Solemplex To me, this movie is perfection.

Lawbolisted Powerful

Philippa All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Horst in Translation (filmreviews@web.de) "Hundstage" or "Dog Days" is an award-winning Austrian 2-hour film from 15 years ago written and directed by Ulrich Seidl. And while I did not think this was a bad movie, I must say that I prefer his more recent works, especially his "Paradise" trilogy which is quite a thing of beauty. Seidl's approach, however, is certainly visible in here too. His films always have a dark and slightly depressing take on love and especially sexuality. You should also not be surprised to see graphic nudity in here, but I think it was working in the context as it simply belonged to the story. It is basically the "Paradise" trilogy packed in one movie as we follow the fates and sexual identities of a whole bunch of people that have very loose connections to each other. Nonetheless I have to say that I was not too well entertained while watching this film. It could have been shorter I think and still would not have lost and of its substantial message, but this way it felt a bit overblown. And occasionally I also felt that the stories were just written in a way to be as controversial as possible and not really as means of telling a great movie. The actors still do a good job, especially Maria Hofstätter once again. Finally, even German speakers may have problems with the thick Austrian accents in here, even if I found most of it was not too difficult to understand. So just in case make sure you have subtitles. Overall, I was slightly underwhelmed by this film. Seidl has done better on several occasions.

Boris European There is something special about the Austrian movies not only by Seidl, but by Spielmann and other directors as well. This is the piercing sense of reality that never leaves the viewer throughout the movie. Hundstage is no exception. This effect is achieved not only by the depicted stories but also by actors playing. In Hundstage I have never had the feeling that these are actors playing, but real people instead. So real is the visceral feeling of the viewer...Almost as if the grumpy pensioner or lonely lady in the movie are living below you in your block.Any person living in Vienna can without any doubt painfully recognize the people in the movie with their meckern/sudern (complaining), their hidden sexual urges and the prolo macho guys. This is further reinforced by the Viennese dialect which is, according to many, especially made for complaining as a way of life. A special parochialism and arrogance typical for Vienna are also very well portrayed.The Viennese suburbs have a vivid presence in the movie with their stupor and drowsiness where nothing happens. Moreover, they have been turned into a celebration of materialism with shopping malls and huge department stores. Inbetween are the houses of the people where they indulge into what they reckon is pleasure-giving activities, trying to stay in touch with their human selves, yet in vain. The examples are the sexual game of the old lady with the men which bordered on rape, the prolo guy losing his nerves and hitting his girlfriend and the young woman who hitchhikes and irritates her drivers.The film has no soundtrack as it concentrates on the normality/abnormality of its images only. Another typical feature of Seidl (and other Austrian directors) is his showing of disturbingly sexual images. These include the stripping of the old woman for her husband, the sexual scenes in the bath, the sexual game of the lady with the two men in her apartment, etc.In Hundstage Seild has portrayed the lives of people who eventually may be as much Viennese as they could be citizens of Paris, New York or Madrid. The viewers should not despise or feel pity for the Viennese in the movie as they themselves could become victims of the same human estrangement and alienation, albeit in different circumstances. In the end, I believe Seidl's film is a warning to us about the terrible state of human relationships so brutally revealed in Hundstage. And if the viewer does not succumb to the reasons for this evil transformation, Seidl has achieved his goal.

M A The problem I find with this title is that I am not sure if the director is trying to produce a documentary or movie. A blend of the two genres just doesn't work and that leaves the whole thing hung in the middle of nowhere. This is more so as the director has picked the most extremes of what is supposed to be happening around our everyday life making it an unconvincing documentary. If it is meant to be a thriller/drama this is too dull and monotonous. In either case, what is the moral or the message which the director is trying to convey to the audience? That around us there are people who ill-treat others who are willing to be ill-treated? That there are many crazy lunatics around us? So..........so what?

richardv-johnson Oh my, from the box description I thought it would be LA-crazy like 2 Days in the Valley or Hugo Pool. Ulrich Seidl must be a very strong man. Most, after directing this, would have driven off a cliff or at least committed a mass murder. I confess to only watching the first half hour (for now). Reading all the comments here, I have a lot to look forward to. Professional reviews often mention the Swedish film Songs from the Second Floor as a parallel but that's graced with humor and fantasy and this is unrelenting in its dour realism. What hath the Marshall Plan and the EU wrought? Seeing this in a theater with anyone I know would have only resulted in an enforced departure after many fewer minutes than I got through on DVD. There's a more annoying creature in the universe than Jar Jar Binks - the Hitchhiker from Hell. Whatever happens to her, it isn't enough! Soulless suburbia that I thought only existed in Arizona and Florida thrives in Lower Austria. Oh no! I thought sex clubs had ceased to exist even in New York and San Francisco, and here they are in suburban shopping malls? Was it Mahatma Gandhi or Jawaharlal Nehru who said when asked about Western Civilization, 'why that might be a nice idea'? If the world were truly like this film, bring on that black hole, we're ready.