TrueJoshNight
Truly Dreadful Film
AniInterview
Sorry, this movie sucks
Gary
The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.
christopher-underwood
Wonderful is the obvious but apt accolade for this strangely obscure little gem made literally at the peak of what became known as 'Swinging London' or more generally the 'Swinging Sixties'. It looks absolutely fabulous with superb costumes and stunning sets. As for locations, I eventually tracked down the reservoirs at West Molesey as the primary source with Beesborough being the primary one and I assume the associated pumping station was that used both for the workplace scenes and the later rather manic cycle machine scenes. I had never realised the close connection between the Beatles and Roman Polanski but writer Gerard Brach (Cul de Sac, What? Fearless Vampire Killers and the film under discussion) seems to have been the main link, although actor Ian Quarrier and director Joe Masot were apparently big on the 'scene' during 1967 and 1968. George Harrison made considerable contributions to British cinema of the time but his more extreme Indian influences to this soundtrack are probably the only let down. Fortunately director Massot has assembled an alternative cut of the film using the original Wonderwall sessions and this makes for a much more acceptable viewing. Jack MacGowran, much favoured by Samuel Beckett but also appeared in Cul de Sac and Fearless Vampire Killers, is perfect in the role of obsessive mad professor cum obsessive peeping tom. Which brings us to Jane Birkin, who doesn't do too much in this (she doesn't even speak) but is 1967/68 London personified. She has that 'look', she can wear those clothes (or not) and moves with a grace that almost takes the breath away. Something between a butterfly and a gazelle. she floats through the film seemingly effortlessly, her role simply to move about with or without clothes and to 'react' to others. Fab film that captures perfectly a moment in time.
ferbs54
In the 1968 psychedelic curiosity "Wonderwall," we meet Collins, an absentminded microbiologist at the Metropolitan Water Board (played by Jack MacGowran) who has spent the better part of his life observing interesting and colorful objects through a small hole (test slides through a microscope). His life gets turned around one day when he discovers some new, even more colorful specimens to ponder: the swinging models and hippies who live, work and party in his next-door flat...and who he can now spy on, thanks to a small aperture in his moldering apartment. Known primarily today for George Harrison's psych rock and droning-raga soundtrack, "Wonderwall" is a souvenir of swinging London that should just manage to please modern viewers...even those who are not lysergically enhanced. Every one of Collins' numerous fantasy episodes, and every glimpse into that apartment next door, is like a peek into a psychedelic, color-saturated wonderland. Whether Collins' neighbors are engaged in a photo shoot, a pot party or a bout of lovemaking, director Joe Massot mines psychedelic gold, and costume designer Jocelyn Rickards decks one and all in retina-pleasing finery. Jane Birkin here plays a mod model who is the chief object of Collins' obsessed fantasies; yes, she HAD played another model just two years before, in Antonioni's "Blow-up." "Wonderwall" may bring to mind bits of other films, such as "Peeping Tom" and 1985's "Brazil," mixed in with some Monty Python and even the front cover of Spirit's classic 1970 album "12 Dreams of Dr. Sardonicus." It drags at times, and even this director's cut, shorn of a dozen or so minutes of previous footage, feels a bit padded. Still, I found it, for the most part, a colorful way to spend 73 minutes. As the always pithy Michael Weldon puts it, in my beloved "Psychotronic Video Guide," "it's good for the 'swinging London' fashions and the music." Blotter is optional.
Seamus2829
Wonderwall is certainly a period piece from 1968. The plot concerns a lonely old college professor,played by Jack McGowan, who periodically spies on his attractive,young fashion model,played by Jane Berkin (star of many a French film),thru a hole in the wall. The professor starts to drill more holes in his wall,so he can view her from various perspectives. The film earns it's kudos from it's production values,it's use of colour (the professor's flat is a dreary,colourless one,while the model's flat is a burst of psychedelic colours). This little seen film fared poorly in the U.K. & even worse in the U.S.,before it was promptly forgotten in the dustbin of ignored films. Pity....it would have made for a most fitting addition to the rank of midnight movies in the early to mid 1970's. One didn't have to partake of various mind expanding drugs to enjoy this odd little film, but it sure didn't hurt. The film's director was Joe Massot,who would be more recognized nearly a decade later as the co-director of 'Led Zepplin:The Song Remains The Same' (he directed the "fantasy" sequences featuring the members of Led Zepplin,as well as their then manager,Peter Grant, that for some managed to pad the film out way beyond it's two hour,plus running time). The most notable aspect of this film is the musical score,which was composed by George Harrison,who wanted it to sound as much anti Beatle as possible (and succeeded). A brand new print of this forgotten film was re-discovered a few years back,restored with a punchy sounding soundtrack & re-released. Worth seeking out. No MPAA rating here,but contains a bit of peek-a-boo nudity & adult situations which could have earned it an 'R' rating back in 1968
bobby cormier
for me, the psychedelic equivalent of Citizen Kane must either be Wonderwall or else Conrad Rooks' Chappaqua. this film must be THE psychedelic masterpiece. it comes with incredible credentials. just check the credits. i was recently watching it with james t. rao (from the band Orange Cake Mix) & he said, "wow, this must be the BEST psychedelic film!" & we've watched almost EVERY film of this genre. don't take LSD & watch the film. or DO take LSD & watch the film. you'll find very little difference. the plot is touching & sentimental but with an edge. the "message" of this wonderful art film is complex & multi-layered & manifold. watch it a few times & see new things each time. "it's the lanolin that does it." the color is gorgeous. the DVD extras are incredible & include the director's first film (a short).-bobby cormier
