A Scandal in Paris

1946 "Every man has his price... and every woman pays it."
6.6| 1h40m| NR| en| More Info
Released: 19 July 1946 Released
Producted By: United Artists
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

A smooth-talking French thief wangles his way into an important position as prefect of police.

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Reviews

MoPoshy Absolutely brilliant
Maidexpl Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast
Salubfoto It's an amazing and heartbreaking story.
Freeman This film is so real. It treats its characters with so much care and sensitivity.
GManfred Didn't care for "A Scandal In Paris", but I love to hear George Sanders talk. It is a supercilious voice that reeks of upper class snobbery but so soothing to the ear. And here it is, as he has the leading role and is seldom off screen. You can almost hear him purring to Anne Baxter in "All About Eve"; "You're not Eve Harrington, you're Gertrude Schlussinsky". Terrific stuff.But "A Scandal In Paris" is a flawed picture and lacks verisimilitude, maybe because it's stagebound without a single outdoor scene and at times seems almost like an animated feature - claymation, or something. The phony backdrops are no help in this regard. The star gets great help from Gene Lockhart and Akim Tamiroff, especially Lockhart. This also may be the best role Carole Landis ever had, and she is gorgeous here.All the foregoing accounts for my rating, because as I said, I didn't care for it.
bkoganbing Although the story line bogs down a bit and the plot gets a bit thick at times to follow, for fans of George Sanders this film is an absolute must. I cannot imagine anyone else but Sanders in the lead as the con man Eugene Francois Vidocq the thief who rises to become the head of the Paris PD and then gets put in charge of the security at the bank. The better to rob it when the time comes.Even when in the greatest of danger of exposure Sanders is never at a loss for word, wit or wits. The only one who knows the whole story of Sanders is Akim Tamiroff and he won't tell.I cannot and will not spill any of the elaborate plans that Sanders makes, but it involves his ability to con every one so that he is trusted implicitly.One should also take careful note of Gene Lockhart who usually is playing sniveling rats. Here for a change of pace he's a detective who Sanders makes an absolute fool out of.Forget Addison DeWitt and the Oscar Sanders won for playing him, A Scandal In Paris is no doubt his career role. And he looks like he's having such a good time in the part.
blanche-2 "A Scandal in Paris" is a 1946 film starring George Sanders, Akim Tamiroff, Signe Hasso, and Carole Landis. Directed by Douglas Sirk, it's based on the memoirs of François-Eugène Vidocq, a thief who became the Chief of Police in the 18th Century. The story begins with Francois being born in a jail and covers his European escapades. At one point, he poses for a painting of St. George and rides off on the horse he sits on; later, a marquise's granddaughter (Hasso) falls in love with the face in the painting and recognizes him when he comes to stay with her grandmother...and steal her jewels.A very witty script that is perfect for the elegant, handsome Sanders. This role seems tailor-made for him. The beautiful Carole Landis plays one of his victims, a showgirl with a valuable garter. Sadly, by this time, her career had really stalled out. She's still a bright and glamorous presence. Hasso is an odd choice for an ingénue role, though she does a good job.Entertaining film, particularly because of George Sanders.
David (Handlinghandel) his costume drama is ill cast and without charm.George Sanders was a superb character actor. But he is thoroughly implausible here as the lead, an Eighteenth Century rogue known for his philosophy and great good looks. His costar is, of all people, Akim Tamiroff. Some Frenchman! Then there's Signe Hasso, in a dark wig, as the virginal daughter of a wealthy family. Carole Landis fares best. The movie opens with her in silhouette. She is a soubrette, and a naughty girl at that. She disappears for a while but turns up in an improbably situation. But she's good. She was always an appealing actress. Here she is cast closest to her usual type of role.It's meant to be a little naughty, kind of ooh-la-la. It ought to have had a light touch but it's a leaden affair from start to finish.