ChicRawIdol A brilliant film that helped define a genre

Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.

Abbigail Bush what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

Kaelan Mccaffrey Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

Coventry For starters, "The Ultimate Warrior" only confirmed what I already knew for multiple years, and that is that Yul Brunner represents pure manliness to the fullest! This actor, and several other ones from his generation like Charles Bronson and Steve McQueen, was testosterone personified. Especially during the opening sequences, when Brunner's character just stands shirtless on a rooftop with his eyes closed, waiting for villagers from a nearby community to approach him; it doesn't get any more robust or macho than this. I hate to sound like an old and whiny critic, but actors like Brunner simply don't exist anymore nowadays. Even the toughest action heroes nowadays, like Vin Diesel or Jason Statham, can't hold a candle to Brunner and company. Secondly, for your sake, I sincerely hope that you're not going into "The Ultimate Warrior" expecting an extravagant post-nuclear Sci-Fi/thriller in the vein of "Mad Max: Road Warrior", "Escape from New York" or one of their countless Italian rip-offs. The title and Brunner's portrait on the film poster may suggest an exhilarating spectacle, but this is actually a very sober, intellectual and atmosphere-driven "after-the- apocalypse" tale. Being released in 1975, the film falls somewhat in between of the pioneers ("Silent Running", "The Omega Man", "Soylent Green") and the action-packed blockbusters. The story takes place in the outskirts of New York City, in the year 2012. The depressing images during the opening credits already say it all, in fact. Streets and boulevards that used to be crowded with people are now completely deserted and shrouded in an uncomfortable silence. There are ruins and waste everywhere. The relatively few survivors live in communities in secured fortresses and attempt to protect themselves from organized criminal gangs living on the streets. Via the leader of such a community, The Baron, we slowly learn that our planet fell victim to epidemics that eradicated all vegetation and animal life. The Baron begs for the help of lone fighter Carson, supposedly to help protect his fortress and followers against the increasing number of attacks of street gangs led by the relentless Carrot. Once recruited, Carson discovers that the Baron wants him for a secret mission to transport rare and vulnerable vegetable seeds towards an island where perhaps they may grow. The first half of "The Ultimate Warrior" is extremely powerful and intensively grim, but unfortunately all this diminishes and the second half of the film suffers too much from tedious moments and repetitive subject matter. The Baron's disciples demonstrate that they are just as barbaric and selfish as Carrot's troops, while greed and distrust destroy the last remnants of civilization. The fighting sequences come across as somewhat tame and dated by today's standards, and personally I think the film could have benefited from a bit of firepower. "The Ultimate Warrior" was written and directed by the extremely underrated Robert Clouse. The Kung-Fu movies that he made with Bruce Lee ("Enter the Dragon", "Game of Death") are successful enough, but Clouse also made a handful of really good horror/thriller movies that sadly nobody still mentions. "The Ultimate Warrior" is one of them, but also "The Pack", "The Amsterdam Kill" and "Deadly Eyes" are recommendable genre films. The DVD-version that I own of this film is a cool French release with an awesome alternative title ("New York doesn't respond anymore...") and several interesting extras.

Matt Kracht The plot: In the far future of 2012, a warrior sells his services to the survivors of post-apocalyptic New York.While there are some obvious flaws to this film, it's clearly a forgotten classic of the era. I don't see how you could possibly go wrong with Yul Brynner kicking ass in post-apocalyptic cities. It's been a long time since I saw this (probably cable television in the 1980s), but I can still quite clearly remember several of what have become (to me, at least) iconic scenes of 1970s action/adventure/exploitation. If this film got broadcast regularly (instead of other inexplicable cable TV favorites), I think it could really attract a cult following.For an obvious genre film, the cast is amazing, the writing and directing are better than expected, and the rest of the film is forgivable. Why? Because the flaws pale in the face of a shirtless Yul Brynner standing in the center of a city plaza, waiting for someone to bid for his services. What do action heroes do when they're not fighting bad guys? Why, they just stand there and wait for the plot to catch up to their awesomeness, of course. It's brilliant. If this resonates with you, then you simply must watch this film. If you're going to start asking questions and trying to debate this inescapable logic, then you should probably watch The Shawshank Redemption instead. That's a great film, too, but it doesn't have Yul Brynner knife-fighting with post-apocalyptic gangs.

mark.waltz The movie opens with a shot of downtown Manhattan with the original World Trade Centers standing in the background and Yul Brynnur standing still like a bald Stonewall Jackson. He only comes alive when Max Von Sydow promise him a room (with no rats, lucky him...), two meals a day (there's a food shortage you know, and Soylent Green is being rationed) but he has to find his own extra-curricular activities. (Von Sydow's that detailed). The population is down to almost nothing (the tourist season must be over) but gangs run rampant and Brynnur is the one to keep them in their place. There's lots of shots of the half-naked Brynnur fighting the gangs for Von Sydow and rescuing the poor and starving folk who live in his 8 floor walk up (presumably with rats as roommates).This is a bleak look at society at the end of the Mayan calendar, taking you way inside the bowls of the City. Seeing the Trade Centers standing a decade after the historical catastrophe may be disconcerting for some viewers. The ending makes you wonder if Brynnur and his gal-pal Joanna Miles will run into Charleton Heston galloping up the East River with a mute young lady while being chased by talking apes. Oh, wait, no...the statue of Liberty was seen standing, so that's not possible.Or is it?

HaemovoreRex From Robert Clouse, the director who brought us the absolutely classic, Enter The Dragon, comes this post apocalyptic tale starring none other than Yul Bryner. Shall we dance indeed! Wow, sounds good so far eh? Well, as it happens it is rather and benefits immeasurably by its fine casting, especially the always superb Max Von Sydow, here playing a character called the Baron, leader of a commune of survivors trying desperately to survive in this harsh new world. As was later to become a staple plot in the plethora of post apocalyptic flicks which were to follow this in the early 1980's, not only is there unease and warring factions within the commune itself, but outside even more hostile groups are forever plotting to wipe out their neighbours. In this instance, a particularly nasty group headed by a chap called Carrot(!) (played by perennial bad boy, William Smith) are the antagonists. As a result of the mounting pressure, The Baron hires lone warrior Carson (Bryner) to help protect them and in a more secretive plan, to have him lead his daughter and her horticultural expert husband to safety, far away from the ravages of the doomed city.Whilst best remembered for his action output, Clouse was actually a very gifted visual director and here manages to convey some particularly effective scenes of desolation (the visuals over the opening credits carry an especial air of sorrow and emptiness, depicting the end of civilisation).Action wise, despite his mature years at the time of filming, Bryner is on fine form here as he demonstrates during the fair number of fight scenes contained within. Special mention to, for the rather shocking decision he makes during his final confrontation with his nemesis, a sure illustration of the old motto, 'Desperate times call for desperate measures.'Overall, whilst not nearly as exhilarating as some of Clouse's other works such as Enter The Dragon and Black Belt Jones, this is a fascinating film that deserves far more recognition that it presently owns. For fans of the whole post nuke/post apocalyptic genre which was so huge following Mad Max, this is well worth checking out.