AshUnow
This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
Juana
what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
henhelena
The war sequence is amazing. It's full of brute force and shows the desperation of the soldiers. It is very realistic, just more dramatic. There are a lots lots of extras. Perhaps it's the first time I had seen that the war sequence represents the numbers of casualties mentioned. The war and fight is fast, it doesn't look choreographed. Instead, it looks violent and brutal.Jet Li gives decent acting here. Andy Lau got great role he deserved unlike in "House of Flying Daggers." Any Lau fans could tell he gave different performance this time. With all the blood, violence, brotherhood, man pride, and politics, I could say, a very "masculine" film.
Tweekums
Set in the nineteenth century when civil war plagues China one man Pang Qingyun, survives an overwhelming rout after a supposedly allied army stands by and does nothing. After the battle he is taken to a bandit village which is soon attacked by the very army that stood by earlier. He persuades the village leader, Zhao Er-Hu, and his brother to join an army and fight for the people. At first things go well for them and they are successful; they also stand for justice; then they decide that the city of Suzhou must be taken before going on to take Nanking. They think it will take three years but it is five years before Suzhou falls and when it does they are low on food and a rival army is already heading towards Nanking. Pang orders the execution of four thousand captured soldiers even though Ur-Hu promised that they would be spared if the city surrendered. They continue and take Nanking but their friendship is over and Pang is given the governorship of the city by the Empress. The problem is other lords want him to get rid of Er-Hu first.I hadn't heard of this film before seeing it advertised on television; I decided to watch it as I assumed it would be similar to other Chinese films I'd seen such as 'Crouching Tiger, Hidden Dragon' or 'Hero'; I was wrong about that as the action here was far more realistic; no running up walls or flying across the roof tops here. The battle scenes were still very dramatic though and there was a degree of stylised choreography in the fighting which added to the excitement. I thought actors Jet Li, Andy Lau and Takeshi Kaneshiro did good jobs although not speaking Mandarin I can't comment on their accents! While I wouldn't call this a must see film it wasn't bad and is worth watching on television.
paul2001sw-1
Part martial arts movie, part historical epic, director Peter Chan's film 'The Warlords' recreates the Taiping rebellion in China. Unfortunately, it's a bit of a mess; both in terms of the movements in the action scenes, and in terms of the high politics, I found it very hard to follow who exactly was doing what to whom; but all too easy to get the general drift of a movie that was big on set pieces but low on subtlety. Most crucially, the film conveys no idea whatsoever of what the rebellion was actually about in its story of three "blood brothers" motivated solely by personal oath. The result: lots of blood, but not too much in the way of enlightenment.
johnnyboyz
Joint Chinese-Hong Kong venture The Warlords is a somewhat troubled but additionally somewhat interesting account of the relationship between three men, told amidst the backdrop of something far grander, that is the true event of an allusive and mysterious murder that happened in China, in 1870. Rather than have an opinion of or make a statement on these events; it is more a study of power play and control, and how with so much at stake and so many at one's disposal, things can quite feasibly fall drastically apart if trust and loyalty between those within the higher-ups isn't prominent. Alas, the film sounds more interesting than it is; providing us with a collection of interesting ideas and themes but placing them in scenes that feel mechanical and obligatory as everything plays out to the conclusion.For all the sense of scope and the sheer grandness behind it, what with the hundreds of extras and the vast, open settings; the fact of the matter that The Warlords essentially boils down to the link between these three male individuals, and one additional female, is quite extraordinary. There might even be an argument that the film makes for a better romance picture, and by the end is more interested in the destructive nature of love than lust for power and control over territories. The three men predominantly involved are Zhang Wen-Xiang (Kaneshiro); Zhao Er-Hu (Lau) and Pang Qingyun, who is played by Jet Li. The film thrusts us into the the forefront of Qing Dynasty China, with a nasty; sweaty; bloody battle coming to an end in which Jet Li's character General stumbles away as the sole survivor of his forces following the dishonourable act of pretending to have been killed so as to avoid further fighting. From here, a certain female by name of Lian (Xu) is introduced, as are the other two mentioned warriors; both of whom are happy to join Pang's military connections when it appears all is lost for the clan-come-townspeople they live with following a raid which leaves them starving and in bad shape. As one observes: "Better dead than this life". Over the course of The Warlords, these four characters' will have their lives transformed as they venture, interact and conquer with one another.But it's frustrating how the film doesn't seem to seal the deal with aplomb. The new recruits are pretty content with their new roles as sword wielding, uniform-clad soldiers whose job it is to seriously injure the opposing force; and there's that sense amongst them that they want to fight and want to push on into battle in order to get that chance. It's here that, indeed maybe for some, the characters' attitudes will echo those of the watching audience who are brought in under the pretense they're initially in for an action film. It's here that The Warlords touches on another dominant aspect, or theme, of the war genre. To pluck a random example out of the air, cast your mind back to 1986's Platoon and how that film's first person retelling of what war was really like got across a sense of not wanting to be there; not wanting the uniform and the weapon and really getting across a sense of terror. The Warlords sees its characters invite the warfare, indeed violence is got across as the only way in which to solve problems in the film.There is also that sense of repetition; that sporadic and unnatural flow of battle scenes inter-cut with visits to the Quing lords for reinforcements as well as a few instances in which the trouble amidst the three lead males is becoming more and more apparent. Sprinkle in a couple of silly proverbs-come-one-liners such as "Dying is easy, living is tough." and the reassurance that "Loyalty is everything." and you have pretty wavy, uneasy passage of scenes. Trouble is, most of the conflict within the higher-ups is moderately interesting at best, with conflict arising over how rapists ought to be punished and whether, in one particularly cold blooded scene, dozens of prisoners of war should be executed. While there isn't much in the way of suspense nor peril during most of the battle scenes; in the sense you don't have the immediate feeling that anyone is in danger; or might get hurt or injured.The film creaks and thuds into its final third, with the character of Lian taking the reins and driving the actions of these men as their antagonism changes from push to shove. The film has been released in various countries with various different levels of distribution over the last couple of calendar years, hitting Asia in late 2007 before gradually crawling across Europe, in certain forms, between the winter of 2008 and into the spring of 2009. In 2010, it'll get its American release and I think it'll do well; what with its overall arc of nobodies or 'underdogs' rising out of their respective shells and attempting to become big fish by taking them on at their own game. I think the casting of Jet Li and the promise of some big battle scenes all blended together with a romance sub-plot which'll form the basis for a love triangle spells good things, financially. It's probably worth seeing, overall, but I did not feel as involved as much as I would have liked.
