Waxworks

1926
6.6| 1h23m| NR| en| More Info
Released: 18 March 1926 Released
Producted By: Neptune-Film A.G.
Country: Germany
Budget: 0
Revenue: 0
Official Website:
Synopsis

A poet is hired by the owner of a wax museum in a circus to write tales about Harun al Raschid, Ivan the Terrible and Jack the Ripper. While writing, the poet and the daughter of the owner, Eva, fantasize the fantastic stories and fall in love for each other.

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Reviews

Kattiera Nana I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
SnoReptilePlenty Memorable, crazy movie
GazerRise Fantastic!
Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable
Horst in Translation (filmreviews@web.de) "Das Wachsfigurenkabinett" or "Waxworks" is a German silent film from 1924, so over 90 years old by now. Apparently, several versions exist as the runtime is sometimes stated slightly over 60 minutes while the version I watched had a little bit more then 80 minutes. In retrospective, I have to say I'd have preferred the 60-minute version. Birinsky, Leni and especially writer Galeen have worked on some pretty famous films from that era, but their collaboration here did not result in anything memorable. I thought the production values looked pretty weak here for the most part and this already destroyed every chance at a good horror movie because it is so essential for the genre, especially as they could not make up for it via great dialogue for example. The copy I watched was not of great quality, but I guess that's not the filmmakers' fault. At least, I have seen stuff from decades earlier that was more refined. So despite the inclusion of some pretty big names, this one here was a disappointment. I do not recommend watching it.
Johan Louwet This movie predates The Mystery of the Wax Museum by 9 years. Where the latter is obviously horror/mystery/thriller/crime this German movie I would rank more in the fantasy genre with some mild horror elements. So the wax statues of Harun al Raschid, Ivan the Terrible and Jack the Ripper do not come to life for real only in the stories which are written and told by William Dieterle to his employee Olga Belajeff. Both of them play various roles in the 3 stories. The best story I thought was the first about the baker in the Far East who thought he had chopped of the arm of the sultan. I thought it was clever and humorous. The second story is about Ivan the Terrible is a lot darker but not so well executed, seems rather rushed. Conrad Veidt though is perfectly cast in this role. I have seen him also in Orlacs Hände and Cabinet of Dr. Caligari, really fine actor. The last story is too short and silly to rate. Good idea but I had preferred if they stuck to 1 story and made it more horror.
Boba_Fett1138 This is a movie that features 3 kind of different stories, when the owner of a wax museum hires a writer to write 3 stories for 3 of his models; Harun al Raschid, Ivan the Terrible and Jack the Ripper. It provides the movie with 3 different stories, set at different times and each with a new different main character, played by the finest 3 German actors of their time period. It's a very creative and interesting concept, also of course really when considering that this movie got made in 1924.In order to keep all of the stories still somewhat connected and make the movie more coherent as a whole, all of the stories feature the two actors William Dieterle and Olga Belajeff, each time in different roles. But when you have 2 stories of about halve an hour and then another one of just 5 minutes, can you still really call this movie a coherent one? It can be presumed that budgeting reasons was the reason why the last story of the movie is so much shorter. It was originally even planned to shoot a fourth story about Rinaldo Rinaldini. The character can still be seen at the start of movie, standing between the other waxed characters. Even though all stories are different and set in completely different time periods, they still have the same overall style over it, which still is a reason why this movie still feels like a whole one.All the episodes are good looking but the stories for it aren't always that interesting. Basically since it at times it kind of dragging and despite some early action and adventure elements, the movie still is sort of a lackluster. Well lack-lusting perhaps isn't the right way to describe it. It's more that it's not really engaging enough at all times.But of course the looks and style of the movie compensate a lot. This is a real expressionistic German movie, with some fantastic distinctive expressionistic sets. That alone already makes this movie for the lovers of German expressionistic style an absolute must-see.It's absolutely a great fact that this movie features Emil Jannings, Conrad Veidt and Werner Krauss, who were really the biggest, best known and best German actors of their time. The movie also features William Dieterle, who later gained more fame as a director of movies such as "The Life of Emile Zola" and the 1939 version of "The Hunchback of Notre Dame", with Charles Laughton.It's basically a fun entertaining movie from the early '20's, that is truly worth watching for plenty of reasons.8/10http://bobafett1138.blogspot.com/
Snow Leopard This interesting and generally creative silent horror movie is really not all that tense or suspenseful, but it has some interesting stories and characters, and the distinctive expressionistic settings add considerably to the atmosphere. The three stories told about the "Waxworks" all have their own strengths.It's rather interesting to see Emil Jannings as the Caliph in the first sequence. It's hard not to associate Jannings with the serious characters he played in "The Blue Angel" and "The Last Laugh", yet here he quite successfully portrays the Caliph as something of a buffoon. This story is the lightest of the three, yet it works well due to some creative touches.The Ivan the Terrible sequence features an interesting, if rather far-fetched, story and a pretty good performance by Conrad Veidt as Ivan. The last sequence, with Spring-Heeled Jack, comes the closest to producing real fear, and it's just unfortunate that it was not more fully developed.The biggest strength of "Waxworks" is its settings, which establish the right atmosphere and lend an aura of the bizarre that helps the stories to be more convincing. Overall, while not in the class of the finest silent horror classics, this works quite well as lighter entertainment.