Noutions Good movie, but best of all time? Hardly . . .

ShangLuda Admirable film.

FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.

Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

jzappa Irene Dunne is all in all herself, tender, transformative and powerful as an American girl who travels to England and falls in love with an English member of the aristocracy. Beautiful Irene marries the Englishman but their honeymoon is cut short on its first day as World War I breaks out. Director Clarence Brown's leisurely mood effect causes us to feel as disrupted as they do. Perhaps it is the soothing joy derived from the old-style black-and-white 35mm Spherical look, a classicism in George J. Folsey's cozy cinematography, that creates such a peaceful atmosphere. Believe me: This feeling is augmented by seeing it on a VHS tape, almost as though you are watching a timeworn relic. When the film quietly, serenely begins, Irene reflects upon her feelings relating to her life in England, a life she never expected to lead from event to event beginning with her purely dabbling arrival. The moving musical score fits like a velvet glove over the sustained close shot of her gorgeous face and the iceberg-thawing sound of her voice.The backbiting between Irene and her English counterparts early in the film is funny, posing one of the movie's unanxious emotional successes which as well include strong romantic and maternal joys and longings, WWI, brief bursts of rage, mourning, WWII, and the like. A scene in the movie circa the early 1930s sends a chill down the spine, illustrating two polite adolescent German boys, part of an exchange program, staying at the English family's countryside manor. Intimating they were part of early Nazi invasion plans, the boys let it slip in a conversation's startling turn for the less comfortable that they are pondering how the estate's large green would be perfect on which for troop gliders to land.

mjdiii-1 Keep the home fires burning. Emotional and reflective. We need to look back every fifty years or so to look for values. There are a lot of contemporary connections. Look for Roddy McDowell and Elizabeth Taylor. A good picture of the UK in the first half of the last century, even if only through the the eyes of the early forties. Although in large part a sentimental movie, somewhat in the mode of a soap opera, it deals with the larger issues of life on the home-front. It speaks to the twenty-first century where those of us with money have few participating in the military either personally or financially. Irene Dunne carries the action and supports the sentimentality without undue exaggeration. Some really spectacular patriotic sentiment. Look for the bit about the chess set. Compare Susan Dunn's (Irene Dunne's)father-in-law with the Major in Keeping Up Appearances. Frank Morgan offers a nice contrast to the English scene; one would like to visit Toliver, Rhode Island, which would have existed if it could.

jotix100 The only reference to the White Cliffs of Dover comes in at the beginning of the film as we watch Susan and her friend, Sam Bennet, as they are approaching England by sea. The magnificent cliffs are seen in the distance in all their splendor. Susan, clearly moved by the sight, revels on the many things that await her in London where she and her father are going to spend two weeks vacation.Alas, when they arrive, they are treated to the typical rainy weather, that puts a damp, no pun intended, in her enjoyment of a city and all things English she has always admired. Instead of finding a place that meets all her expectations, Susan has to endure the weather and the prospect of going back without seeing the sights and places she really wanted to see.Enter the kind Colonel, the man living in the modest hotel where the Dunns are staying. He invites Susan to a society ball where she meets Sir John Ashwood, the man who will become her husband. John is instrumental in her staying in England. Susan never expected to be married into the rich gentry that John belongs to. In fact, the beginning of her life in the family country estate convinces her she doesn't belong.It's 1915 and WWI arrives without warning. Susan sees in horror how John goes to his regiment and to the front. He eventually dies, but the son that arrives for her is, in a way, a painful reminder of the great loss she suffered. Like his father, the boy grows up and has to go to war, as it's expected of his kind."The White Cliffs of Dover" was directed by Clarence Brown, who gave it a great look. Irene Dunne makes a good impression as Susan, the courageous woman who stays in a strange country and has to make a new life for herself and her new family. Alan Marshal is perfect as the dashing John Ashwood.In minor roles we see Roddy McDowall, who plays the young John Ashwood. Harry Morgan is Susan's father. Gladys Cooper, May Witty, Peter Lawford, Van Johnson, C. Aubrey Smith, and the rest of the cast do good work. The young Elizabeth Taylor is seen as the young Betsy and June Lockhart appears as the grown up girl in uncredited roles."The White Cliffs of Dover" is about loyalty for one's country and how tradition plays a role in the lives of all the people one meets in the story, even during the difficult times these characters had to live.

jmoore964 I have seen this film several times over the years. It is typical of the films made during WW II, in that is promotes patriotism and implies that sacrificing young men is a worthwhile venture.The aspect that strikes me as odd is the narration that rhymes. It took me a few viewings to realize that was what it was. The cast does a fine job, but the story is a bit too sweet and predictable.Dunne is wonderful, as are the character actors Smith, Morgan and Witty. It is fun seeing Elizabeth Taylor and Roddy McDowell together again after they appeared in Lassie Come Home.It ranks up there with Mrs. Minver in my opinion - minus the rhyming narration.