Matialth Good concept, poorly executed.

Lumsdal Good , But It Is Overrated By Some

Sexyloutak Absolutely the worst movie.

Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

MartinHafer Although this was the official submission for the Best Foreign Language Oscar from South Africa, it has a relatively low score--under 6.0. Don't believe it--it's a fabulous film! The film is a buddy film--with two guys traveling a huge distance (Durban to Cape Town--about 1000 miles more or less). Unfortunately for poor Elvis who is PLANNING on getting married when he arrives, things keep happening--and this long drive becomes HUGE--and it looks as if they're never going to make it in time for the wedding.The film has many poignant moments and is probably not what you might consider a comedy. However, it has some very funny portions, a lot of romance and a lot of heart. The leading man is quite likable--very, very likable--which makes this film a lot more enjoyable. You really care about him--as well as his traveling companions.I sure wished I'd watched this film a few weeks ago! That's because I just got back from a trip to South Africa and I would have loved to have seen all the sites and culture before I arrived in the cities portrayed in the film (Johannesburg, Durban and Cape Town). Of course, on the other hand, had I hadn't first visited this wonderful country, I might not have understood some of the film due to its cultural references. I am NO expert, but here are a few observations if you do see this lovely film and are NOT familiar with South Africa when you see in the white supremacist portion of the film: When Elvis and his friends enter the white supremacist bar full of Afrikaners (whites of Dutch descent), they are watching rugby--which, in South Africa, is considered the white sport.You'll hear these folks in the bar use the word 'kaffirs'. You DON'T use that word in South Africa--it's like the N-word in the USA and it can even get you arrested in South Africa for hate speech.'She's English'--despite over a hundred years since the last Boer War, there is a tiny bit of animosity between SOME Afrikaners and the English (who won the war in a very brutal fashion).Koos de la Ray was a heroic general from the second Boer War (1899-1902) and the song is considered by SOME to be provocative and anti-black--sort of like singing 'Dixie' in the USA.One thing that might take many in the audience by surprise is hearing the black South Africans. Throughout the film, they speak English and Afrikaans and the Xhosa languages--all within the same sentences at times or switching from one sentence to the next. I didn't hear a lot of this when I visited, but I was there for business--where the language is almost exclusively English. Many Bollywood movies also have people switch from Hindi to English as they speak--something that will surely surprise many Westerners. Curious.Overall, a wonderfully fun film--just the sort of thing that does NOT win Oscars--but the sort of thing that could make a great date film. Well worth seeing and very endearing.

JeffersonCody WHITE WEDDING with Kenneth Nkosi, Rapulana Seiphemo, Jodie Whittaker, Zandile Msutwana and Marcel van Heerden, directed by Jann Turner. Cinema-goers looking for a funny, big-hearted comedy with characters one can relate to, will enjoy Jann Turner's rather delightful South African film. A road trip movie made on a budget of R6 million, it tells the story of the down-to-earth Elvis (Kenneth Nkosi) who is about to be married. He catches a bus from Johannesburg to Durban where he meets up with his best man, Tumi ("Jerusalema" star, Rapulana Seiphemo). From here the two guys must travel to Cape Town where the lovely Ayunda (Zandile Msutwana) is anxiously awaiting their arrival. Of course nothing goes right on the long journey and when the boys get lost in the Eastern Cape and reluctantly allow British visitor Rose (Jodie Whittaker, who starred opposite Peter 'O Toole in "Venus") to join them, it seems as if their problems can only get worse. Can they make it to the wedding on time? With a splendid leading man turn from the lovable, hilarious Nkosi (he played the cooked lawyer in "Jerusalema"), a warm and winning script (by Seiphemo, Turner and Nkosi) and plenty of romance to go with the laughs, this feel-good comedy hits the spot. "White Wedding" is a sweet, witty film that shows there is a place for everyone in South Africa. Even the old-school Afrikaners have hearts of gold. MY RATING: 6 out of 10.

