Clevercell Very disappointing...

Lawbolisted Powerful

Pluskylang Great Film overall

Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

JohnHowardReid Not just a must-see for train buffs, this excitingly tense thriller will keep most audiences on the edges of their seats. And it even looks good and generates plenty of excitement on TV.William Holden and Nancy Olsen had just made a big hit in "Sunset Boulevard", so Paramount went all out to infuse taut entertainment qualities into "Union Station". They succeeded magnificently. The strong plot was forcefully put across with crisp dialogue, interesting characters, personable acting, a vivid setting, tight direction, atmospheric photography, sharp pacing and solid action. It all added up to gripping excitement, and absolutely cliffhanging suspense.

Michael O'Keefe UNI0N STATION is classic film noir directed by Rudolph Matte. Gritty and suspenseful. Joyce Willecombe(Nancy Olson)is a private secretary, who boards a train back home to Chicago from visiting her boss Henry Murchison(Herbert Heyes). While on the train she observes a speeding car race to a small station and two suspicious looking men get out and board the train at opposite ends. On board these men act as strangers. Joyce happens to see a gun hidden in one man's coat and tries to alarm the conductor of the train. He can't help, but Lt. William Calhoun(William Holden)working at Union Station is called. It happens that the two men are part of a kidnapping scheme...the victim is the blind daughter of Joyce's employer. The young secretary feels guilty; but Calhoun and his boss, Inspector Donnelly(Barry Fitzgerald), insist that they will thwart the kidnapping and return Lorna Murchison(Allene Roberts)to her rich father. A lot of cat-and-mouse action and old fashion gunfire. Holden is cast perfectly and Miss Olson gets her share of screen time. Fitzgerald is fit as the calm and cool acting Irishman with the plan of action. The cast also includes: Lyle Bettger, Fred Graff, Don Dunning, Jan Sterling and Parley Baer.

secondtake Union Station (1950)I saw "Sunset Blvd" right after seeing this one, and it really is pretty cool that the two leads here were in such different films. And with such ease. William Holden is the key actor in both cases--in the sense of screen time, of course, but also screen presence. But Nancy Olson as a kind of sweet stereotype is right on. Good stuff to build a movie around.Or the other way around. Certainly in both cases there is a core concept that the actors fit into. "Union Station" has, by way of its title right off the bat, a clean focus. Holden plays William Calhoun, head of security for a fairly large train station in an unnamed town. The crime almost doesn't matter--it's a kidnapping with ransom--because we never quite feel for the victims (hostage and hostage's family) so much as feel the investigation happen. And key there is an odd and believable clash (romantic clash) between Calhoun, who has to do his job, and Olson's character, who is a typical person who wants to do good but doesn't understand the cool machinations of police work.The first half of the movie is more interesting for its turns of plot. It leads us through the various stages of the discovering the crime and the nature of its extent without pushing. It's quite a nice insider look at the logic of it. Then the second half turns to more action--chasing and drama pure and simple, with some of the best low light shooting you can ask for. This is the era when studios are moving away from shooting on lots to finding locations to work in, and some of the scenes are fabulous. The stock yard chase toward the beginning is fabulous, and all the ventilation tunnel scenes at the end equally so. The station itself, which takes up the bulk of the movie, is interesting and nicely contained. This is a movie you can simply "watch" for its visual flow, and the sites. In fact, I did this twice, almost by accident, because I was tired in the first round and wanted to see what I missed. In terms of plot, nothing much shows up the second time around, but the editing and photography are really so fine you can watch it all twice no problem.Back to "Sunset Blvd." then--there is on some level no comparison between the two, as movies, even if there are lots of overlaps in time and cast. It's not just that Billy Wilder is a far more inventive and interesting director than Rudolph Mate, but the intentions were far bigger. "Union Station" is a formula picture. It's not even a film noir, but an action drama with low key light and vigorous photography. It's worth noticing that Mate is a photographer, and was director of photography for some seriously wonderful movies. And he has a handful of great films to his resume, too. So he attacked what must have been an obvious boilerplate movie and made it really really good. Check it out.

kenjha Holden and Olson went from the set of the magnificent classic "Sunset Blvd." to this routine drama about the kidnapping of a young blind woman. Although the film seems to have the elements for a tense thriller, including a chase in an underground railroad tunnel and a nice film noir look, the plot is somewhat muddled and the narrative is not well sustained. Holden and Olson are fine, working well together in the second of four films they would co-star in between 1950 and 1951, and Bettger makes a good villain. However, Fitzgerald, with his Irish brogue, is rather annoying, as is Roberts as the perpetually shrieking victim.