Mjeteconer Just perfect...

Chirphymium It's entirely possible that sending the audience out feeling lousy was intentional

Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Scarlet The film never slows down or bores, plunging from one harrowing sequence to the next.

TheLittleSongbird Like many others, am an admirer of Werner Herzog's work and his partnership with Klaus Kinski is quite iconic for good reason. Kinski was a great actor who deserved more recognition than he actually got, and his work with Herzog was when he was at his best.All five of their films together are worth watching or more. Was let down somewhat by 'Cobra Verde', but 'Aguirre Wrath of God' is a masterful crowning achievement in German (and foreign) cinema and 'Fitzcarraldo' (for me their best) is even more of a masterpiece. 'Nosferatu' and 'Woyzeck' are also great, near-classics. Just for the record, admired Herzog's work in all five films (it was the script and story that let down 'Cobra Verde') and Kinski's performances were great or more in all too.'My Best Fiend' is fascinating, as well as sometimes funny and affecting, and a must for anybody wanting to know more about Herzog and Kinski, more so on Kinski. Herzog comes across as a very knowledgeable and quite funny man, also very perceptive, if also somewhat mad (not quite as much as Kinski though). What is said about Kinski is incredibly illuminating, not only showing what a great actor he was but also that he was a complex individual, much more complex than he is often made out to be.Much is said about how notoriously difficult he was to work with, that he was pretty nuts and wasn't the nicest of guys, but actually there is also things said about him having a softer side (the most memorable being his 'Woyzeck' co-star Eva Mattes) that we don't hear much of. The other contributions are also interesting, such as from Mattes and Claudia Cardinale.It is also made with a lot of affection, and one really does see how great an actor Kinski was.Overall, fascinating and a must see, both for fans of this partnership and as a documentary in general. 10/10 Bethany Cox

gts-14 I walked into this one completely cold: I'd never heard of Kinski or Herzog before. I was completely blown away and the artist-on-artist format was as appropriate as it was effective: only a talented director could hope to communicate a little bit about someone as unique as Kinski. Many amazing scenes and lines are highlighted in this compilation and Herzog generously lets several film production secrets slip, some on purpose and some indirectly. It's my very limited assessment that Kinski only "acted" while off-camera, and what he did while it was rolling was not "acting" at all: he may have simply been one of the most intense and honest people ever to have lived.

MisterWhiplash My Best Fiend, a take on the working relationship and history between filmmaker Werner Herzog and actor Klaus Kinski (by Herzog himself), puts on the facade of a documentary as Herzog interviews some of the participants- actors and at least one crew member- in the productions of the films (Aguirre, Woyzek, Nosferatu, Fitzcarraldo, and Cobra Verde, only the first and third seen by me). But it's less that than a kind of confessional from Herzog, a collection of anecdotes, horror stories, and in general psychologically breaking through the general perceptions regarding their collaborations as actor and director. Part of that perception, of course, is totally correct. Herzog, always a filmmaker wanting the utmost control of his stories about madmen obsessed with goals that seemed impossible or in subject matter that was marked as dark and disturbing as possible (without being too graphic), had to contend with his own kind of 'character' in the form of Kinski, who could be a little frightened being scared of a wasp one moment, and the next acting like someone killed his child when in reality the coffee was lukewarm.Kinski, in most of the footage that is put forth in this film- even the footage that is basically taken right out of the Herzog works themselves- add to the profile of what this man might be. It's alternately funny and unnerving to see the one big outburst of his anger at a production manager on the set of one of the films, when as Herzog says 'compared to his other outbursts this was mild'. Equally jarring is seeing him doing some kind of Jesus-play or a weird sermon at the start of My Best Fiend, where he comes off like he's half a rock-star and half certifiable. But at the same time a little of the footage, along with some of the anecdotes, also give him the light of something of a schizophrenic, who on the one hand could be extremely demanding and ultimately ego-maniacal if not at the center of attention, and on the other could be the most professional actor this side of a Howard Hawkes picture. Interesting too is seeing the two interviewees who have the best things to say about Kinski- his female co-stars from Woczek and Fitzcarraldo. Maybe there's something of Kinski being the prototypical male as opposed to just being an escaped anger management patient. He's described as being sweet and kind and very polite to his co-stars of the opposite sex. But with the male ones, who knows.The testimonials from Herzog build to something quite fascinating, not just as a subjective profile of an actor and a quasi-friend (err, fiend); it's also a movie about Herzog too, about how he sort of found out more about himself from having to tame the beast, so to speak. The near legendary story of Herzog threatening murder and suicide if Kinski walked off Aguirre, for example, perhaps showed to his star not exactly that his own director was as nuts as him, but that he took what he was doing just as seriously, if not more so, than he on a professional level. There's even an easy-going scene (the only one with both of the men speaking in English) where they seem most down to earth about why they work together so often. If there is anything that might be lacking from all of this it's that we get to see so much of certain sides of a few of their productions, while Nosferatu and Cobra Verde are either left out altogether or just mentioned in brief towards the end. There's also an unnecessary scene where Herzog is reminiscing over a gallery of photos of Kinski and himself. And the balance between telling one side or the other of the actor's persona seems to not always be shifted totally in proportion; by the end we almost want to see more and find out more than has been presented.But what is in My Best Fiend is pretty close to priceless for die-hard fans of the director and actor, and as one who's getting more into the filmmaker's career (and finding Kinski to be Germany's much more crazy answer to Al Pacino- an actor with the intensity and passion and skill of twenty actors all in the eyes and mannerisms), it's a very good work to also be seen by people who have not even seen one of the five films by the director and star. It's a very bizarre, very on-edge, but ultimately fruitful collaboration that now has made for a kind of mix of expose, memorial, and elongated denouement. And it also is very funny as well.

Fpi For some reason, I thought this would in some manner be a hiatus in Herzog's directing career and that the film would be a down-to-earth, matter-of-factish documentary. Surprisingly, it turned out to be a typical Herzog film, as always with the protagonist (in this case Kinski) balancing on the edge of insanity and the overall atmosphere of the movie ending up to be very strange. It has fewer of the flaws(?) found in the earlier Herzog movies. However, the entire movie was dubbed into English even on my subtitled version. It turned out fine, but seemed a little unnecessary. In sum, Herzog fans shouldn't miss this one.