The Hunchback of Notre Dame

1939 "Impact! Power! Fire! Pathos! Drama!"
7.8| 1h57m| NR| en| More Info
Released: 29 December 1939 Released
Producted By: RKO Radio Pictures
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Paris, France, 1482. Frollo, Chief Justice of benevolent King Louis XI, gets infatuated by the beauty of Esmeralda, a young Romani girl. The hunchback Quasimodo, Frollo's protege and bell-ringer of Notre Dame, lives in peace among the bells in the heights of the immense cathedral until he is involved by the twisted magistrate in his malicious plans to free himself from Esmeralda's alleged spell, which he believes to be the devil's work.

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Reviews

Cathardincu Surprisingly incoherent and boring
Lumsdal Good , But It Is Overrated By Some
Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.
Scarlet The film never slows down or bores, plunging from one harrowing sequence to the next.
Hitchcoc Charles Laughton was an interestingly odd looking man. He usually used his physical appearance in roles of villainy. Think of Javert in "Les Miserables" and Bligh in "Mutiny on the Bounty." He was not lacking in intellect which made him much more formidable. Here, he is a man that nature has dealt a terrible blow. Despite being cruelly treated by his master and the general population, he rises above it to do acts of kindness. He is the moral compass of the movie. Esmerelda (Maureen O'Hara) is stunning as she dances and flirts. Quasimodo knows that there is no place in her heart for him, but she shows him kindness which no one else seems to have. So when it comes to having to choose to possibly give his life, he does not hesitate. Frollo (Sir Cedrick Hardwick) is a masterful villain, using the church as his means to do evil in a self serving way. If he can't have the Gypsy girl, then no one shall. The cinematography is stunning and artistic. Laughton's make-up is outstanding. Only Lon Chaney gave up more to play the role.
Leofwine_draca For many viewers, this 1939 version of the classic Victor Hugo novel is the definitive retelling of the story. It's the one that stars an excellent Charles Laughton in the titular role, playing the deformed hunchback antihero who ends up proving his mettle against the corrupt local justice. It's not just Laughton's make-up job which is legendary: his performance is excellent too, really investing the audience in his sympathetic character.THE HUNCHBACK OF NOTRE DAME tells a fast-paced and engaging tale of life in 15th century Paris. A huge tableau of characters are assembled, some of them lovable, some of them hissably evil. Most notable of all is the recently-deceased Maureen O'Hara who shines as the innocent gypsy girl Esmerelda, drawn into becoming a pawn shared between the forces of good and evil through no fault of her own.This RKO picture boasts exemplary production values and some excellent sets and scenery. Sir Cedric Hardwicke memorably chews the scenery as the black-hearted villain of the piece, but he gives just one of many strong performances here. It's a roller-coaster ride of love, hate, adventure, murder, and madness, all with a tragic heart, a sort of Middle Ages version of THE ELEPHANT MAN if you will.
Coventry Truly beautiful, compelling and enchanting interpretation of Victor Hugo's classic tale, arguably even the greatest film-version of the story that is available! This is a masterpiece of cinema thanks to several elements forming a flawless wholesome, including mesmerizing acting performances from the ensemble cast, the impressive German expressionist influences in cinematography and several astoundingly staged sequences with large crowds of people. I'm a big admirer of Lon Chaney Sr. and have a lot of respect for his 1923 silent version of the story (especially since he performed quite a bit of dangerous acrobatics) but this film simply is more accessible, absorbing and attractive. This version truly brings the France of the 15th Century back to life; with all its progressive inventions (like the art of book printing) and the slow development of scientific wisdom (the Earth actually could be round instead of flat!). What I loved most about William Dieterle's "The Hunchback of the Notre Dame" is the magnificent cast of characters. With his incredibly performance and the stunning physical transformation he underwent, Charles Laughton's Quasimodo is definitely one of the most fascinating icons in cinematic history, but the film is chock-full of other fascinating characters as well. The genuinely gold-hearted gypsy girl Esmeralda, for example, who marries an untalented poet to prevent him from getting executed and who brings water to the publicly scandalized Quasimodo even though he abducted her. Another great character is King Louis XI. As depicted by Harry Davenport, he surely is the most appealing royal character I ever saw in a movie. King Louis is human, compassionate, upright and quite avant-garde considering his age! But the most fascinating character – apart from Quasimodo the bell ringer, of course – is , inevitable, the villain of the story. Sir Cedric Hardwicke masterfully depicts Frollo; the chief of justice and loyal counselor of the King. But Frollo falls madly in love with the gypsy woman Esmeralda and commands Quasimodo, the bell-ringer of the beautiful Notre Dame cathedral, to kidnap her. Quasimodo fails and Esmeralda is saved by the chief of guards Phoebus, with whom she falls in love, much against the will of numerous men in Paris. During a nightly encounter, Frollo stabs Phoebus to death and frames Esmeralda for the murder. She is soon sentenced to torture and death by hanging, but then several men come into action to save her. Quasimodo spectacularly rescues her from the noose and gives her sanctuary high up in the Notre Dame. Meanwhile, the king of the gypsies Clopin organizes a large-scaled mob manifestation to free Esmeralda and her poet husband Gringoire uses the new printing techniques to persuade King Louis to release her. "The Hunchback of the Notre Dame" is a visually as well as emotionally engaging experience and it is truly one of the greatest Hollywood movies ever accomplished (albeit directed by a German expressionist genius). The film was nominated for two Oscars, but should have won all of them. I guess that wasn't an option in the same year with landmarks like "The Wizard of Oz", "Gone with the Wind" and "Stagecoach" as fellow contenders. Even though this certainly doesn't qualify as a horror movie, it must be said that the make-up effects on Charles Laughton are breathtaking, and genre fans should still keep an eye open for horror veterans George Zucco and Rondo Hatton that appear in smaller supportive roles.
Lee Eisenberg Here it is, probably the greatest adaptation of Victor Hugo's novel. Charles Laughton creates a haunting but sympathetic Quasimodo. Both he and Esmeralda (Maureen O'Hara) are outcasts, turning to each other for comfort. "The Hunchback of Notre Dame" is intense and uplifting at the same time, and above all, it's one that I recommend to everyone. Beyond great.Also starring Cedric Hardwicke, Thomas Mitchell (Scarlett's father in "Gone with the Wind"), Edmond O'Brien, George Zucco, and George Tobias (Abner Kravitz on "Bewitched").And yes, my grandmother met Charles Laughton during the filming. She got to talk to him for about ten minutes during the molten metal scene. She says that he was a very nice guy.