Claysaba
Excellent, Without a doubt!!
Fairaher
The film makes a home in your brain and the only cure is to see it again.
Adeel Hail
Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.
lmahayni
As an Arab-American who spent her childhood in the shadow of the Isreali occupied Golan Heights, I found many memories from my childhood coming back. How ridiculous the most simple task can become when politics enters the picture! Anyone who wants personal insight into the Isreali-Arab conflict, should watch this. It's about as realistic as it can get. This seemingly simple tale is fraught with all the obvious and subtle problems of a family and a community living under the restrictions of international politics. Whenever it starts to seem trite, it will surprise you with some detail or twist that reveals a depth that is never allowed to show on the surface. The plot is simple: a bride gets ready for her wedding... Not so simple, apparently.Is the policeman a heartless occupying force? Is the father an iceberg? Is a border officer capable of setting policy for his entire Nation? Can the hopes of one woman survive this emotional day? You'll explore these questions while you become attached to the characters engaged in this drama. The acting is seamless, the scripting spare, and the production value is appropriate to the story being told.The bottom line is that you should see this movie. If you watch it on DVD, be sure to watch the extras. The film was shot in Arabic and Hebrew (with a smattering of French and English), with English subtitles. Sometimes the subtitles flash by too quickly; but that's my only "major" complaint.
Ed Uyeshima
This deceptively modest 2004 film lingers in the memory because of the bigger sociopolitical context that Israeli director Eran Riklis provides in setting his story in the Golan Heights, an area occupied by Israel since the Six-Day War in 1967. Over the course of one day, the story revolves around an extended Druze family in the northern village of Majdal Shams where they are preparing for the wedding of youngest daughter Mona. The catch is that she has never met the groom, a distant relative who happens to be a big Syrian TV personality in Damascus. It sounds like the source of comedy hijinks, but there is a sad undertone because once married, Mona officially becomes Syrian and cannot return home to her family.The intended couple, however, is not the focus as much as the family dynamics that become ignited by the wedding. The patriarch is Hammed, a political activist on probation, and he has two sons - Hattem, who has been cast out by the conservative religious cabal for leaving the country and marrying a Russian woman, and Marwan, who provides the comedy relief as a womanizing salesman. The glue of the family, however, is provided by eldest sister Amal, who defiantly stands up to the men in her family and wants to get her bachelor's degree in Haifa. The first hour deals mainly with the standard pre-wedding confusion, though it happens to take place on the same day that Syrian President Bashar al-Assad succeeded his father, but the last half-hour takes place entirely at the Israel-Syria border crossing where the officials from both countries refuse to cooperate with a negotiating Red Cross worker in allowing Mona to enter Syria.With its primarily somber tone, this is no Middle Eastern derivative of "My Big, Fat Greek Wedding", but Riklis and co-screenwriter Suha Arraf supply genuine warmth toward the characters and bring immediacy and credibility to the personal situation at hand. The acting is solid with Hiam Abbass the standout as Amal. There are nice turns by Makram Khoury as Hammed, his real-life daughter Clara as Mona, Eyad Sheety as Hattem and Ashraf Barhom who steals scenes as the gap-toothed Marwan. Special mention should be made for Michael Wiesweg's expert cinematography which perfectly captures the mostly sun-baked terrain. This is a case where the 2006 DVD package from Koch Lorber is invaluable for the context it provides to the movie's story. The making-of featurette, an extensive interview with Riklis and his accompanying commentary all help considerably in understanding the political situation that both drives and reflects the wedding preparation complications. Also included is the original trailer as well as the U.S. version.
Eyal Allweil
I'm a big fan of Israeli cinema, and I'm often proud of my country's efforts. But The Syrian Bride didn't work for me. I wanted to like it, but it was too predictable, too superficial, and by the end I was both bored and unmoved. Hiam Abbass is excellent, though.I'd say the script was mediocre, but it could be that for an international audience the film will prove more appealing, since it does shed light in a clear and well-intentioned manner on the intricacies of the dilemmas of the Druze in the Golan Heights.To give a frame of reference, I thought that both Year Zero and Paradise Now were far better movies than the Syrian Bride.
shaiblitz2
The story line touches many open sores afflicting the Israeli society, prejudice towards ethnic minorities, unwillingness of factions in that society to try and understand and accept one another, police bigotry and sheer racism. As an Israeli living abroad I could relate to all of the above. However, you don't have to be from that region to appreciate this moving and powerful Drama. The film basically deals with the horrific struggle of a family, from a marginalised sector of Israeli society, to get their daughter married to a man over the Syrian boarder however, by doing that they will never be able to see her again. A very very emotional and humane film.
