Flying High

1931 "BERT LAHR The Funniest, Most Imitated Man on Stage or Screen Charlotte Greenwood The Longest Laugh in Pictures."
5.6| 1h20m| NR| en| More Info
Released: 14 November 1931 Released
Producted By: Metro-Goldwyn-Mayer
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Budget: 0
Revenue: 0
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Synopsis

An inventor and his lanky girlfriend set an altitude record in his winged contraption.

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Reviews

Exoticalot People are voting emotionally.
Crwthod A lot more amusing than I thought it would be.
Afouotos Although it has its amusing moments, in eneral the plot does not convince.
Gary The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.
MartinHafer As I watched this film, my wife sat nearby and made MANY comments about why she hated this movie. Among the many things she said about the film, words like subtle and entertaining were NOT among them! And, in hindsight, she was right--this is an awfully bad film.Originally, "Flying High" was a stage production put on by George White. Much of the staginess remains--along with some bizarro song and dance numbers where no audience could have possibly seen the choreography. Like so many films of the day, there are lots of Busby Berkeley-style overhead shots--and they are all pretty ridiculous. Only two years later, RKO also made an airplane theme musical, "Flying Down to Rio" and although it's also totally ridiculous, these over the top dance numbers were fun. In "Flying High" they become a bit tedious.The plot is slight. Sport (Pat O'Brien) has built an 'aerocopter' (an early type of helicopter) and is trying to get the money to market it. So, in a last-ditch effort, he gets his subhuman friend, Rusty (Bert Lahr) to romance Patsy (Charlotte Greenwood) because she has some money to invest. Unfortunately, all of Sport's contributions to the plot are minor and the main focus on the film is on Lahr and Greenwood. I say unfortunately because Lahr is simply awful most of the time--making nonsense noises like Curly from the Three Stooges and over-acting incredibly. Greenwood comes off a bit better as the man-crazy spinster--but they aren't the least bit interesting as a couple. Combine this with the god-awful use of rear projection in the amazingly unfunny 'funny' finale and you've got a film that is just tedious in every way. By the way, the only interesting thing about this film is its pre- code sensibilities. In the doctor skit there is some risqué language and later, there are some double-entendres about sex in some of the scenes with Greenwood and Lahr. This doesn't necessarily make the film good...but at least it is interesting to hear words like asinine and narcotics--words you simply wouldn't have heard in films post mid- 1934.
Lone_Prospector As a huge fan of pre-codes, I was disappointed with FLYING HIGH. Bert Lahr's performance was way over the top. Yes, as other reviewers have noted, Bert's 'act' pretty much foreshadows his role of a lifetime as the Cowardly Lion in THE WIZARD OF OZ. But still, I did not find him funny at all. He was rather annoying actually.Pat O'Brien is great in the straight man role and Charlotte Greenwood is her usual awkward self. Even these decent performances can't save this one.As far as controversial pre-code scenes, I found the 'It'll Be the First Time for Me' duet to be one of the most suggestive pieces of film around.One last thing. Is it just me, or does Bert Lahr's schtick seem patterned after Curly Howard of the Three Stooges? It feels at times like Bert is doing a spot on impersonation of Curly. I used to think that Bert as the Cowardly Lion flat out stole Curly's routine. But given that FLYING HIGH was released before Curly, Moe, et al. made it big, now I wonder who copied who.
Ron Oliver A slightly unscrupulous promoter hopes to be FLYING HIGH after selling stock in a half-crazed inventor's aerocopter.The rather bizarre humor of comic Bert Lahr is showcased in this fast-moving little comedy. Rather an acquired taste, Lahr's antics will either delight or depress the viewer, who should not be expecting to see an early version of the Cowardly Lion. Lahr's style of humor might be best described as moronic and those who enjoy laughing at the feebleminded should find him quite amusing.What helps to ameliorate Lahr's antics is his teaming for much of the film with the great Charlotte Greenwood, who excelled in deadpan physical comedy. With her long legs and horsy features, Greenwood makes her man-crazy character into a real source of fun. Whether it's chasing Lahr around an airport, enduring a riotous Wedding Morning, or flailing about in his contraption thousands of feet in the air, Miss Greenwood never fails to pack in the laughs.Pat O'Brien seems rather uncomfortable as Lahr's straight man and his romantic scenes with spunky Kathryn Crawford are somewhat less than enthralling. Charles Winninger catches the viewer's attention as a naughty, pre-Code doctor interested in examining a bevy of young aviatrixes. Cherubic Guy Kibbee & stately Hedda Hopper do credit to their short screen time as Miss Crawford's parents.Movie mavens will recognize an uncredited Clarence Wilson as Greenwood's bad-tempered lunch counter boss.Busby Berkeley has provided some fairly decent dance sequences whose sole motivation seems to be to reveal as much feminine flesh as possible, but the overhead kaleidoscopic shots are pleasant harbingers of the classic work he would perform a few years later at Warner's.Lahr's aerocopter, which may or may not be technically feasible, is based on the gyrocopter or Autogiro, both of which actually did fly but have now been almost completely superseded by the helicopter.
lzf0 This was Lahr's first starring feature film. It is based on his stage hit of the same name. He is completely over the top. This wild stage persona can also be seen in his shorts for Educational, but by the time he made "The Wizard of Oz", he had begun to calm down. Charlotte Greenwood plays the role originally done by Kate Smith on Broadway. She and Lahr make a fine combination. This film includes a doctor's office sketch which is quite risqué and is of questionable taste. Lahr keeps the film from being boring, but his energy can become very tiring. The De Sylva, Brown and Henderson musical numbers from the original show have been deleted, but there are a couple of new Dorothy Fields-Jimmy McHugh songs, with Busby Berkeley style "choreography", and of course, Lahr gets a musical number to show his stuff. All fans of the Cowardly Lion should check out this film.