Chasing Holden

2001 "School's out ... for good!"
5.2| 1h42m| R| en| More Info
Released: 01 January 2001 Released
Producted By: Lions Gate Films
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Budget: 0
Revenue: 0
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Synopsis

Neil Lawrence is sent to a boarding school by his father. During the first days he meets T.J. who he falls in love with. After being assigned a paper on Holden Caulfield - the main character in J.D. Salinger's "The Catcher in the Rye" - Neil decides to go on a journey to meet Salinger, who he feels has played a huge role in his life. Neil & T.J. take off on a journey to New York City. A journey that leads to more then they both ever could have imagined - and changes both their lives forever.

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Reviews

BootDigest Such a frustrating disappointment
Keeley Coleman The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;
Kinley This movie feels like it was made purely to piss off people who want good shows
Staci Frederick Blistering performances.
dillyboy_4 I recently watched this movie at school, as we have finished reading the novel "The Catcher in the Rye" by J.D. Salinger.This is a horrible movie. The plot is in total shambles, the dialogue is incredibly cheesy, and the film has a horrible ending.First of all, the fact that the main character ventures off to New York with another person totally destroys the effect of the film. In the novel, Holden Caulfield was meant to venture alone in order to discover things on his own in a process of maturing, and to add to the theme of loneliness and isolation in the novel. In this film, the main character travels to New York with a woman.Second, there is no real feeling that the main character in the movie has the problems to the degree of Holden Caulfield. There is a scene in which he contemplates killing himself using a handgun, but this scene is too brief and does not add to the movie. This boy does not seem depressed at all; in fact, he is mostly cheery throughout the film. There is almost no indication of him being depressed or wanting to commit suicide.Third is the ending of the movie. The entire plot of the movie was for the main character to conduct an interview with J.D. Salinger. At the end of the film, however, the character wants to kill Salinger using this hand gun. This makes no sense whatsoever. The main character may want to take out his frustration on someone else, but why would he take it out on the author he idolizes? Another let down is that the main character doesn't even talk to Salinger. There isn't even an actor to play Salinger.Finally, the boy realises that the answer he wanted was in his relationship with the girl. He thinks of this while holding a gun at Mr. Salinger, and decides not to shoot him but to find the girl, whom he left stranded after a fight in which she called him crazy.This movie is an extreme let down and does not represent
sleestaker If I had a dime for every adolescent who thinks of his/her reading of The Catcher in the Rye as the cathartic experience that gave him/her a true sense of introspection, I could buy every existing copy of this movie and burn the batch in a nice bonfire. This movie smacks of the pseudo-intelligent ramblings of a third year English major who is convinced that the angst he feels is unique.Movies like this have been done to death. From the brilliant, misunderstood youth to the rich and powerful unfeeling parent to the smart and tough, yet sensitive and understanding authority figure, this movie is a mishmash of clichéd characters and tired plot lines. Even the northeastern prep school where the boys all wear blazers with crests and the girls all wear plaid skirts and kneesocks is hackneyed. It's all old news.The worst part about this film is the overwhelming superciliousness that permeates the production. It's as if the writer and director have discovered this obscure, brilliant manuscript that has so affected them, and they feel the need to enlighten the world. Even the title comes across with a kind of smug exclusivity, as if to say, "only the truly illuminated, those who know the name Holden Caulfield, will understand and appreciate what we are conveying here!"This film is neither intelligent nor edgy nor insightful. It's got a fanboy quality - a sycophantic tone - so much so that it almost seems the people behind it are trying to do something more than tell a story...like make a "serious" film about youthful angst that indie film geeks will coo over in the local alternative newspaper. Guys, you can have it.
DoyleMa And not nearly as funny....this movie has nothing to do with the comic genius of Kevin Smith, as the title may suggest. (Chasing Amy, Chasing Dogma, Chasing Kevin)This Holden guy has nothing to do with all that.Avoid this movie like the plague....
Scott Tenorman If you could put the word "cliche" into a bottle, shake it up real good, and then empty that bottle onto a reel of film, well then you'd get "Chasing Holden."It's about one "troubled young man"'s attempt to track down J.D. Salinger, thinking that he has some kind of cosmic connection with Holden Caulfield. You know that cringing feeling you get when you hear an Iggy Pop or Stones tune in a car commercial, knowing that it was bought and paid for 40 years after it was written and is completely out of context and an insult to everything you believe in? Well *BAM* there's 'Chasing Holden' for you.And Kevin Smith fans, don't be fooled! This movie has nothing to do with 'Chasing Amy.' Instead of seeing this movie, instead I suggest you watch Chasing Amy again, maybe this time focusing only on every fourth word that is said. You will have a lot more fun than watching this flaming piece of crap!