Before the Rain

1994 "Time Never Dies, the Circle is Not Round."
7.9| 1h53m| en| More Info
Released: 24 February 1995 Released
Producted By: Gramercy Pictures
Country:
Budget: 0
Revenue: 0
Official Website:
Synopsis

The circularity of violence seen in a story that circles on itself. In Macedonia, during the war in Bosnia, Christians hunt an ethnic Albanian girl who may have murdered one of their own. A young monk who's taken a vow of silence offers her protection. In London, a photographic editor who's pregnant needs to talk it out with her estranged husband and chooses a toney restaurant.

... View More
Stream Online

The movie is currently not available onine

Director

Producted By

Gramercy Pictures

AD
AD

Watch Free for 30 Days

All Prime Video Movies and TV Shows. Cancel anytime. Watch Now

Trailers & Images

Reviews

Actuakers One of my all time favorites.
Mjeteconer Just perfect...
Listonixio Fresh and Exciting
Mandeep Tyson The acting in this movie is really good.
perica-43151 This is a powerful movie about the circle of conflict, coming from the authentic Balkan region that is troubled by these issues for ages. It gives you the perspective on these themes in a great, artistic and sincere way. Highly recommended.
Vedette69 BEFORE THE RAIN is a reality Life story Movie of Macedonia it's a very original Movie and have so many in it History, War, politic, faith, power, real life.....The actors are really good, The Music is great in the film And the Camera work is One of the BEST ever seen Sublime Work of Milcho Manchevski the movie won a lot of prizes but not the big ones? Maybe of cause it's a movie from Macedonia and not American I Don't understand That i don't find the movie on DVD to buy if someone can't help my to find it Please let me now THANKS Have a Good Time This movie is also a must too see for photographers.Greetings Patrick
Mike B This is a 3 part film depicting events during the complex civil war in what use to be Yugoslavia. The first and third parts are set in the Balkans and for the most part are touching and authentic. A photographer returns to his homeland to witness the fracturing of it into war. This is well depicted in the movie - how communities that use to co-exist peacefully can somehow, through a tortured religious history,group pressure.. . gradually fracture into warring tribes. Another centerpiece of this story is a young girl forced to leave her village to try and save her life. The second part is mostly disconnected from part 1 and 3. The English woman is pregnant and having marital problems, there is a mafia style shoot-up in a bar. It is entirely irrelevant to the themes presented in 1 and 3. Part 2 should have been edited to coalesce with 1 and 3. The only reason for the second installment is to provide a back-drop for the photographer to return, after a long absence, to his native land and witness the fissures developing. Also in part 2 we see photographs of the execution of the fleeing young woman,but at this stage the photographer was already dead!!
kalala I cannot praise this film highly enough. It is one of my all time favorites.This is an exquisite, haunting film that does not get shown enough. The three interlocking parts of the story slant time and recast different characters in parallel tales that form a wreath, not a sequence or circle. Each story follows a similar arc and includes similar elements: a hidden impregnation; an agonizing choice that reaches out to one that has already passed out of reach; an unexpected victim of violence; and the tragic back story of attack and retribution that dates back at least a thousand years to a late Byzantine reprisal. The elements map to the Christ story as if it had been compressed in a black hole, the virgin birth and sacrificial death compacted together and exploding out of a dazzling collage of violently mindless brutality and mindful attention--to prayer, to craft, to shepherdry. Where is the viewer? A tragedy that is so alive in current events calls to action. If we are mute witnesses, then the story will reach a point where we must testify to the tragedy(so the photographer's stills tell us). But what words could have stopped what happened? If we stand by and are glad that the story is not ours we may yet find ourselves in the story. It doesn't matter if the face is Balkan or Palestinian--ejecting the combatants fails as policy. In the end and ending, reentering the picture as participant, not witness, repossessing the ruins of home and taking responsibility for the fruit of love, means giving up personal immortality (the European illusion of celebrity) in exchange for a blood-soaked collective eternity.