Jeanskynebu the audience applauded

GamerTab That was an excellent one.

FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

Gary The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

MikeMagi If you want to excuse the mediocrity of "Children of Pleasure," you can point out that it was made in 1930 when movies were just learning to talk. On the other hand, over at Warner Bros., they were revving up the style and sparkle of "42nd Street" and the first "Gold Diggers" (both released in 1933.)Aside from its clumsy title, "Children of Pleasure" has unimaginative production numbers (Busby Berkeley would cringe,) a leading man, Lawrence Gray, with no charisma, embarrassing ethnic humor and a creaky plot about a songwriter who falls for a phony society dame but doesn't realize that even at their wedding rehearsal, she's thinking of divorce. Meanwhile, the secretary who truly loves him is prepared to hurl him at his heartless sweetheart. Talk about noble sacrifice! As a museum piece, it's worth watching. As entertainment, it's pretty grim.

museumofdave If you are possibly going to spend 75 minutes or so out of your life watching an early musical from MGM, there's a strong chance you already know what you're in for--this short quickie, compared to a creation from Busby Berkeley at Warner's a few years later, is primitive indeed, but captures a time and place in Hollywood like few other films are able to do.The plot is simple--winsome secretary loves a songwriter who falls for a society dame. The songwriter is zippy Lawrence Gray who smiles through his tears, and composes a song when he wants to express himself in love or out of it. One of his interpreters (and comic relief) is a Sophie Tucker type, a sort of Red Hot Mama attached to her ethnic pianist (at least that's how's he's played). We get some peeks at various musical numbers, some out-of-step minstrels in a theatre and a nutty song and dance in a nightclub--and "you ain't seen nothing" until you've seen the production number for "Dust," one of the hero's hits--with several helpings of actual dust--and later, a catchy little number "The Whole Darned Things For You."The pleasures in this film are to be found in the sense of history it represents, awkward dealings with the sound, none of it prerecorded--even an outdoor encounter with comedian Jack Benny is fascinating, and one wonders if the subway entrance was a location shot or on the MGM lot. "Jiminy Cricket" Cliff Edwards also makes a jokey cameo, and the film zips along at a good pace--but ending as if the producer decided the company had run out of resources and just called "cut" and "print." Children of Pleasure is an archivist's delight!

LeonLouisRicci Absolutely Abysmal Early Talkie Musical that is One of those that is Totally Forgotten and for Good Reason. It is an Example of Hollywood Unmasked for what it can be at its Worse. Even in 1930 this must have been Awful. Considering Neither the Director nor the Stars did Anything Worth a Note After this Bomb.There is a Fat Leading Lady Singing and Dancing as a Wondrous Stage Star and is the Blunt of Ugly and Weight Related Humor. There are Jewish Comedians and Songwriters that are Stereotypical Embarrassing.One Staged Musical Extravaganza with Dozens of Shapely Girls in Rotation and Counter Rotation that Anticipates Busby Berkley is a Highlight, but Mostly the Movie is a Tough Watch because it is So Dated that it Cannot even be Seen as High Camp. It's just One Cringe Inducing Scene After Another. This One has been Relegated to the Dust Bin and Once in a While TCM Brushes it Off for a Screening, but that Only Reinforces its Place in what can Only be Described as a Pathetic Picture.

drednm Snappy musical of songwriter (Lawrence Gray) who falls for a society girl (Helen Johnson) much to the chagrin of his faithful secretary (Wynne Gibson). Gray sings a few songs and there are some productions numbers from Broadway shows that feature May Boley, Benny Rubin, and Gibson.Supposedly loosely based on the life of Irving Berlin, this is an interesting early musical, one of many that Gray starred in. The songs are pretty much integrated into the plot and chart the course of love as Gray writes songs for Johnson (also known as Judith Wood) and then creates dark lyrics when he learns she's only out for a lark.I suspect some material has been cut and long lost since the film clocks in at a little over an hour.Gray is a pleasant leading man, Gibson a surprise in her singing number, Boley a powerhouse (despite the hideous costumes) as the "red hot mama," and Rubin always good for a laugh. Cameos by Jack Benny and Cliff Edwards don't add much. Co-stars include Kenneth Thomson, Ann Dvorak (chorus girl), Mary Carlisle, Lee Kohlmar, and Doris McMahon, the girl from Buster Keaton's FREE AND EASY who wants to sing a funny song.