Quadrophenia

1979 "A Way of Life"
7.2| 2h1m| R| en| More Info
Released: 14 September 1979 Released
Producted By: Polytel
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
Synopsis

Based on the 1973 rock opera album of the same name by The Who, this is the story of 60s teenager Jimmy. At work he slaves in a dead-end job. While after, he shops for tailored suits and rides his scooter as part of the London Mod scene.

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Reviews

Cubussoli Very very predictable, including the post credit scene !!!
Colibel Terrible acting, screenplay and direction.
TaryBiggBall It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.
Bergorks If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.
Leofwine_draca QUADROPHENIA is a cult classic movie that explores the life and loves of a Mod living in Britain in the 1960s. The lead character is played by Phil Daniels, a familiar face from British television, and he gives an exemplary performance as an awkward but likable youth struggling to grow up and make it in the adult world.Produced by The Who, QUADROPHENIA offers as its backdrop a portrait of 1960s era Brighton and the like, where battles between the Mods and Rockers are just around the corner and a great soundtrack generally accompanies the action. I'll be the first to admit I'm not a huge fan of this era - I missed it by a long shot - but this likable drama paints a solid picture of the times.It's also remarkable as a "before they were famous" movie, featuring performances from the likes of Ray Winstone, Timothy Spall, Leslie Ash, Phil Davis, Michael Elphick, even Sting before they hit the big time. Barely a minute or two goes by without a familiar face, and it's fair to say that everyone is putting plenty of effort into their performances. It's this level of enthusiasm all round which has led to QUADROPHENIA's well-deserved cult status.
Nobby Burden Some films need to be watched to witness subtleties in the actors' faces, and other films need to be listened to as the plot unfolds; even now with all the technological wizardry, the dialogue is what carries the motion picture. Sadly Quadrophenia lacks both of these necessities. It gets 2 stars for the soundtrack by The Who. That, and the line about comparing Brixton to Calcutta. The 1960s should have been a good time, because WW2 was over, Europe was at peace, we landed on the Moon, and made huge gains in medicine and science. What we got instead was Kennedy's assassination, the Vietnam War, drug abuse, hippies, mods and rockers, and the sexual revolution. The upshot is Jimmy -- a loser at best, and a lost soul at worst -- seeks to find himself by imitating all the losers around him. He has a job, but doesn't do it, he has a girlfriend for whom he feels nothing, and parents who somehow neglected to raise him properly. It's just awful. Simply awful with no redeeming value. Toxic.
Elliotb-butler18 Quadrophenia is one of the best films i have ever seen. As me and my family are MODs we love this film. I am only 15 and when i first watched this film it instantly went to the top of my favorite films list. I own over 350 films and counting and this film is the top of my list. In my opinion you need to be a MOD or have an understanding of the concept of MODs and Rockers to fully appreciate this film. The film follows on the Who's 1973 album Quadrophenia which tells the story of Jimmy, a young MOD popping pills and out with his scooter riding mates. Phil Daniels gives a powerful performance as Jimmy with Sting as the Ace Face, the MOD who Jimmy idolized until he finds he is nothing but a bell boy in a hotel and is a nobody. In my opinion the end scene with Jimmy on the ace faces Vespa riding across the cliffs of Brighton with the Who's song I've had enough playing. This is one of the most powerful scenes in film history and i absolutely love it. Love, Reign o'er me. 10 stars out of 10 easy.
MartinHafer "Quadrophenia" is a movie that is based in part on the album of the same name by The Who. It also was co-written by Pete Townshend and some of the executive producers included the four members of the band. It's set in the early-mid 1960s in England and concerns Jimmy and his group of 'Mod' friends. The Mods were well before my time but apparently they liked to dress stylishly, drive mopeds and tended towards R&B instead of popular rock 'n roll. Also, the Mods in this film are mostly angry, directionless and seem in many ways like precursors to the punks of the 1970s--though with a much greater fashion sense. Plus, I really cannot imagine punks riding around in motor scooters. But, they both seemed to share a love of violence, drugs and anger.As far as the plot goes, the film is much like the Mods--rather directionless. This isn't a complaint and the film deliberately chose to show the lack of structure and anger of the Mods. For the most part, these teens drink, fight, take amphetamines, listen to music and stay up all night. Jimmy seems to be among the angriest and most likely to get himself killed. Later in the film, Jimmy and his blokes head to Brighton for a holiday and mayhem ensues. Exactly what happens, you'll need to see for yourself.As I said above, how much you like the film will depend a lot on you. If you grew up at the same time and place as these hooligans, then perhaps you'll have a feeling of nostalgia watching it. As for me, although the film was well made, it was also unpleasant and I got a bit tired of all the pointlessly angry and disaffected youth. It just wasn't my thing and it's hard to love a film where you cannot stand any of the characters.A few final observations: I don't think it was unintentional that the leading man, Jimmy, sure looked quite a bit like Townshend. The film sure could have used captions. I saw it on HULU and had to really pay attention to get what they were saying due to the accents. There's also a bit of male frontal nudity--though considering all the violence and anger, I doubt if it's a film you'd show your mom or your kids! Also, the music was very nice--the best part of the film, really.