Thomas Hart Benton

1989
7.2| 1h25m| PG| en| More Info
Released: 31 October 1989 Released
Producted By: Florentine Films
Country:
Budget: 0
Revenue: 0
Official Website: http://www.pbs.org/kenburns/benton/
Synopsis

Thomas Hart Benton's paintings were energetic and uncompromising. Today his works are in museums, but Benton hung them in saloons for ordinary people to appreciate.

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Florentine Films

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Reviews

Executscan Expected more
Aubrey Hackett While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.
Casey Duggan It’s sentimental, ridiculously long and only occasionally funny
Arianna Moses Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.
MartinHafer This is a well-made film by Ken Burns. However, it never really had a lot of impact on me. Perhaps it is the documentary, perhaps it's my reaction to the art of Thomas Hart Benton. Either way, the film left me feeling rather lukewarm--though I could see it was a quality film.This is the life of Thomas Hart Benton--an American artist who is relatively unknown today outside of art circles. His style was wholly unique--rather modern yet sentimental and very much a celebration of America--both the good and bad. You just have to see his art to believe and appreciate it.When it comes to talking about Benton the person, he sounded like a real character--and a bit of a jerk. Considering he was coming from a time when artists went to France, behaved like bohemians and were very temperamental, he fit in very well. And, add to that a bit of John Ford or a crusty old coot and you get Benton. It was sad, but apparently he came alive with friends but as a family man he left a lot to be desired. Seeing his daughter talking about how coldly he behaved towards his children was pretty sad. All in all, an interesting and complex man.Worth seeing, yes. But, not as wonderful and rich as Ken Burns' later documentaries.