Solemplex To me, this movie is perfection.

Pluskylang Great Film overall

Fairaher The film makes a home in your brain and the only cure is to see it again.

Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.

God-12 This was a most excellent Ozzie film that I watched this evening. A delightful comedy. It wasn't that kind to Ozzies, but it was very funny. It was also quite strange in its way, but it was kind enough to give strong hints as to its plot development methods in one of the sub-plots.I hadn't understood what people saw in line-dancing, but I think that I now have an inkling. It was also interesting to see how the yankish idiom appeals to the incoherent everywhere - the film exploited this point to excellent effect if a trifle cruelly, if you have any empathy with the incoherent.It is so good to see the occasional well-made and clever film that turns up. I suppose that their explanation of how the plot was devised might be seen by some as a post-modernist infestation, but I felt that it was a) in good fun and, at worst, b) a good satire of post-modernist triviality taking itself so seriously as to think it is clever.I'm not quite clear why it was showing at the downstairs cinema. There was a little French in it, with sub-titles, but surely not enough to class it as an 'art' film. Have Ster-Kinekor simply decided that Yankish films go upstairs and intelligent ones downstairs? It seems rather sad for the masses who go only to upstairs films to be missing this friendly and good-humoured comedy.It is, I suppose, a little bit of a black comedy, in places, plenty of dismembered limbs, decapitated corpses and crushed dogs. All these are, however, in the best possible taste.It seems strangely short of stock Oz stereotypes. Very little beer is drunk, the macho fellow doesn't do particularly well and the poofdahs generally have a nice time of it. What was the reference to the Frenchman on the beach with the big knife? I thought of Albert Camus' 'The Outsider' (or 'The Stranger') which starts that way. A comment here suggests that it was a particularly Australian reference.

cpooge When I first saw the trailer I though to myself 'hey...nice idea'. However i was sadly disappointed with the overall product. Gary Eck, one of the writers and main character, wrote a winning 'Tropfest' entry in 2002 ('Tragic Love'), and in comparison to this short, 'You Can't Stop The Murders' just becomes a parody of itself. 'Tragic Love' was amusing and enjoyable because although the overall idea was absurd, it was played out in complete seriousness. If the same could be said for Y.C.S.T.M then I'm sure it would have made it a much more enjoyable film. However, with that all said and done. I'm sorry to use Gary as an example, and I'll continue the review.The film overall is quite well make for Australian standards, especially on what I would assume was a small budget. The acting is an interesting mix characters and performers bound together through this interesting variation of the murder genre.The 99 minute running time perfect for the story to progress. And the cinematography was an altogether different and refreshing view at yet another bland Australian landscape.

donlhumphries This movie is so laid-back it's like a female contortionist. The sort of movie which could only be made in Australia; laconic in the Croc Dundee style, yet not so emphatically dinkum aussie as in "G'day mate" jargon. Professional film critics may give it one-and-a-half stars, but I'd give it a good three. Then maybe I'm easily pleased. I found it entertaining and amusing - if you're not too critical. You get a lot of chuckles and also some real laughs. I can imagine off-duty police seeing this picture, because it centres on the relationship between two local cops in a small town, and how their lives are fairly humdrum - until the murders start. A serial killer is loose, and the clue to his/her identity is in the occupation of the victim, and the symbolism of the corpse. The plot seems mainly a vehicle for sight gags and other humour, in Jacques Tati manner (Mon Oncle; M.Hulot's Holiday; Jour de Fête); yet there is an underlying tension due to apprehension as to who's going to be next victim. It's good to see perky Kirstie Hutton again (remember her from "Bullpitt!" on TV?), and all the lead actors are interesting characters; with an able and varied supporting cast. I think this movie should have popular appeal, at least in Australia, and might prove more successful than some would anticipate. ====================================================

pctune To start with, I'm a big fan of the stand-up work that the three co-stars are known for.That is why I rushed out to see the film, on a Thursday afternoon of all things. Take my advice, try and see this movie with a large crowd of 25-30's. Group laughter will certainly enhance your experience.Set in a small NSW town, with a population of 350, the movie follow the investigations of a serial killer who is stalking people who have professions used by the Village People. There are plenty of opportunities with the subject matter to get the audience into tears of laughter, but unfortunately the chances either not taken or are minimised with a laid-back small-town feel.This truly is a wait-for-video film.