Boy, Did I Get a Wrong Number!

1966 "38-22-36 Boy - she has some area code!"
5.4| 1h39m| NR| en| More Info
Released: 08 June 1966 Released
Producted By: Edward Small Productions
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

Tom Meade mistakenly dials the gorgeous European film star Didi at her Oregon hotel. Didi, who has escaped Hollywood to avoid being typecast as a bombshell, takes up Meade's offer to hide away at his backwoods cabin. Meade, with the help of his housekeeper, goes to absurd lengths to help the actress evade discovery by both the public and his suspicious wife.

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Reviews

Lumsdal Good , But It Is Overrated By Some
Dotbankey A lot of fun.
FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
Roman Sampson One of the most extraordinary films you will see this year. Take that as you want.
classicsoncall I consider myself a Bob Hope fan but this film doesn't begin to explain the reason why. The comedian I remember enjoying was the one who made the Road movies with partner in crime Bing Crosby as well as the Master of Ceremonies who entertained American troops in far flung places around the world. This movie only goes to prove that there was once a time when films like this were considered entertainment, and maybe even funny. What a difference half a century makes.You can't blame it all on the cast either. There was some genuine talent here with Hope and comedienne Phyllis Diller, but Diller seemed dubiously cast as housekeeper to the Meades (Bob Hope and Marjorie Lord), and even though she had some funny banter with Hope's character, most of the rest was just tedious. Now Elke Sommer - back in the day one would say that she put the words 'va va' and 'voom' together but you couldn't tell she was an actress here. But that's not what she was here for anyway. The film makers managed to find ways to keep her in various stages of undress throughout the picture, but not in a salacious way. In fact she seemed rather wholesome, if that's the right word, most of the time.Now I'm sure this film had no influence on a movie favorite of a decade later, but didn't anyone else find it odd that a family dinner table scene at the Meade's featured the Divine Didi (Sommer) doing an Obi-Wan-Kenobi take-off? That one just blew me away and if I could have rewound the scene I would have, but I was watching the picture on cable. Funny how those little things get my attention.Anyway, Hope and Diller fans might get a kick out of this one. I just checked the stats on Marjorie Lord and I'm now rooting for her to make it to a hundred years old as I write this. Before that, I was wondering what she would have to say about that enormous beehive hair-do she had to sport throughout the picture. The thing was big enough to make room for daddy.
SanteeFats I think this movie is another underrated one for Bob Hope and the rest of the cast. I find Phyllis Diller's portrayal as the housekeeper to be very funny and even inspired. She is actually the best of the top three stars as far as funny goes. Hope is a realtor who loves his family but gets involved with a run away sex symbol played by the gorgeous Elke Sommer. While she is playing an actress fed up with being a sex symbol that is what she really was. Elke may not be the greatest actress but as long as she looks that good it is alright with me. I know, sexist pig, but that is a part of what draws male viewers. Just like the females with Elvis and the Beatles, in the past and I don't care who now. This is a decent, well done comedy that is not like those that are done today way too often.Sex, drugs, over the top profanity, and some terrible puns.
rinterrante-1 This is one of Bob Hope's bad 60's comedy efforts. I found it to be nothing more than an over blown average sit-com episode. The first two thirds of the movie is him throwing out one liners at Elke Sommer, making wise cracks and exchanging barbs with Phylis Diller. The last third of the movie is nothing more than silly 60's slapstick and typical car chase fare. To those who found the movie kinky I saw it as no worse than any other bedroom farce for it's time. It's Bob playing the happy married middle class man with a pretty wife and kids getting into an atypical situation with a sexy woman. Now that's original. Now any movie with Elke Sommer can't be all that bad. So I vote 10 stars for her and minus 8 for the movie.
wgranger I saw this film twice: once when I was a pre-teen in the 60s and then about 40 years later. The first time I saw it, I thought it was one of the funniest movies I had ever seen. The second time I saw it, I wondered what I saw in it the first time. Since it was the same movie, I guess it had to be me, but what a difference 40 years makes. This movie seems to have been made as a vehicle for Bob Hope's and Phyllis Diller's comic skills. However, what seemed knee-slapping funny back then, seems dull and trite now, especially Hope's one-liners. Most of the movie revolves around Hope's character keeping his association with Didi secret. It was funny then but a little overbearing now. His "murder confession" seems just silly now. I gave the movie a 6 rating because the chase scene with Phyllis Diller still ranks high as a hilarious chase scene, just as funny now as when the film was new.