Lovesusti The Worst Film Ever

Baseshment I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

Whitech It is not only a funny movie, but it allows a great amount of joy for anyone who watches it.

FrogGlace In other words,this film is a surreal ride.

Reno Rangan The sixth in the Aurora Teagarden Mystery film series made for television. The final film for now, until the next one comes out. Based on the book named 'A Fool and His Honey'. Fourth director to helm a film in the franchise. So far I've enjoyed all the films. They all were decent, as I say, for the small screen standards. Produced for Hallmark channel, surely the target audience is women. But the whole family can enjoy them, I meant including kids, since it has less violence.Surely a nice storyline for a literature. The film too was not bad, but it depends on the viewers. For instance, if you take me, I've seen many similar films. I'm not talking about crime solving themes, but this same platform with different characters, locations and a style of narration. That's why it is a television film, aimed for those viewers who are less familiar with the thematic. But I appreciate the effort. The production quality to the writing, music, performances, all were better. Especially the Hallmark's common cliché, the romance had got ridden. You will be happy for that if you are a male audience.Another case where Aurora did not choose, but it chose her. It was slightly different than all the previous ones. Because she did not know what she's looking for. A young woman with a newborn baby had come to her house saying she's her boyfriend's niece. But the twist was a few moments later, she went missing and a stranger dead on her front porch. The baby was left behind. It was closely linked case, due to her relationship with Martin. It's good that way, because intensifies the atmosphere and no room for mistakes.❝Did you come with an instruction book? Because I am very good with books.❞There was a basic flaw. It was where the whole platform constructed on. Only at the end you will realise that. That it all would have been solved easily by those involved in it, before dragging Aurora and others into it. Even if it is in a life threatening situation. Because of what we predict, those possibilities, the theories, particularly against those people, are not strong enough. It was those young people, who wrongly handled the situation. That's why the original source material rightly titled, calling a fool.Everything's about the baby. The baby gives the reason for this story, and also to solve the mystery. From the opening to the mid- section, it was a nice film. They did all they could improvise the narration, but the end was average. The film flourished only for its suspense. The answers were all the time in front of us, in front of Aurora. The writers just dragged it with the kind of character design, with somewhat a convincing reason. The romance parts, either it was Aurora and Martin or Aida and John, did not go anywhere. Joining hands, doing the investigation, that's one way to improve their relationship.This is not the best in the series. At least better than the previous one. A new director, though nothing much has changed. The regular cast steered it with their best. It was a better film series than I'd anticipated. I had a nice time with them in the last one and a half weeks. The Hallmark Movies & Mysteries giving a new dimensional entertainment for the home audience. I mean, can you name a few crime/murder mystery titles with rating General. I don't know when the next one is coming out, but looking forward to it. In the meantime, I would suggest it, but not for all. Just lower your expectation and enjoy it.7/10

max-54959 ***SPOILERS*** Aurora Teagarden isn't my favorite TV detective, but her movies are usually watchable. This one is by far the worst. The story did start as an intriguing mystery, however, it totally unwraps as it moves a long. Aurora and Martin seriously obstruct justice when they hide a witness who was on the premises where a murder and a supposed kidnapping were committed and when he appears to be the most probable suspect. Then they let him escape, and then they capture him again. Law enforcement doesn't seem to mind, although Arthur does slap his forehead and Lynn frowns at one point early on. Aurora and Sally continue to interfere when they interview a midwife, who is also possibly complicit in the murder, tipping her off to the investigation. Totally annoying. Nearing the end, a shooter is shooting at Martin, Aurora and the witness in the house and wounds both Martin and the witness. We, nor Aurora, have any idea how badly they are hurt, although the witness is unconscious and Martin, who was clearly shot in the chest, says he's going into shock. Seems kinda serious. Conveniently, Martin has previously said his phone is dead--and all at once Aurora remembers she left hers in the car. Unknown whether the witness has a phone... So no one can call 911. The shooter comes into the house, acting innocent, although Aurora and Martin both recognize him. For some unknown reason, he doesn't shoot anyone again but wanders across the street to "get his first aid kit" and conveniently disappears for a good while. Why did he shoot at them in the first place if he had no interest in killing them? Unarmed Aurora then leaves the house over Martin's objection to follow the shooter and, instead of getting her phone or asking another neighbor to call an ambulance and the police, crosses the street and finds Martin's niece who has been kidnapped in the neighbor/shooter's basement. She could get into the basement, but she and the niece had a time getting out.... During all this mess, the neighbor's wife kidnaps the baby from the house (how did she get in anyway?), and Aurora hears her on the baby monitor, which must have a HUGE range, since Aurora was across the street at the time. How convenient to have a baby monitor in her pocket but no cell phone...Apparently, the niece, who was the baby's mother, was kidnapped until she would reveal where she had hidden the baby. Early on, the kidnapper's wife found out that Aurora and Martin had the baby, so why were they keeping the mother alive? They were planning to take the baby way on a car trip, but surely they knew she would tell the police before they could get very far. They had no problem killing the baby's father but, of course, not Martin's niece. Made no sense.Other reviewers have mentioned Aurora's treatment of the newborn baby. She cavalierly passed him around from person to person, and at the end of the show told Martin she has decided she wants to have his babies although they aren't engaged and she has indicated only relief that he hasn't proposed to her. Also, it turns out, the niece made a wonderful mother even though she had said she and her husband weren't ready for children and they had tried to sell their baby?? Isn't that a crime?Yannick Bisson and Lexa Doig are wonderful actors. I just wish they had a better vehicle.

pgooden Having watched another Aurora movie I found myself very annoyed at 2 of the female characters in this one . AT is indeed self absorbed to the point of wondering how she will ever keep her job - It appears she works part time and is frequently late, or wanting to leave early and By the way, how does she afford to buy that lovely home ? She involves herself into every aspect of the crime and is irritating - nothing like Jessica Fletcher . Her care of the baby was indeed ludicrous foisting the baby off on other every chance she got to pursue her needs. Spoiler >>>>>>>>>>>>>>>>Maybe One of the most irritating moments was for me is when John proposed again to her mother and during the proposal she turned her back on him to answer the phone .The one nice moment was seeing Yannick Bisson released from his duties at the Toronto Constabulary

CatzTurn I enjoy the Aurora Teagarden series, but this last movie was not my favorite. It was a remake, plot line and all, of the 2003 series 'Mystery Woman "Oh, Baby"' with Kelli Martin. In this version, Aurora comes off a little self-absorbed over the caring of an object, the baby. She transfers 'it' to everyone else to look after. The comparison was stark. Then, at the end, she tells Martin she would want to have his babies...they aren't even engaged! This one was not as developed as "Head over Heels" in plot and character. I gave it a 6 because I won't repeat watch it. I love that Lynn is now Chief of Police and working out the dynamics between her and her husband, Arthur, at work was good.This is my least favorite Aurora Teagarden, followed by "Real Murders'... once you see them there is nothing to want to see them again. The other Aurora movies have lots of plots, intrigue and characters that are worth watching over.