silly comedies that don't take themselves too seriously.It's priceless to see her "hold up" a stagecoach with a sling shot, or wonder what "-??-" means when put between "none of your" and "business." (They already showed a willingness to print "damn," so that narrows it down.)The inter titles are funny, although in a silent film they don't have to be, and the supporting characters are just as fun to watch as Mary. It's on the "Heart o' the Hills" DVD that came out in '05 as only a special feature, but it's the more enjoyable of the two.