Lovesusti The Worst Film Ever

Afouotos Although it has its amusing moments, in eneral the plot does not convince.

InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

Portia Hilton Blistering performances.

polsixe Unnecessary glamorizing iof Billy the Kid. But interesting cast and to see how they developed careers afterwards. I'd give the nod to Sutherland for his TV leads, but Mortenson may be a more established "movie" actor. Phillips is very busy. Estevez has faded and wasn't really good in the YG movies either. Young Guns 2 1990 28 years later: Kiefer Sutherland 1966 101 credits, Designated Survivor, 24, Viggo Mortenson 1958, 57 credits, LOTR, HoV, William Petersen 1953 40 credits, CSI Lou Diamond Phillips 1962 136 credits, Christian Slater 1969 123 credits, Emilio Estevez 1962 47 credits, Mighty Ducks Alan Ruck 1956 108 credits,

qormi This movie can't even be classified as a "Western". Emilio Estevez was not convincing. Then, we were subjected to viewing his naked butt. The guy is just not a good actor...Then, someone is always calling after him...."Beellaaay...Beellaaay..." Not, Billy; Beellaaay. Puhleeze. Then, there's the part where Lou Diamond Phillips' character gets stabbed right through his forearm. Can you imagine the pain and bone breakage associated with such an injury? The severed nerves, tendons..the inevitable infection? Nope. The knife was simply pulled out without so much as a wince. Then, he's just fine in the next scene, as if nothing had happened. Nobody was convincing in this film. It just seemed like a bunch of short Hollywood types hamming it up.

Derek Carpet Young Guns 2: Part 2, is as much an ensemble piece as the first film was. Survivors from the first film (Shat Pack favourites- Charlie 'Mr' Sheen, Ann Diamond Phillips, Emilio 'I wish I was Michael J Fox' Extevez, and Keifer 'Lost Boy' Southland) come together again with a host of new pups including Jonathan Bon Jovi, Chuck Norris, Muslim Slater, and Conrad Dorito. The plot follows the gang coming together again after the exploits of the first film- they have all been on the run from legendary law man Wyatt Ear who believes they are responsible for several murders and atrocities. Since the first film most have gone their separate ways. Billy The Boy has been rampaging through Texas robbing from the rich and giving to the poor, then killing the poor, and eating the rich. Doc has been on holiday in Mexico, has got himself a gal and spends his days making poetry, his night making sweet love. Neil Diamond Philips has been off on some sort of Spirit Guide affair, finding his inner Peyote and living in peace. They realise though that White Herpy is getting close and absolutely will not stop, ever, until they are dead. Or arrested. They need to ride once more, not Runaway, they may go down in a Blaze of Glory, but at least Someday they'll be Saturday night.This film is basically a remake of the first, albeit with a new plot and characters. It teaches you a lot about the Cowboys that used to roam about England before it was renamed America. There are shoot outs, drinking, women, and horses- everything you would expect in a good Western/Blue movie. We learn that Jimmy The Kid is actually one of the few remaining Demi-Mortals- humans who age anything from 2 to ten times slower than the rest of us. Whether or not this has been proved to be historically true is open for debate as no body was ever found and some claim to see him giggling and jumping through their wheat fields at night while they sit on their porch rocking chair sipping Sasparella.Best Scene: When they are trapped with their backs to the wall and decide to charge out firing their guns in slow motion as the picture fades to sepia, and Living On A Prayer plays in the background. It makes me wish I was a Cowman and roam the desert shooting hippies!

Spikeopath Young Guns II is directed by Geoff Murphy and written by John Fusco. It stars Emilio Estevez, Kiefer Sutherland, Lou Diamond Phillips, Christian Slater, William Petersen, Alan Ruck, Vigo Mortensen and Balthazar Getty. Music is scored by Alan Silvestri, with contributions from Jon Bon Jovi, and cinematography is by Dean Semler Brushy Bill Roberts, old and crusty, claims to be Billy The Kid. Which is quite a claim considering the Kid was long thought to have been killed by Patrick Floyd Garrett in 1881. Roberts tells a listening historian that after the break up of the Tunstall Regulators, the remaining members hooked up with Garrett and Arkansas Dave Rudabaugh and still lived the outlaw life.....Young Guns was released in 1988 and became a big enough hit to warrant this sequel two years later. Reuniting gunslingers Billy the Kid (Estevez), Doc Scurlock (Sutherland) and Chavez (Phillips) from the first film, Young Guns II follows the same formula that worked two years previously. Billy is still a borderline nut case and his gang, for better or worse, follow him into a number of escapades. This time around, though, we have some added interest in the form of Christian Slater's cocky Rudabaugh, who, as an egotist, wants to run the gang himself. Things are further given a lift when Garrett (a darn fine William Petersen resplendent with major face fuzz) leaves the gang and is persuaded to become a law man. His first job being of course to catch Billy!Both Young Guns movies are frowned upon by many old school Western purists, which to a degree I understand. They lack any sort of psychological aspects outside of a brat packer like cast shooting and quipping with care free abandon. Character depth is lacking so there is nothing on which to hang your hat on. Here, much like the first film, creative license is used with historical facts but the core basis of story is solid, with many of the events leading up to the documented death of Billy the Kid holding true. Major problem here, though, is that the makers are spinning off from the iffy claim of Brushy Bill Roberts that he was Billy the Kid and did not die at the hands of Pat Garrett. Knowing Billy survives the pursuit and show-down with Garrett at the start of the film kind of dilutes the wonder and impending drama! Film also at times feels like a composite of Little Big Man, Butch Cassidy & the Sundance Kid and of course Sam Peckinpah's Pat Garrett & Billy the Kid.However, both films, and more so with this sequel, have such a sense of fun like homage to them it's not hard to forgive the obvious flaws. Action is plentiful, with much blood shed during the course of the story, while the story always remains intriguing by way of the character dynamics. Semler's photography is more in tune with the Wild West this time around, as is Silvestri's score, the latter of which lifts parts of his Predator arrangement to blend with more traditional cowboy harmonies. Great song from Bon Jovi to close the film down as well. There's also a nice link to Peckinpah's movie with an important cameo for James Coburn as John Chisum (Coburn played Pat Garrett). But most of all it's just great fun to be in the company of Estevez's Billy, true enough to say it comes at the expense of the other characters around him, it's a film owning show, which also dubiously swerves us into cheering for the baby faced "outlaw hero", but it plays out as a rollicking good ride in spite of grey area thematics and roll call of clichés. And boys, oh boys, Jenny Wright pops in to raise the temperatures considerably with a Lady Godiva moment. If for nothing else, the Young Guns movies got people talking about the Western in the MTV age, that has to be a bonus to the discerning Western fan. Acknowledge the faults by all means, but viewing them as gunslinging fun wrapped around real Western folklore might just help you enjoy the experience. 7/10