Circle of Danger

1951 "A man on a man hunt!"
6.5| 1h26m| NR| en| More Info
Released: 17 April 1951 Released
Producted By: RKO Radio Pictures
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
Synopsis

An American comes to Britain to investigate the murky circumstances of his brother's death that occurred during a WW2 commando raid.

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RKO Radio Pictures

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Reviews

BlazeLime Strong and Moving!
Livestonth I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible
Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
malcolmgsw During the 1950s a number of ilms were made where the plot centres around a wartime raid that went wrong and investigations as to who was the culprit.This is one of the lesser examples of this genre.It would be difficult to call this film a thriller since there is a distinct lack not only of tension but also danger.Ray Milland ,that well known Welshman,seems to have more problem in dealing with this country's old currency than actually uncovering what went wrong and how his brother died.Patricia roc seems to have been cast as the mandatory love interest.Rather a disappointment bearing in mind the cast.Some nice location work.
mamalv A tale of mystery and a quest for the truth make this quite the journey. An American (Ray Milland) sets out to find how his younger brother died in service. Along the way he meets a lovely Scottish lass (Patricia Roc) and falls for her. However his quest is so obsessive he may get the truth and lose the girl. This is a nice film with twists and turns that will make you want to go along for the ride. The last portion of the film is tense and we wonder if Douglas (Milland) will survive his walk with Hammish the man who killed his brother. Too bad that this film has such lousy transfer, the quality is very poor. However it is worth watching again, and again.
howardmorley Ray Milland (born in Neath, Glamorgan, Wales) keeps his transatlantic accent playing an American searching for the reason for his brother's death during a commando raid attached to the British army in 1940 (before America entered the war) in Brittany, France.Ray leaves his diving team searching for precious metal off the coast of Tampa, Florida, takes his share of the profits to date and travels to the UK in his aforementioned quest.Along the way he meets up with the few surviving members of the commando team travelling to Covent Garden, London; Teddington Lock on the Thames; Hammersmith west London; and up into the Scottish Highlands where he meets Patricia Roc a children's book authoress and illustrator.Her character seems to blow hot and cold with Ray but at least she does not have to compete for Ray's attention with Margaret Lockwood (who was busy filming elsewhere).Also there, is Hamish (Hugh Sinclar) who was the commanding officer in the raid and who loves Patricia Roc's character (although she only likes him).Ray even buys a used car off wide boy Naunton Wayne (who for once is without his screen companion Basil Radford) in return for information - at least it saves Ray having to "cadge" lifts.Marius Goring plays a sinister character who since the war end has gone into producing ballet (and I am sure he got the role after playing the composer in Powell & Pressburger's acclaimed " The Red Shoes" (1948).The director, Jacques Tourneur is most notable in my collection for "Out of the Past"(1947) and "Experiment Perilous" (1944) and here directs an exciting "whodunnit" which takes Ray back & forth as he gradually unravels the truth.As another reviewer has stated we get to see some good locational shots which makes a change from hidebound studio interiors.Another curious thing is there is no noticeable mood music in the film.The final scene is unexpected and you are led down several blind alleys first.Enjoyable, I rated it 7/10.
robert-temple-1 Jacques Tourneur directed this postwar British mystery film very well, and the cinematography by Ossie Morris and camera operating by Arthur Ibbetson were superior, and added to the film's atmosphere considerably. Ray Milland is the lead actor, playing an American who visits England and wants to find out how and why his younger brother had died during the War. The brother (not seen in the film) had joined up as a British commando in 1940 and was mysteriously killed on a commando raid 'with not a German in sight'. Was he murdered by a comrade? Milland sets about visiting in turn all of the 12 men of the commando unit, only to discover that many of them are dead and one died only two weeks before his arrival in England after suggesting that the brother had been a murder victim. One of the surviving men is an East End wide boy played by Naunton Wayne, who is usually a bumbling gent but on this occasion is a convincing used car salesman. His girl friend 'Bubbles' who even does a singing number is played by the ever-effervescent Dora Bryan. A deeply sinister performance is contributed by Marius Goring, as a gay ballet dancer who knows how to handle a gun and whose role in the story only becomes clear at the end. Patricia Roc is the love interest, who alternates between being bouncy and adorable and being the most horrible spoilt brat who pouts if kept waiting for a few minutes and accuses Milland of not being dressed properly when he is in a mere suit and tie (she snottily points out that he has 'ruined her evening' because he hasn't had time to change into black tie). She really needed several good spankings, but does not get one, unfortunately. Milland is very effective in this mysterious tale, exerting extraordinary self-control in the face of extreme provocation from the uncommunicative and rude former comrades of his brother. There are some fine shots of the Scottish highlands as Milland pursues the truth north of the border, where the whistling of a folk tune called 'White Heather' takes on significance in terms of identifying the killer. This is a fine film without pretensions, where the intrigue is unravelled like a thread and leads Milland to strange discoveries about what really happened.