Paradise: Love

2012
7| 2h1m| en| More Info
Released: 27 April 2012 Released
Producted By: Tatfilm
Country: Germany
Budget: 0
Revenue: 0
Official Website:
Synopsis

On the beaches of Kenya they’re known as "Sugar Mamas" —European women who seek out African boys selling love to earn a living. Teresa, a 50-year-old Austrian and mother of a daughter entering puberty, travels to this vacation paradise, moving from beach to beach.

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Reviews

GrimPrecise I'll tell you why so serious
Afouotos Although it has its amusing moments, in eneral the plot does not convince.
Bergorks If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.
Nicole I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.
Lute I take issue with an earlier review that referred to this character as a "witless African Boy" given to Teresa to fondle on her birthday. This whole scene turns on his performance. His lightness, elegance and grace as a dancer contrast to the crude slouching and humping of the women, including Teresa, who were fixated on getting him erect. In short, the stripper has the moral high ground here.
mamlukman I watched this for a very particular reason: last year I began researching conversions to Islam among Westerners. I found that 75% are women between 15-24. That seemed a bit odd to me...then I read a French report on Islamic extremists--most were, surprisingly, women converts! Then I began thinking about cults...the Manson Family...mostly women...Branch Davidians....mostly women....and so on. Then there is the phenomenon of the kidnapped girls, some of whom had the freedom to run away but refused to do so (Elizabeth Smart, et al.). While watching "Beatles: Eight Days a Week," which is mainly about the concerts the Beatles gave, it struck me that virtually the entire audience was young girls, all hysterical. Why???? Then, when thinking one day about Obama's mother (married a Kenyan student when she was very young, then married an Indonesian), I stumbled across this sub-culture of women who search out exotic locales for sex tourism. It's not a new phenomenon, but I'm not sure when it began-- "Heading South," about female sex tourism is supposedly set in 1979. "Bezness as Usual" is set in Tunisia in present day--but it concerns what happened almost 30 years ago--so c. 1986 or so. "Paradise: Love" is present day, so 2012. I am curious when this phenomenon began--when women as well as men began taking sex holidays. Maybe the sexual revolution of the 1960s unleashed something??? What's up with all these women? If anyone has a clue, please answer in FAQ comments.As for "exploitation," it is not an easy issue. Clearly the power is in the hands of the European/American women. They have the money, they have passports to leave when they're ready, and they seem to be relatively safe. One movie said something like "Tourists don't die." The beach boys on the other hand know exactly what they're getting into. Yeah, you could say they "don't have a choice" but as Sartre said, "There is always a choice." And they do have power too--the women get emotionally attached to them; they never, ever get emotionally attached to the women--even if they marry them. They manipulate the women, as "Paradise: Love" shows so well. The hero of this particular movie is Joseph (or something like that) the bartender. At the end of the movie he says he "wants" to have sex with her but "is not used to" doing such things. In the end, his reluctance gets him kicked out of the room. But he is the moral force, such as it is, of the movie.If this is the face that the West presents in these countries, it's no wonder the West is hated and despised. But the women--in all these movies--don't give a second's thought to that. It's all about them personally, and the larger picture is not even on the horizon.This is a good movie in the sense that it at least tries to take a stab at explaining the women's motivations. A second movie, Dutch, 2016, is "Benzess as Usual," where the son of one of these vacation idylls returns to meet his father. In this case, it's Tunisia. But exactly the same thing is going on--older women using younger, poor men for sex. And, as hinted at in "Headed South" in this case the beach boy is taken to the Netherlands and then Switzerland (by different women!). He marries both, but of course it ends badly. A third movie in this genre is "Heading South." In this case, it's French and American women in Haiti. (But it happens throughout the Caribbean, esp. Jamaica). The location changes, the story is the same. There are also numerous youtube videos on this theme. And then of course there are books like "The White Masai" about a young (!) Swiss woman who marries a Masai--and not an educated, Westernized one, but a native from a village living in a mud hut. It's beyond bizarre. She is "shocked" when things don't work out. I am simply speechless.
laneamala This film is certainly not for the faint of heart. A woman (a nurse). who is obsessive compulsive about cleanliness and who micromanages her daughter, escapes to Kenya for a vacation. She 'loves' her daughter and she wants 'love' from these male prostitutes. The whole concept is extremely sad. Maybe it is true that this is the human condition for some women but I just found it too offensive to watch. It made me sick to my stomach to see the racism and objectification going on. I disagree with other reviewers' descriptions of the sexual frankness and naturalness. The whole film is fraught with awkwardness and vulgarity. None of these characters is really there for love. It is a docu-drama on sexual exploitation and racism. And it reveals painfully the incredible imbalance of power that exists on this planet as well as the extreme lack of sexual maturity and ability to create intimacy in our lives. Eros permeates everything and is what can lead us to experience true intimacy and ecstasy. But when all is seen as an object for one's own pleasure, for an escape from pain, there is no eros, no love. Of course, the filmmaker isn't trying to show us true love. Obviously, this is about the whole problem of the emptiness in these women's lives. And perhaps it shows men who are into sex tourism just what they're doing better than if it were a male centric sex tourist film. But I find it so flat and I agree with one of the reviewers that that is because the director never takes a moment to allow even a bit of connection, true humanity to shine through. It's hard to find this scenario plausible because I can't believe that the only thing these woman want to do is get laid. But then again, I might be naive. Maybe that is all they want after all.
blue_blues44 It shows the same thing as men in Thailand but from a mirror perspective.To feel how it is to be a woman seeing how men behave in Thailand was hard to understand and didn't really wanna care. Mostly I think its because one cant relate to it if you don't have attraction to the sex that actually performs the disgusting acts. For example men seeing old men having sex with young girls.This made me care even more how disgusting it really is and easier to relate to it by watching from the "other" side.I think both female and male will learn something by watching this that we aren't so much different or better then the other person. Good and bad is seen in both sexes.This is a great movie - it doesn't hold back. Hold on to your chair... this is gonna be a ride thats gonna make your jaw drop! Worth it...