Kidskycom It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.

Senteur As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

Bumpy Chip It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Candida It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

JohnHowardReid The stage play (expanded by Vidal from his TV script) opened on Broadway at the Booth on 7 February 1957 and ran a most successful 388 performances with Cyril Ritchard (who also directed) in the lead. COMMENT: When it relies more on the original play and less on the "talents" of Jerry Lewis, Visit to a Small Planet is moderately entertaining. Lewis fortunately is assisted by far more able comedians in Fred Clark and Gale Gordon who make the most of the risible situations and cynical dialogue. Miss Blackman is an agreeable heroine, whilst Earl Holliman has one of his meatiest parts as her jealous but not over-bright suitor. The extraneous incidents tacked on to the play, particularly a tediously long "beatnik" interlude in which Lewis gets to dance with - well not so much "with" as "around" - Barbara Lawson, were better left on the cutting-room floor. Some of the special effects are quite attractively contrived, though others are constrained by the film's obviously limited budget. Many of these effects sequences feature John Williams who seems to be acting at half steam. Taurog's direction is, as usual, competent but unexciting. OTHER VIEWS: By the humble standards of Jerry Lewis, this is a fairly engaging comedy for half its length. But after a boring and tedious and overlong visit to a beatnik dive, the film loses just about all its steam and resorts to a replay of the romantic situations plus a mild attempt at a slapstick climax which doesn't come off. The special effects are fairly effective and the support playing is adequate though Miss Blackman is not a particularly attractive heroine either in looks or personality and players like Clark, Gordon and Cowan act in a broad caricature manner which doesn't jell so well with the less animated playing of Blackman and Holliman. Mr Lewis is a bit more restrained than usual, though director Taurog still allows him a full quota of close-ups in which he mugs away to his heart's content. Aside from a bit of by-play with a glass screen in front of the camera, the direction is ruthlessly routine. Production values are very moderate with most of the action taking place in one set. -- JHR writing as George Addison. .

ruthann-renaud I was five years old when this movie came out and was intrigued more by the special effects (Jerry floating in air and walking up the wall and onto the ceiling). It was also of not that this was his last film for many years where he had someone else direct the film (the veteran Norman Taurog). From this Jerry went to make his kind of movies. My parents were big Lewis fans and I am to this day. This may not be up there with "The Nutty Professor" but it's close. This film also had a good supporting cast and had a "stagy" look befitting its origins as a play. I mentioned being intrigued by the FX (floating and walking on walls). Being a typical kid I thought I could walk on walls and quickly found out I couldn't. This is definitely something that shouldn't be tried at home-only in the movies.

moonspinner55 Goofy alien Jerry Lewis lands on Earth, decides to try the suburban way of life for awhile, angering his superior officers in space. Screenwriter Edmund Beloin adapted Gore Vidal's play, but it doesn't seem directly tailored for Lewis' mugging talents--which is a blessing. The material is actually quite sophisticated, with a fair amount of witty lines and good supporting performances by Joan Blackman, Earl Holliman and Gale Gordon. Jerry Lewis himself isn't bad; he had yet to be reeled-in by a strong director, but he isn't grating or overtly offensive here. There's some surprising, modern humor in this scenario, while the production, the (minimal) special effects, and Loyal Griggs' black-and-white cinematography are all first-rate. Lots of fun! **1/2 from ****

Dejael A bumbling, clowning alien visitor named Kreton observes the ways of humans here on Earth. Arriving in Richmond, Virginia in Civil War costume in 1960, he believes he is just in time to witness the beginnings of the Civil War, but is off by 100 years. He then decides to observe the customs of 20th Century American life, including such things as lovemaking rituals and what people do for entertainment: he watches two people romantically involved with each other (Holliman & Blackman), billing and cooing at one another, and ends up getting between them; he goes to a Beatnik nightclub, and realizes that the Beatniks are more like the aliens he knows than humans. Lots of hilarious Jerry Lewis mugging, sight-gags and comedy routines, terrific special effects work by the master John P. Fulton; great flying saucers! Terrific counterpoint with Lewis' Kreton and his professor back home, Mr. Delton, played by the distinguished English actor John Williams; a few Lewis gems: "Keep your nose out of other people's planets", even if you think "the grass is greener on the other side of the galaxy"! A really fun picture. I saw this when it first came out in the summer of 1960. Too bad it wasn't filmed in Technicolor; that's really the only flaw I find in it - it was made in b&w. It would have been so much better in Technicolor. This is probably why it wasn't more popular. Great fun for the whole family, with a terrific cast. This was Lewis' last studio picture under his old Paramount contract before he formed his own independent production company; he made "The Bellboy" in six weeks completely on his own, right after completing work on this movie, and sold it to Paramount. This would be his arrangement with the film studio on all his subsequent films of the 1960s at the studio until he went on to other studios. Delightful for Jerry Lewis fans, and a delightful music score by Leigh Harline. So why isn't this out on video?