Mr. Holland's Opus

1995 "Of All the Lives He Changed, the One That Changed the Most Was His Own."
7.3| 2h23m| PG| en| More Info
Released: 29 December 1995 Released
Producted By: Hollywood Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

In 1965, passionate musician Glenn Holland takes a day job as a high school music teacher, convinced it's just a small obstacle on the road to his true calling: writing a historic opus. As the decades roll by with the composition unwritten but generations of students inspired through his teaching, Holland must redefine his life's purpose.

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Reviews

ThiefHott Too much of everything
Pacionsbo Absolutely Fantastic
Limerculer A waste of 90 minutes of my life
Salubfoto It's an amazing and heartbreaking story.
classicalsteve I guess "Mr. Holland's Opus" was supposed to be about an inspirational music teacher throughout his career to give the audience tears of sentimental joy. As a classical musician, all I can say is "Oh brother". There are some really fine films in this sub-genre about teachers, mentors, or coaches engaging with students, athletes, etc., including "Dead Poet's Society", "Hoosiers", and probably the finest one, "Stand and Deliver". "Stand and Deliver" was based on a real teacher who found creative ways to speak and teach to minority students struggling in East Los Angeles. As far as I know, "Mr. Holland's Opus" wasn't based on a real music teacher, and too many of the incidences shown were clearly written by people who knew next-to-nothing about the music universe.Glenn Holland (Richard Dreyfuss) is an aspiring musician who has dreams of making it big as an established composer. He then takes a position at a high school as their music teacher as a means to compose. Of course, the inevitable "resentment" of the other faculty emerges as he proves to be one of the most popular teachers in the school. Simultaneously, the faculty constantly belittle the value of teaching music in the classroom. As a classical musician myself, I applaud the idea of an inspirational music teacher fighting for the importance of the arts and music public high schools. However, I found the premise so obviously contrived I couldn't help saying to myself "oh dear Lord" in many scenes. I was in high school when there was drastic cutting of arts and music funding, but I never found the faculty dismissive of the music teachers. One of the other terrible aspects of this film is whoever produced it didn't bother to simply hire a bona fide orchestral conductor and show Dreyfuss how to conduct. While I will agree Dreyfuss' performance is relatively good given the material, his conducting is absolutely god-awful. The upbeat cue to begin a piece is completely incorrect. You don't just start slide into it after a couple of little beats. You actually take a virtual "breath" and clearly indicate the cue beat which signals the performers to begin. And he constantly moves his upper body up and down with the beat as he conducts, which is complete no-no as it's distracting to the performers. If the character is supposed to be this amazing musician, why does it seem like he never took conducting in college? While he's teaching during many years, he's writing "An American Symphony" on the side, supposedly his magnum opus. At the end of the film, as a tribute to him, many of his former students, now adults, produce a concert to play his "opus". And then it's really OMG, this is so bad. His final piece is a silly ultra-cliché-ridden little monster masquerading as a "great orchestral work". All the melodies sound like overused tracks from bad films from the 1970's, including an unremarkable string theme, used ad infinitum on many pieces and songs from the mid-20th century. Also the piece is not truly orchestrated in terms of varying the instruments. All the instruments play "tutti" constantly, in other words, all the instruments play during the whole piece. This is not how orchestral works are written. The music should vary with different instruments playing melody and harmony in different passages, otherwise the piece becomes monotonous, which literally means "sounding the same". In great works, only in a few dramatic moments does an orchestra play tutti. And the drum section only makes the whole thing sound pop-oriented; I couldn't take it seriously. The Opus really does sound like a high school student's first stab at writing an orchestral work. It doesn't even sound good enough for the Boston Pops who were always playing very light orchestral music. Unfortunately, Holland's "opus" wasn't even so bad it's good. Even rock songs from the 1980's are more easily tolerated than the "Opus".The good films in this genre have a lot of bite and grit in them, particularly "Stand and Deliver" and "Dead Poet's Society". Both deal with social and societal issues. Some of the best, like "Stand and Deliver" were based on true-life experiences. However, "Opus" is too saccharine and contrived for its own good. While Mr. Holland deals with his student's problems, I never got the sense the story was real but rather artificial and written by people who didn't really know this subject. And the Opus at the end proved that Holland really wasn't that great a composer. He's lucky he received his job in the first place! Of course, there are many fans of this film, and I am sure I've caused many grievances with this review. However I can tell you, no matter how much this film may "move you", this is not what I experienced as a classical musician in school. There's a lot more blood, sweat and tears than what's shown here. Students don't always listen to the teacher, sometimes playing when they shouldn't be. Some teachers berate lesser-skilled players. Playing music in educational institutions is not the easiest of tasks including both student and teacher alike, but I don't believe the makers of "Mr. Holland's Opus" quite understood that.
Leigh Lim Could it have made the transition to TV like 'Friday Night Lights'? I'm hoping in a number of years, the answer to that question would no longer be a mystery!I'm currently in the process of re-watching it, and like most of the films in the same decade (the 90's) – it has that recognisable sweeping score. I think what makes it watchable decades later (like 'Good Will Hunting), is the cast and the writing. Though there are a lot of supporting characters that play teens --- there isn't a constant hum of that annoying teen angst that compels me to stay close to the remote and hit stop…and delete on the DVR.Being a musician, it does get a bit personal sometimes --- and I considered not watching this with anyone else. Though I am comfortable pitching my music to perspective listeners --- sharing my connection with music…feels like letting someone have a peek in a diary that only contained those times when I come across a track that connects with me. Or even, despite the things I'd change…the feeling I get of humility (I'm so blessed to have been in the right place, time and frame of mind --- to be able to create this) and satisfaction (because it could have gone a thousand different ways…and I was able to pick this way…and I'm happy with how it turned out!).Some magic moments for me:(1) Recognising Terrence Howard (He's the guy who joined the band to get extra credit --- so he could make a stronger case to return to the football team), during his first scene with Glenn. Based on the year the film came out, he would have been in his mid 20's during filming. (2) For a moment thinking that Forest Whitaker was there, then before fully dismissing it --- he was (He played the Adult version of the actor who I thought was him). (3) The End --- I was fighting back tears (knowing already what would happen)!
Soul Dancer I chose my path as a social worker knowing the financial rewards will never, ever offset the rewards I savor each time a student, client, family member, friend, coworker (etc.) discovers they do in deed(s) change our world, one word, one action, one step at a time.Mr. Holland's Opus (well reviewed in the hundreds of prior reviews) drives home an important fact. That fact? Fact: no matter what one feels about their life accomplishments, it PALES in comparison to what others feel about you.Now, after almost a decade of teaching people how to re-awaken to their fullest sense of worth (via my classes, books, seminars, etc.) I savor this movie in my small DVD collection. (12 DVD's so far since DVD's became publicly available.) I play this DVD in one of my classes to set the stage for a robust journey of self discovery.In gratitude I bow to all who take the risk to balance dreams with deeds. Your balancing act 'is the journey' of a lifetime!
Matt McCann Oh for goodness sake. Would all musicians complaining about the music kindly stuff off. I play a bit of rugby but still thoroughly enjoyed "Invictus" despite some ropey rugby sequences. This film is not about the music. This is the wonderful story of an ordinary man who strived to be something extraordinary and always felt as though he had let himself and his family down by not becoming the man he felt he should have been, when in fact he became so much more extraordinary than he could ever have imagined. Mr Holland's opus WASN'T the music, his opus was his pupils and the impression he made on their lives, and the final scene, with his realisation that his life hadn't been wasted is one of the most moving things I have ever seen on screen. So there. I am a big girls blouse.