Da Vinci's Inquest

1998

Seasons & Episodes

  • 7
  • 6
  • 5
  • 4
  • 3
  • 2
  • 1
8.1| 0h30m| TV-PG| en| More Info
Released: 07 October 1998 Ended
Producted By: Alliance Atlantis
Country: Canada
Budget: 0
Revenue: 0
Official Website: http://www.davincisinquest.com/
Synopsis

Da Vinci's Inquest is a Canadian dramatic television series that aired on CBC Television from 1998 to 2005. While never a ratings blockbuster, seven seasons of thirteen episodes each were filmed for a total of ninety-one episodes. The show, set and filmed in Vancouver, stars Nicholas Campbell as Dominic Da Vinci, once an undercover officer for the Royal Canadian Mounted Police, but now a crusading coroner who seeks justice in the cases he investigates. The cast also includes Gwynyth Walsh as Da Vinci's ex-wife and chief pathologist Patricia Da Vinci, Donnelly Rhodes as detective Leo Shannon, and Ian Tracey as detective Mick Leary.

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Reviews

Smartorhypo Highly Overrated But Still Good
Kailansorac Clever, believable, and super fun to watch. It totally has replay value.
Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.
Sarita Rafferty There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.
renrizzuti Da Vinci's Inquest is one of the best dramatic TV shows ever produced in Canada on any Canadian networks. First of all the gritty and realistic stories were always captivating and awesome. A big big reason for that was the stupendous acting by the entire cast but most especially by the lead character Da Vinci who was gruff and knew his job really well but was far from perfect and in many ways an anti-hero. The support cast was also awesome even though Da Vinci himself stood out the most. Detective Shannon, Detective Kosmo and Detective Leary were all great actors. Da Vinci's City Hall was still pretty good but not nearly as good as the original Da Vinci's Inquest series. This is an awesome show.
1negevoli I glommed onto DaVinci's Inquest the first time it aired late (and I do mean late) on ABC on the weekends a while back. It is arguably (meaning an argument can be made in its favor) the best television series ever produced. So naturally I was hooked from the beginning by its cast, writing, directing, production values, etc. And I usually do not like "gritty." But "DaVI" is in a whole other orbit from American-produced television, and is even better than the numerous Brit series I have so adored over the years on PBS. "DaVinci's Inquest" is in a class by itself. The cast and the acting and the writing are nothing short of sublime. So, given the excellence of the acting on "DaVinci's Inquest" across the board, it is another thing altogether to describe Colin Cunningham's "Brian Curtis" character arc. Cunningham raises the bar even on this perfect series. I have never, ever seen acting of this high a level on series TV anywhere or anytime and I have seen it all. You find yourself itching for Curtis to get caught, but at the same time you want the series and his character to continue on forever, because Cunningham's acting is so compelling.When will Hollywood wake up? This guy is a money-maker. Not only is he a first-rate actor, but he is sexy as hell.Now that I have seen "Intelligence" on DVD (August 2008) -- another Chris Haddock masterpiece, I have finally seen a TV show as good as or better than DaVinci. And it's Canadian too, where people can cuss and be crude and completely natural in their dramas. These shows on DVD are infinitely better for this reason. But "Intelligence," which stars Ian Tracey and includes many actors from DaVinci episodes in supporting roles only ran for a couple of seasons and I am having a hard time finding out why, since only the first season has been released on DVD.I used to wonder why US TV didn't grab up Chris Haddock, but I was wrong. On retro-TV, I have often seen his name. So what this means is that he graduated to Canadian TV, where they program for adults. This means Haddock refuses to dilute his work to APPEASE the hypocrites/morons aka Christian fundamentalists who run the USA. We are the only top-tier country in the world that censors language and content on TV. And it sucks. Meanwhile we adults are deprived of the best on TV because of pious and self-righteous prudes with low IQs.
robbotnik2000 This show is high on group work and realistic dialogue and action, much more realistically paced and acted than current Yankee faves such as CSI and NCIS. They use real words such as "forensics" and the lead characters manage to hold audience interest without cheap and predictable audience grabbers. Good writing and excellent outdoor photography. It is so good it is only going over the show afterwards that I appreciate it at this level. While I'm watching it I'm drawn into the slice of life it portrays.I also suspect it is less popular among us Yanks than for Canadians because of the pacing and attention to detail. I'd be happy to be wrong, however.
nickmjones I've been very fortunate to see many episodes of this show on WGN and I have to say that it handily bests all of the American police procedurals. We never really did good police procedurals in the US anyway; we're obsessed with happy endings and quips, when the reality of police work is grueling, unfair and exhausting. Shows like Law & Order and CSI succeed by their sheer numbers. The best one ever made in the U.S.--Homicide: Life on the Street--was unceremoniously canceled after a short but brilliant run, and constantly tried to underline the realities of detective work. Only it stands against Inquest.Da Vinci's inquest, on the other hand, has such a great feel. The acting--especially that of the lead Nicholas Campbell--is top notch for this type of show, because it's so transparent. In other words the delivery and body language seem so authentic that you actually forget you're watching TV. I get so tired of the same puppet shows on Law & Order, the one dimensional characters who exist only to drive the plot to its tidy conclusion at the 22 minute mark.This one is worth seeing, and I'm glad to know it's on DVD when it disappears (as it surely will like anything else that's actually good on U.S. TV.)

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