White Man's Burden

1995 "Reality Just Switched Sides"
5.3| 1h29m| R| en| More Info
Released: 01 December 1995 Released
Producted By: A Band Apart
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

The story takes place in alternative America where the blacks are members of social elite, and whites are inhabitants of inner city ghettos. Louis Pinnock is a white worker in a chocolate factory, loving husband and father of two children. While delivering a package for black CEO Thaddeus Thomas, he is mistaken for a voyeur and, as a result, loses his job, gets beaten by black cops and his family gets evicted from their home. Desperate Pinnock takes a gun and kidnaps Thomas, demanding justice.

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A Band Apart

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Reviews

Moustroll Good movie but grossly overrated
Pacionsbo Absolutely Fantastic
Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.
Fatma Suarez The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful
Craig Rosenblum Well I have nothing but the utmost the respect for the actors in this crap movie.However, trying to make current American citizens guilty for the evil crimes of slavery that occurred over 100+ years ago, is just purely wrong.John Travolta is a good to fair actor, and there are many other good actors in this movie.If we truly want to encourage better treatment of each other, the best way is not about endlessly reminding us of the evil's of the past.But to encourage, promote and reward people for treating people fairly.This movie concept is horrible, execution is horrible.There is no remote redeeming value to this movie.I am very sorry to say that.
laustcawz-789-925423 I think it's important to point out that, in the tease on the back of the DVD box, this movie is described as taking place in a "time" (not in a "world", or in a "society", or in an "alternate reality") where the traditional racial roles have been reversed. In other words, what some have described as "reverse racism", I think, qualifies more as a cautionary tale for the future. Look around you. How many aspects of this "alternate reality" have come/are coming to pass? Granted, other races/ethnicities have been left out (certainly, the decade-later "Crash" covered these issues in a more well-rounded way, without the extremes of "WMB"'s creative twist), but this movie seemed to be focused on a specific slice of the topic, which, although it's technically less realistic, gives it a more concentrated impact to those who can relate to what happens in the story (&/or its setting).
kosherpig18 just because the movie reversed the roles that blacks and whites play in society did not make the movie any less clichéd. it was the same tired story of a poor man trying to overcome all of the obstacles that life lays in front of him. if his "normal life" weren't hard enough something happens to make him even more desperate. just when he sees fit to do the right thing... i thought that John Q was a much better version of this theme. additionally why did john travolta have to speak in some sort of Ebonics? is it because people are poor and oppressed that they speak that way? there were so many things that did not make sense about the movie. i understand that the writer was trying to make a point of showing how it is for blacks in a white society. most dolls and action figures in U.S. society are white making it difficult for African_Americans to find roles models for their children. so in the movie they were black instead of white. but why was every single policeman black instead of white except for one white female cop at the very end? why was every single personality on the TV shows black? pardon the pun but it was so black and white that it offended my intelligence. i could have figured out the point had it been done in more "realistic" terms.
sibisi73 Nakano's film delivers little subtlety, and even less originality than many seem to give it credit for. The one-note premise never develops into anything other than that and leaves the actors floundering in a movie that would have made a competent short, but not a feature. The performances are all passable, but the story loses credibility and goes nowhere, taking a long time to get there. Despite the writer's best efforts some of the scenes seem to reinforce rather than break down some racial stereotypes, and it's really not that shocking to see Travolta as a down-trodden white guy because they actually do exist - as do rich black guys (ask Harry Belafonte if you don't believe me!).