Protraph Lack of good storyline.

Matialth Good concept, poorly executed.

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Geraldine The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Aditya Kadrekar This is one of the movies I wouldn't like to rate. But I would recommend each and everyone of you to watch it. I'm sucker for Palme D'or winners and how could I miss this one? I'm pretty sure the concept of losing out a family member have been explored by many directors, but there is something unique about this one. Directing himself in the movie (I really think it's a very difficult job to do that), Nanni Moretti hasn't put a foot wrong. And, if you're looking for a very good screenplay and some breathtaking cinematography, this is not your thing. This movie is all about actors pouring out their emotions on screen and a really sweet background score. What got me raving about the movie is how we blame every single action of ours when things don't go our way (I think majority of us to do that). La Stanza Del Figlio is simplicity personified. I'd say a must watch.

Desertman84 The Son's Room is an Italian film that depicts the psychological effects on a family and their life after the death of their son.It stars Nanni Moretti,Laura Morante,Jasmine Trinca,Giuseppe Sanfelice,Silvio Orlando and Sofia Vigliar. It was also written and directed by the film's lead star, Nanni Moretti.Giovanni is a psychiatrist with a successful practice in a small community near the ocean. Giovanni has a warm relationship with his wife Paola, and they have a pair of well-adjusted teenage kids, Andrea and Irene. But the family's calm is shattered when Andrea is unexpectedly killed in an accident. Giovanni finds it impossible to continue with his work, and blames himself for the death, since he was planning to go jogging with Andrea that morning before he opted instead to take an emergency call from a client. Paola and Irene try to keep their emotions in check, but both find this all but impossible as they sink further into anger and grief. The appearance of an unexpected visitor, however, forces the family to confront their feelings about Andrea. Arianna is a girl who had a summer romance with Andrea the year before, and has come to town to pay him a surprise visit, unaware of his recent death.Often called Italy's answer to Woody Allen, Nanni Moretti takes a turn for the serious in The Son's Room and acquits himself in first-rate fashion.It is a work of a powerful understatement, artfully crafted and subtly acted.Overall,it is a moving and contemplative study of grief.

zetes Nanni Moretti directs and stars in this small-scale Italian drama, which won the Palm d'or at Cannes that year. It seems like a pretty poor choice, in my opinion. It's not a bad movie, really, but it's pretty unambitious. It strikes me as a lot like your average American indie drama. Moretti stars as a psychologist who has a great relationship with his loving family (wife Laura Morante, daughter Jasmine Trinca and son Giuseppe Sanfelice). The first half hour of the film is comprised of telling us how content they are - thirty to thirty-five minutes of this boring family sitting around loving each other. Unnecessary. One scene would have sufficed. Then the big tragedy happens: the son drowns in a scuba diving accident. The rest of the film is just about the other three dealing with it. It's all fine, I suppose, but, really, there's not much insight into the situation - certainly nothing we haven't seen before. The only plot point that occurs during the final hour of the film has to do with a secret girlfriend whom Sanfelice has left behind (Sofia Vigliar), who eventually shows up at their door. One of the bigger problems the film has is Moretti's performance - he's really weak. Morante and Trinca are pretty good, however.

bandw This is a well crafted film. The actors are good, especially the women. However, the script is less than inspired. In the first part of the movie we are introduced to Nanni Moretti, a happily married psychiatrist with two teen-aged children, a daughter and a son. Then the son dies in an accident. Given that scenario, in the normal course of events you would expect: despair, denial, guilt, what ifs, marital difficulties, the questioning of life goals, and so forth. And that is exactly what you get. The ending did supply some ambiguity. Just when you though the family was on the road to acceptance and coming back together, they are seen walking on the beach with each one going in a different direction. Nanni's dilemma with staying in his job is nicely set up by several scenes showing what he has to deal with as a psychiatrist. If what is presented is a typical cross section of patients, then it would seem inevitable that a major life crisis would precipitate the shakedown in Nanni's professional life. In fact Nanni was showing some signs of feeling ineffective in being able to help his patients before the tragedy. After having seen what it is like from the other side of the couch, I came away from this movie wondering how a psychiatrist can avoid early burnout.With scenes like the family's last viewing of the body in a casket before it is sealed, it is hard to avoid getting wrapped up in the tragedy that befalls this family, but the emotional investment did not pay off for me in the end. Movies with a similar theme (the loss of a child) that I found more interesting and engaging are, "Ordinary People" and "In the Bedroom."