Odelecol Pretty good movie overall. First half was nothing special but it got better as it went along.

TaryBiggBall It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

Plustown A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.

Michael_Elliott Billy the Kid Returns (1938) *** (out of 4) Pat Garrett kills Billy the Kid (Roy Rogers) but in another town a lookalike named Roy Rogers shows up and is mistaken as the real person. Rogers agrees to pretend to be Billy the Kid so that he can uncover a group of bad guys trying to steal land from the poor. This here was one of Rogers earliest films and as many reviewers pointed out at the time, there's really no question that crowds would enjoy his brand of singing and acting and it was clear that his personality jumped right off the screen and he was perfect for this type of character. He has to play pretty much two different roles here and I thought Rogers did a very good job with each of them. This includes playing a bad guy with no heart in Billy and the good guy who cares about those around him. Smiley Burnette gets the role of the sidekick and he too is charming in the film and adds some nice humor. Lynne Roberts plays the love interest and nearly steals each scene that she's in. She's plays the hard-working daughter of a hard-working store owner who just knows that Rogers isn't a bad guy. She's quite attractive to look at but she also gives a performance that comes across quite soft and charming. There's plenty of action to be had here and the majority of the gunfights are good, well-staged and entertaining. I'd also say that the cinematography is much better than you'd expect from this type of low-budget Western. Just check out the early scenes inside the house that is on fire. There's a shot of Billy the Kid firing guns with the fire and smoke behind him and it's a very good looking shot. Fans of Rogers will certainly find this to be one of his better films even if it's certainly not worth viewing as any type of history lesson on the real Billy the Kid.

FightingWesterner Sheriff Pat Garrett corners and kills Billy the kid. The next day, lookalike Roy Rodgers rides into town and is immediately mistaken for the outlaw, who's death has yet to be reported. Roy's then pressed into service by Garrett, who wants him to take the place of Billy in a range war pitting ruthless ranchers against the homesteaders that the late kid had intervened on behalf of.This second starring vehicle for Rodgers is decent enough, with lots of great songs from Roy and sidekick Smiley Burnette. He still hadn't quite gotten the hang of the acting profession, with a less sure Rodgers delivering his lines in a slightly different tone of voice!This was the first of three times that Roy played a dual role in his films, the second being 1941's Jesse James At Bay and the third being 1942's Sunset On The Desert.

dbborroughs Bad guy Billy the kid is cornered and killed by Pat Garret. Not long after singing cowboy Roy Rogers shows up and is mistaken for the dead villain. He has to prove himself as a lawman in order to convince people that he's not the deceased bad guy. Okay Republic Pictures programmer is well made and has a certain flair for the dramatic. The problem is that its is one of a series of films where Rogers essentially plays himself, granted in period, so any sense that anything can happen is lost. Rogers was a stalwart hero and its easy to understand why he became a star with him shining in a variation of a plot he'd done before and run into again. The problem is that like much of the Republic production at the time, the film is too by the numbers. There was a point when Republic became so good at what they did that there films became essentially off the shelf machine with the various parts switched in and out in an off the shelf formulaic manner. The serials and many of the westerns they cranked out all looked the same because they just switched parts that worked around. This doesn't mean its bad, its not its just that the film looks and acts like the rest of the republic western product. Worth a look if you've not seen a great number of republic westerns recently.

classicsoncall Western film fans will recognize the characters and locale of "Billy The Kid Returns", though not the spin off tale that forms the basis of this story. Roy Rogers performs double duty as both the legendary badman and his good guy counterpart, a character sharing Rogers' own name. When Billy is gunned down by Sheriff Pat Garrett, ensuing scenes depict Roy Rogers and pal Trigger riding into Lincoln County, New Mexico. Those who know Billy give a wide berth to Rogers, respecting the reputation of a gunman who had twenty one kills to his credit by the young age of twenty.I'd never seen it before, but here it was more than obvious. In the shootout scene at the opening, whenever Roy as Billy fired his guns he would close his eyes. This happened four times during the confrontation, and once more when a man challenged Billy for stealing his horse. Perhaps it was a convention used for this particular movie, and wasn't noticed when Rogers became the character Rogers in the rest of the film.The movie offers more than the usual share of musical numbers for a Roy Rogers effort. Roy himself performs four songs, and with the first, it looks like Trigger is keeping time with 'Born in the Saddle'. Beyond that, Smiley Burnette and his boys turn in three additional tunes to keep things merry. In the story, Burnette's character is Frog Millhouse, utilizing that throaty voice every once in a while during his songs. I find it interesting that the fictional character Frog Millhouse played by Smiley was also used in movies starring other cowboy performers, primarily Gene Autry, but at least once with Sunset Carson in "Call of the Rockies".Roy Rogers' late 1930's movies usually found Lynne Roberts as the female lead, her character here is Ellen Moore, daughter of a general store owner. You'll see her listed in the film credits as Mary Hart, and she worked with Roy in eight films.The story itself has a plot used time and again throughout Western movie history, the conflict between homesteaders and range land cattle men. Rogers teams with Pat Garrett (Wade Boteler) to thwart a band of villain ranchers who intimidate homesteaders by stealing their horses and provoking general mayhem. The good guys prevail of course, as Roy and Miss Ellen close the film in a smooch with Smiley literally falling off the wagon.Roy Rogers wound up portraying a number of historical men of the West in his movies. If you liked this film, you might want to catch him as "Young Bill Hickok", "Jesse James at Bay", and "Young Buffalo Bill", all from 1940/41.