BootDigest
Such a frustrating disappointment
Acensbart
Excellent but underrated film
Baseshment
I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.
MartinHafer
This is a very unusual Roy Rogers film in that it is in the public domain and yet is complete--and in really nice condition. Many of Rogers' films are in the public domain but they are truncated versions--chopped to pieces in order to fit them into TV time slots back in the 1950s. It's nice to get a chance to see one in its entirety.Unlike many Rogers films, this one features neither Dale Evans nor Gabby Hayes. I have no idea why they weren't in this film but instead Jane Frazee and Andy Devine are on hand to fill these roles. And, both seemed up to the task.Like so many of Roy's later films, he essentially plays an idealized version of himself. Like in real life, this Roy is celebrating ten years in Hollywood. And, after completing his latest movie, is going back to his Double-R ranch for a needed vacation. There he learns that some local baddies are killing range horses. Roy sees one of these guys about to kill one when he intervenes--and you KNOW that these two will become instant enemies.The baddie (Lige) is a brute and he and Dad both mistreat a nice little kid, Ted, and are crooks. They plan on stealing Roy's best friend, Trigger, and hold him for ransom. But it becomes a lot more serious when later one of the gang is murdered to keep him from telling Roy where his horse is. Can Roy solve the murder and rescue the smartest horse in movies? And, what of poor Ted--he's in need of an operation and needs a good home!! Well, this last part is a bit schmaltzy--though the rest of it is quite nice. Overall, while not a great film, it's very enjoyable worth seeing--particularly if you enjoy B-series westerns.
disdressed12
Roy rogers plays himself in this western.(not too much of a stretch,i guess).i guess it's movie,but it felt more like an episode of a TV show to me.as far entertainment goes,this feature is moderately entertaining.there's a bit of singing by Roy,and by The sons of The Pioneers(of which Roy Rogers was an early member),a popular singing group of the era.i actually like the singing.the best actor of the bunch,in my opinion was Andy Devine as Cookie Bullfincher.he was the comic relief of the movie,and specialized in playing comedic characters.the movie itself was not quite in the awful range,but just above mediocre.for me,Under California Stars is a 4.5/10
bkoganbing
In Under California Stars, Roy Rogers plays exactly who he is, Roy Rogers, B western star. The film opens with him shooting a last scene of his latest film and now he's headed back to his own ranch. In the meantime a star struck kid played by Michael Chapin gets a job at Roy's ranch and witnesses a dastardly crime, the kidnapping of Trigger by some really low criminals who want $100,000.00 or they'll shoot the palomino icon.Every kid in America would have been up in arms over this had word got out. But as a previous reviewer said, the whole thing is handled locally. Roy's studio, which would have been Republic Pictures, raised the ransom. I can just see Herbert J. Yates of Republic caught between a rock and a hard place on this one. He had a well deserved reputation as a tightwad, but Trigger himself was part of the Roy Rogers mystique, so he HAD to raise the money. I would at least have thought that Yates would have had Trigger insured.Of course life imitates art and Roy takes things into his own hands in ferreting out the criminals. They are in fact a pretty scurvy lot, busy doublecrossing each other as you will see if you watch the film.And despite my description it's not a bad film. Jane Frazee pinch hits for Dale Evans because I believe Dale was either pregnant or taking care of a newborn at the time. And Andy Devine is, well Andy Devine.
Brian Camp
UNDER CALIFORNIA STARS (1948) is a fairly typical postwar Roy Rogers vehicle with a routine B-western plot enlivened by some excellent Trucolor photography. Roy plays himself, the movie star dubbed `King of the Cowboys,' and is briefly glimpsed on the Republic Pictures soundstage before the action quickly shifts to Roy's rural property, the Double R Ranch, for the occasion of a radio broadcast celebrating the star's tenth anniversary in movies. The event is marred by the kidnapping of Roy's palomino, Trigger, by a group of henchmen working for Pop Jordan, a local horse trader. Ted, a boy who ran away to Roy's ranch after mistreatment by his stepfather, witnesses the kidnapping but is warned to keep quiet or they'll kill Ted, Trigger AND Roy.Given the fame of Roy and his horse, it seems a mite foolhardy to go around kidnapping Trigger, especially since the event makes national headlines. But, in the insular alternate universe of the postwar B-western, the matter is left entirely up to the local sheriff of Saddleback, a town which offers no sign of a gas station, diner or paved road. Neither the FBI nor the state police nor any other pertinent law enforcement agency is called, nor do they show up on their own. (Had J. Edgar Hoover never heard of Trigger? Was he too busy chasing commies? Or did he simply not exist in this world?)Eventually, Roy and his crew, which includes Cookie Bullfincher (Andy Devine) and Roy's backup singers, Bob Nolan and the Sons of the Pioneers, work with the sheriff to come up with a plan to trap the kidnappers when they show up for the ransom money. There is lots of outdoors action and furious horse-riding, before a violent confrontation or two ends the problem. The action is shot almost entirely on location, with none of the studio-shot closeups that one finds in a later Roy western like NORTH OF THE GREAT DIVIDE (1950).There's a surprising amount of bad behavior and violent death on display. Even though these films were set in the modern era, they featured typical B-western type villains who were invariably local businessmen who are secretly corrupt and embark on capers which threaten Roy in one way or another. A somewhat alarming development in this film is the constant threatening of Ted, the runaway boy, first by his stepfather, Lige, Pop Jordan's chief assistant, and later by another henchman, Ed, who threatens to blow Ted's head off if he says a word about who kidnapped Trigger. These darker elements serve to counterbalance the song and comic interludes. The lead villains here are authentically crusty, hefty western types, well-played by George Lloyd and Wade Crosby.Andy Devine provides the comedy relief, a role that would be taken by Gordon Jones and Pat Brady in future Rogers westerns. Singer-actress Jane Frazee is the female lead, playing a cousin of Cookie who comes to the ranch to train horses. The catchy title song is heard more than once, culminating in a lovely duet performed by Roy and Jane. The film is not as well-plotted or packed with incident as such later Rogers Trucolor westerns as THE GOLDEN STALLION and TRIGGER JR., but it remains a must for Roy's fans. Unfortunately, public domain videotapes in circulation don't serve the Trucolor process well. This one remains a prime candidate for restoration by Republic Pictures Home Video.
