The Golden Stallion

1949
6.4| 1h7m| NR| en| More Info
Released: 15 November 1949 Released
Producted By: Republic Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

Diamonds are being smuggled across the border from Mexico in a specially made shoe of a palomino mare. One of the smugglers is killed when the mare runs off. The sheriff blames Trigger for the death. To keep his horse from being destroyed, Roy confesses and goes to jail. The smugglers buy Trigger and put him to work smuggling diamonds. The mare, who had earlier heard a trist with Trigger, foals Trigger, Jr. who Roy, finally out of jail, uses to help capture the smugglers.

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Reviews

Taraparain Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.
Usamah Harvey The film's masterful storytelling did its job. The message was clear. No need to overdo.
Verity Robins Great movie. Not sure what people expected but I found it highly entertaining.
Jonah Abbott There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
wes-connors Wild horses are used to smuggle diamonds across the border from Mexico to the United States. The jewels are hidden in horseshoes. Meanwhile, well-known horse trainer Roy Rogers (as Roy Rogers) goes to work at the "Circle B" ranch owned by singing cowgirl Dale Evans (as Stormy Billings). They make pretty music together, although Mr. Rogers prefers closer companionship with his horse "Trigger". The smartest horse in the movies gets involved with the smugglers by mating with a mare they use to transport their diamonds. The union produces "Trigger Jr." and provides Rogers and his horse with danger and adventure...Director Quentin Tarantino elevated this "Trucolor" western by citing it for a discussion on films, which makes this an interesting watch. However, "The Golden Stallion" is more ordinary than revelatory. Most Rogers pictures are pleasant, and it's possible to elevate any one of them, at any moment. Here, you have a great scene - where Rogers "takes the rap" for a crime, to save Trigger from a death sentence. Rogers' lie is blatant, but acceptable. Unfortunately, the film leaves the potential for a good morality story right there. Neither Rogers nor Trigger committed the crime, which the script never gets around to resolving.***** The Golden Stallion (11/15/49) William Witney ~ Roy Rogers, Dale Evans, Pat Brady, Douglas Evans
classicsoncall Whoa Nellie! Here's a plot element I haven't seen before - the 'Smartest Horse in the Movies' is framed for murder, and Roy Rogers takes the fall! You know it has to be the movies when the trial is set for the very next day - Roy gets three years in jail and Trigger is out on the range running with diamond smugglers. That all sounds like a lot going on for a simple 'B' Western, but that's the basic premise of "The Golden Stallion", a Republic Trucolor film that fans of Roy and Dale Evans will find certain delight in. I have to say, the idea of a specially made horseshoe with a false bottom built in to hide a cache of diamonds was certainly a novel idea, and it had me wondering if such an idea was ever tried for real.Along with the trick horseshoe, there were a few other elements I hadn't seen before in a Roy Rogers flick. For one, this might have been the first time Pat Brady appears driving his trusted Willys Jeep, although he's portraying a character named Sparrow Biffle. Though 'Nellybelle' isn't specifically mentioned by name, I'm pretty sure Pat yelled 'Whoa Nellie' during that first horse stampede when his vehicle went out of control. Additionally, it appears that Dale's aboard Buttermilk, the pinto she rode in the TV series a few years later.As for Trigger himself, I had some trouble recognizing the real one. That didn't look like the real Trigger at the start of the picture, the one that got in trouble with the Bell Mare and got pinched for Ed Hart's murder. The stallion that grew up to be Trigger Jr. looked more like the real thing, but I guess he could have performed a dual role like human actors often do. Anyway, it left me just a little bit confused.Roy and Dale as always make an engaging couple, even though Dale's character in the picture goes by the name of Stormy Billings. With the color format, it's easy to pick out their costume changes in the story, as each goes through more than a half dozen. I got a kick out of Dale's reaction to Roy's phony death scene - very over the top, and I'm surprised actually that it remained that way in the picture.By the time it's all over of course, Roy brings the outlaw smuggling gang to justice with the help of the Oro City Sheriff (Frank Fenton). Spending a couple years in jail didn't do a lot to help his image as King of the Cowboys, but he spent time behind bars in other Westerns, so it goes with the territory. One thing I did notice though was Roy's tussle with bad guy Ed Hart (Dale Van Sickel) in the early going; it was probably Roy's best and most realistic looking fight I've seen in a few dozen of his pictures. Just another 'Whoa Nellie' moment in Roy Rogers' enduring film career.
brendaattheranch I can't think of two people I like more then Roy Rogers and Dale Evans and they were fantastic in The Golden Stallion. And of course, Trigger too.The story is filled with action, drama, music (they add just the right amount of music and don't get carried away with it), and of course, Roy and Trigger. It is heart breaking at times, but the bond of horse and man that Roy and Trigger truly shared on screen and off comes through in shining colors in this movie. And of course, it's a delight to be able to see some of Roy and Trigger's work in color.I highly recommend it.
fennessy-2 Hard to believe, but this Roy Rogers vehicle is one of Quentin Tarantino's favorite movies. It was directed by prolific B-movie/serial specialist, William Witney, and co-stars Dale Evans and Trigger, "The Smartest Horse in the Movies." The storyline revolves around a diamond smuggling operation in which Trigger is enlisted to replace the stallion of the title when she goes missing. Trigger was separated from Rogers in the first place when he took the fall for his "best friend" following a (false) accusation of murder. Had he not done so, Trigger would have been killed in an instant. Along the way, Rogers and Evans pitch a little woo, the bad guys are outsmarted and Trigger and the stallion produce a foal, Trigger Jr. (star of an eponymous sequel released in 1950).In the New York Times article, "Watching Movies With Quentin Tarantino" (9/15/00), he discusses the film in depth, finding the relationship between Rogers and Trigger particularly moving: "You know, in some movies, a cowboy might go to jail to save his best friend from being shot down dead. Well, Trigger is Roy's best friend. It's the easiest leap to have him do that here, yet it's so powerful and so unexpected. What's great is that you buy it, you absolutely buy it, and I don't know that I really would buy it from anybody else but Roy and Trigger."It should be noted that "The Golden Stallion" is one of Rogers' more "mature" efforts, and that it's more of a drama than a musical. Although it doesn't seem to have much in common with his own work, Tarantino fanatics are sure to want to check it out to see why he holds Witney -- along with Rogers, Evans and Trigger -- in such high esteem (see also "The Eyes of Texas" from 1948).