GurlyIamBeach
Instant Favorite.
Brainsbell
The story-telling is good with flashbacks.The film is both funny and heartbreaking. You smile in a scene and get a soulcrushing revelation in the next.
Yash Wade
Close shines in drama with strong language, adult themes.
raceral-77201
Yeah, when I watched this as a kid in the 50s I was a little confused about the time period this was set in. i know they didn't have cars or jeeps in the 1880s. Now that the show is in reruns in can see that is is set in the 40s or early 50s. There is electricity and radios and I've even spotted other cars. And horses are still ridden on the roads. It was a couple of years ago I was in Gilbert AZ. at a strip mall and a rider pulled up on a horse and "parked" it into a parking stall. Funny as heck.
Carycomic
This show was already in Saturday morning re-runs when I first watched it. And, I loved it! The "good vs. evil" plots might seem corny, by today's standards. But, we have to remember that this was produced during comparatively simpler times. When morality was just as black-and-white as the film stock the studios used.Furthermore, the hero and heroine practiced what they preached! Nor did they preach using four-letter words. Unlike, say, Dennis Franz on NYPD BLUES.Last, but not least? This was not a "steampunk" Western.The fictional city in which Roy and Dale made their home was contemporaneous with the shows' audience. It's just that the locals maintained a 19th-century ambiance for the tourist trade, similar to Virginia City, Nevada. So, the mixture of "old and new," especially modes of transportation, was most definitely _not_ anachronistic!In short, I am unalterably convinced that this show should be praised, rather than condemned, for the beneficial values it tried to instill in its mostly young viewers. That some of us might not have grown up to live by those values is--to paraphrase Shakespeare--not the fault of this show's stars. But, of ourselves.
jonesy74-1
Not to be derogatory, but I always wondered why Roy Rogers was the King of the Cowboys and John Wayne wasn't. What WAS John Wayne, anyway? Oh yeah, The Duke. Oh well. I guess it was because Wayne couldn't sing with the Sons of the Pioneers, although Wayne did sing a little in "Hatari" and didn't have that bad of a voice... but I digress.Who could resist Roy Rogers' charm? I mean, he was the nicest guy in the world. He even smiled while he was roundin' up the bad guys after they'd been bested.Dale had the best post-menopausal vibrato I'd ever heard after she got a little older - but she was Roy's partner and could pull her gun on an ornery desperado as fast as any of the ranch hands.Roy had Trigger (horse) and Bullet (dog), but, Pat Brady had Nellybell (a jeep). Pat Brady was played by Pat Brady, just as Roy Rogers played Roy Rogers and Dale Evans played Dale Evans. Were there any actors in this series who played anyone other than themselves? I mean, did Trigger and Bullet even have different names than their stage names? Pat was a great comedian - goofy face and lovable. A great sidekick for Roy.And of course, Roy and Dale sang "Happy Trails" at the end of each show. That right there was worth the half hour watch.
semi-buff
Oh how I wish THIS would show up in reruns! This and "Lassie" (with Tommy Rettig) were my favorite shows as a kid, in an era of great kiddie shows. In my little-girl eyes, Dale really had the perfect life--she got the horse AND Roy! It didn't matter what the plots were; they were basically all the same anyway. But there was something about Roy and Dale that was very appealing, and Pat and Nellybelle were fun too. One nice thing about it was Dale was not a damsel in distress; she was Roy's partner, and although secondary, she did her part to help him get the bad guys. ["Annie Oakley" had a female lead without a male costar, except for her kid brother. I think these two shows helped contribute to the rise of femininism in the 60's.] Every kid knew "Happy Trails" by heart, and Roy and Dale sang it right to us at the end of every show. Wonderful memories!
