Anastasia: The Mystery of Anna

1986
6.6| 3h20m| NR| en| More Info
Released: 07 December 1986 Released
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Synopsis

Story of Anna Anderson, who claimed to be Anastasia Romanov, the only surviving daughter of the Czar and Czarina of Russia.

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Reviews

Artivels Undescribable Perfection
GamerTab That was an excellent one.
Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.
Derry Herrera Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.
Armand A correct TV drama. But not more. The subject was interesting and the speculations was not insignificant but only virtue of this film is presence of Olivia de Havilland as Maria Feodorovna. After years and canonization of Romanovs, the film is almost nice. Story about a woman who believes be daughter of last Czar , vulnerable Amy Irving and seducer Jan Niklas are parts of an over time and relevant may be short appearance of Omar Sharif, very young Christian Bale or Rex Harrison. The result - easy video, fake problem, trace of an evaporated perfume and few minutes of remembrance of a heinous murder. In fact, only sin of this movie is not stop after the Imperial Family assassination.
WhisperingBells1959 "I Never Lie" is stated by Anna Anderson in this highly dramatized version of her life and battle for recognition of the Grand Duchess Anastasia. Unfortunately, that is exactly what this retelling does- time and again. Anastasia: The Mystery of Anna cannot be successfully counted as a biography of this Anna Anderson, nor is it fictional enough to be compelling. Overall, this made-for-TV film has the feel of a documentary created with limited research. It is a shame that the movie shoved aside historical accuracy and important details of the book where an excellent cast was involved (with several large names, including the late Rex Harrison). The first half hour displays a compressed tale of the Romonovs' captivity until their execution the following year using information from the foreword of Anastasia: The Riddle of Anna Anderson, the biography upon which this film is based. The acting was well done, the story close enough to accuracy. Since little is known of the Romonovs captivity and, exclusively, their death, liberty can be taken with this part of the biography with little effect. A half hour into the film, Anna Anderson falls off a bridge in Berlin in 1923. This event, in the book, had occurred in 1920. Later during her first interrogation, 'Anastasia Tchaikovsky' never claimed that her bastard son was dead as she had in the movie; on the other hand, according to her, was alive and well in Rumania. Furthermore, she had never herself claimed that her son was named after her brother Alexei- that was wrongly concluded in a supporter's notes. Anna herself had denounced this statement, explaining that she had named the young Tchaikovsky after her father and not her brother. The acting is well enough and the production overall has the feel of a documentary in cinematography and tone. With a three-hour running time this movie could've well been so; with more attention to historical detail and the book itself. Leaving out details is not an object (such as the facts that Anna spoke some German, French, and English as well as limited Russian and that she was wrongly identified as Tatiana by Clara in the beginning); changing them does. There is only one thing to be said: read Anastasia: The Riddle Of Anna Anderson for the truth. This film is a documentary gone wrong without a doubt and is at best useless.
FadedOut The poor woman who was portrayed in this movie would be convincing except for DNA evidence proving she wasn't Anastasia Romonov. Either you believe she was who she said she was or the member of the British royal family who provided DNA and shared a common ancestor with the Romonov's in Queen Victoria wasn't who they said they were which is unlikely, this aside the woman probably believed she was a Romonov even though she obviously wasn't the film seems to make her out as a callous actress who was playing everybody for fools as an alternative for her mental problems said by the surviving family even so this film was entertaining and doesn't end the mystery which was unsolved at the time of it's making but shows it as it was a mystery and I'm glad the DNA evidence is conclusive since there would be people on the internet arguing whether she was who she said she was.
rhbr26999 It was probably watching this TV movie that got me interested in the debate as to whether "Anna" was really Tsar Nicholas's daughter Anastasia. Since seeing it I have made a point of watching various documentaries and also bought a book. Despite the evidence that has been discovered since the film was released, I sometimes still think she was. Such is the power of Amy Irving's acting in this 2-parter which is somewhat liberal with the historical facts, but packed to the brim with tear-jerking drama and Irving's totally convincing performance.I was not consciously aware of Irving before this, though I must have seen her without realizing it in "Carrie" (another favourite film). In "Anasasia", I never felt for one moment that "it's only a film". For me this woman WAS Anastasia, and when part one ended with her in the railway carriage meeting members of the royal family, I knew that come hell or high water I had to see the second part. I just wanted to see how she would prove that she was who she claimed to be, and as the story progressed I felt an intense hatred of Rex Harrison's character, though I greatly admire him as an actor.When I saw the movie listed again in the TV guide, I convinced my Mother that we should watch it, and afterward she thanked me for doing so, being almost as keen as I had been to watch part 2. Then I bought the video and can totally recommend it. "Anastasia" is one of those rare TV movies that you simply must watch for the sheer enjoyment of watching the finest acting I have ever seen on TV, and it doesn't really matter whether you believe the legend or not.