Artivels Undescribable Perfection

Beanbioca As Good As It Gets

Sexyloutak Absolutely the worst movie.

Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.

jc-osms Elvis back from the brink. After years of increasingly mediocre movies and records, Elvis pulled himself together and appeared in this US TV special and reminded all the hipster crowd who'd moved onto the Beatles, Dylan, Stones, Doors et al just who was still the coolest cat in town.Looking lean and singing mean, the King gets back to his rock and roll and gospel roots in fine style. The show centres really around his recent minor hit record, the excellent, underrated Jerry Reed-written "Guitar Man", but breaks early on for the show's most celebrated sequence as Elvis pours himself into a black leather jump-suit and kicks back with his band in a succession of rock and roll classics. There's also intercut footage of him on the same small stage sans-band rocking out on his early classics "Don't Be Cruel", "Jailhouse Rock" and "Blue Suede Shoes". Perhaps he sings a little too hard at some of these junctures and I could have done without the onstage Memphis Mafia's sycophantic exhortations but in truth he's in great voice and performs with complete confidence.The show then moves to the "Guitar Man" fantasy sequences which unfortunately see less screen time for Elvis at the expense of the slickly choreographed but very un-rock and roll young dancers, the only excuse for their participation which I can see is to either give Elvis or rest and/or time for a costume change. In fact he acts out these mini-sequences with more conviction than in his latter- day movies - earlier on he even cracks a self-deprecating joke about his 29 Hollywood features. The finale is a no-holds-barred version of his then current hit, the big-message song "If I Can Dream", where garbed all in Southern Gentleman white, he looks great against a giant backdrop of just his name.It's not all perfect, like I said the film sequences go on a bit, some of the arrangements are already heading for Vegas and I don't care much for the sentimental song "Memories" which he sings here and which became a "meet and greet" staple at his future shows, but in truth this is a magnetic, knockout performance by Elvis before his manager Colonel Tom Parker sent him to Vegas, where he bigged up on burgers and drugs, losing his shape, then his voice and sadly, in the end, his life.Remember him like this, not the shambling overweight figure who later had to be propped up on stage, read from a lyric sheet and muck up his own songs.

MARIO GAUCI The unassailable reputation of this legendary TV special prompted me to acquire it regardless of the fact that I have little more than a passing interest in its subject; actually, a conversation I had on "Facebook" with the top local Elvis fan I know on the day that would have been "The King"'s 76th birthday is what made me watch it immediately! Although the IMDb gives the show a slim 50-minute duration, the copy I acquired ran for around 73 and, indeed, looking up some information on it after the fact, I realized that there are several versions available out there, culminating in the exhaustive 7½-hour "Deluxe Edition" released in 2004 spread over 3 DVDs! Presley's fans must have drawn a great sigh of relief watching their idol get back to his true métier of performing live in front of swooning audiences; what really impresses the 'infidels', however, is the sheer energy and magnetism that a totally black-clad Elvis is able to transmit in this up-close-and-personal/back-to-basics rendition of his decade old classic hits that, surely, must have been the precursor to the "MTV Unplugged" fad that proliferated a quarter-of-a-century later. And so it is that we have Presley belting out full-length or medley versions of "All Shook Up", "Don't Be Cruel", "Heartbreak Hotel", "Jailhouse Rock", "That's All Right" and even a tongue-in-cheek "Love Me Tender"(!) – performed either while barely containing himself in a chair (and accompanied by a handful of seasoned musicians) or standing up with guitar in hand as he interacts with the fans sitting literally at arm's length away from him! In spite of the stripped-down nature of the songs themselves, the show was captured on camera for posterity in as slick and flashy a manner as was possible at the time; in fact, we have here any number of suggestive camera angles and cleverly worked-out shots which, in their evident attempt to highlight the older but perfectly matured figure of its 33-year old star (a far cry from the bloated, all-white image of his later Las Vegas days), are par for the course. However, it was hard for me to accept the incongruity of a couple of truly elaborate musical numbers which, for all their intrinsically enjoyable kitsch elements (not the least of which is seeing Elvis felling his foes with karate chops!), reeked of the blandly exotic Hollywood musical vehicles that one hoped Presley wanted to fully leave behind with this startling image revamp and, basically, only served to stretch the show to feature-length standards. At any rate, his acclaimed album "From Elvis In Memphis" (which I have yet to listen to) was just around the corner...

IronSo8 "Mah man, mah man," he says while prowling about after one song. Black leather, lean and singing great. Elvis was the greatest, no one can touch him not even close. What he had came from the inside out, just a gut instict performer with a lifetime of showmanship skill. This is one of my favorite videos. If I find it on DVD, it's mine!

Jerry Ables I have absolutely no complaints about this special because I think it did a great deal of justice to Elvis Presley's stellar career. Everything about it makes it great from the pit session to the musical production numbers. Elvis even closes it out with the awesomely compelling 'If I Can Dream'. This is very easily Elvis at his absolute best. I highly recommend it to any fan.