Cruiz Dwyer The soon-to-be-wed Elvis (Kenneth Nkosi) and his best friend and best man Tumi (Rapulana Seiphemo) are on route from Durban to Cape Town to attend rehearsals for Elvis's wedding. However their journey does not go according to plan as both Elvis and Tumi struggle to find their way across the country, and they meet up with Rose (Jodie Whittaker), a doctor from England, who is trying to return to home.The narrative for White Wedding is not exactly something unheard of but it makes for a refreshing tale in traditional South African cinema, usually concerned with Apartheid, crime or other negative aspects of modern society. Instead, White Wedding is far more casual and relaxed though this is not to say that its issues are not serious. The central three characters all suffer from some form of anxiety in regards to relationships. Elvis is devoted to his wife Ayanda (Zandile Msutwana) but as the story progresses he becomes jealous that his wife might be spending too much of her time with her ex-boyfriend. Tumi has no interest in marriage and his flirtatious habits make his prospects at a long term relationship difficult. Rose, on the other hand, learned that her fiancée was being unfaithful. Evidently it is relationships which become the film's prime concern. Another issue at the heart of White Wedding is racism and the ideal of an equal society.This issue is played upon by much of the comedic nature of the film. Strangely, while the film has comedy throughout and is marketed as such, the comedy never overrides the dramatic elements of the text. In many respects, the comedy becomes situational, playing upon South African societal norms, such as Elvis and Tumi vising a bar in an Afrikaans town. It all makes for good, clean fun even if the film proves too idealistic for its own good. The acting is, in general, quite good. Nkosi feels comfortable with his role though he tends to overact on the odd occasion, and Seiphemo is as solid as always. Whittaker is a surprise casting, giving the film somewhat of an international appeal, and while she is not acting at her best she does her job well enough. Msutwana is the only of the cast who appears somewhat off-putting. Throughout she is workable but she goes through the odd scene once and while as monotonic.The cinematography feels too simple and expected, though strangely this is not a bad move on part of the director Jann Turner with her directorial debut. Turner goes about refreshing African cinema, and proves to rather make a sound film instead of allowing it to be plagued by a poor script, story or acting. She will undoubtedly free her style once she gets more used to creating movies instead of her usual television shows.Apart from the occasional mild swearing, there is no content which sensitive viewers would disapprove of.White Wedding is not an excellent comedy but as the sum of it's parts, its worth a watch. The story is simple though lacks subtly in explaining its messages and the acting is commendable though it does wane at times. While strictly a comedy to be enjoyed by South Africans it does have some international appeal. However the film should be viewed as a drama with a good does of comedy rather then a strict comedy, and perhaps by not being so conservative with style and form, White Wedding could be enjoyed by all.

Trevor Moses I had the honour of viewing this film on the opening night of the Cape Winelands Film Festival last week. I really didn't know what to expect from it, but I had the idea that it might perhaps be a South African version of Stanley Kramer's "Guess Who's Coming To Dinner" which was banned by the apartheid government, as were many of Sidney Poitier's films. Boy, did I get a wrong number and I'm supposed to be some sort of South African film expert! Jann Turner's film concerns the trials and tribulations of a man trying his best against all odds to make it on time to his white wedding in Cape Town. If this sounds to you like it is yet another depiction of the well worn idea of the road movie, it isn't that at all. It is funny, touching, dramatic and it is in fact the story of all South Africans and our uncanny ability to break down barriers imposed by a blinkered government in the past and to form friendships, even to the point of getting blind drunk in a "whites only" bar and drunkenly singing along to Bok van Blerk's "De La Rey".Jann Turner ~ take a deep bow, you, your cast and crew: I have always wished for a South African film that explores the positivity of the here and now and depicts it in an appealing way and that film has finally arrived. I actually felt proud to be a South African after seeing this film and that has never happened to me before.