Steve Pulaski
Because of its complex nature, its many morals, its non-linear flashbacks, and its over-the-top characters, I express extreme doubts when believing that Arthur Miller's renowned Death of a Salesman was meant to be read. The iconic play has won several awards, was performed in the 1940's over seven-hundred times resulting in four revivals on Broadway, and has continued to be translated and performed in countries other than the United States, where it originated. For a play, the story of Willy Loman's dysfunctional family has had unprecedented success. As a film, it has had its share of setbacks.To my knowledge, never has a theatrical production of the film been made, which is depressing to note, seeing as directors like Roman Polanski have proved that they can transition a play to a screen-production with little to no constraints. What we were fortunate to get were not only several low-budget, TV renditions of the story Death of a Salesman, but we are grateful to get a telling of the story on film, written by the original author, Arthur Miller, made for the CBS network in September 1985. The story is kept the same, albeit some metaphorical and symbolical changes, as it revolves around Willy Loman, a naive, broken man who has failed at the game of life and business and has halted his family's growth because they are so committed to either boosting their leader's confidence or keeping him from sinking.Willy's long suffering wife is Linda, played by Kate Reid, a miserable, shell of a woman so determined to help her husband through uncertain times she's forgotten how to help and better herself. Their two sons are two equally broken men living at home well into their thirties. They are Biff (John Malkovich, a gifted actor, who gave a terrific performance as Lenny in another acclaimed novel, Of Mice in Men in 1992), a football star brought down by the weight of his failure of a father, and Happy (Stephen Lang), a cocky ladies man replicating who Willy the characteristics Willy once gleefully held; brashness, confidence, and the ability to strike a deal.The main problem with Willy is his naivety towards the business world and to himself; he continues to convince himself that the only thing necessary to succeed in business is a firm handshake and a high likability factor. By doing this, he convinces himself that by possessing those very important traits he can do anything, and yet he hasn't. He is roadblocked by not only that, but by his falsifying sense of optimism, telling himself and everyone around him that he is "not a dime a dozen" but Willy Loman, a unique individual. He is only more upset when he sees how his best friend Charley (Charles Durning) and brother Ben (Louis Zorich) have gone on to lead happy, successful lives with limitless wealth and opportunities, and he is confined to his cramped apartment, told to be himself which does nothing but let everyone down.Willy is portrayed by Dustin Hoffman, a character actor with a barrage of films under his belt. Hoffman's performance of Willy is definitely admirable, but it isn't as layered as one would hope. He is written efficiently as a character victim by his own delusions, but several times does Hoffman seem like he is teetering on the lines of self-parody rather than seriousness, almost the equivalent to a Woody Allen archetype. Nonetheless, he is completely capable in this role, and when he hits the right notes, specifically in Charlie's office and during Willy's final monologue with the family (more commonly known as his "dime a dozen" speech), he truly shows what power and strength he brings to the table.But perhaps the film can be known for not just taking a complex, theme-driven play and creating it into a very, very intriguing film, but also for bringing more style to a made-for-TV movie than anyone ever expected. The replication of the inherent seamy, humidity-soaked New York atmosphere is stunningly portrayed, with Willy Loman's listless agenda to only heighten the gloomy setting. The other aspect is the way the filmmakers constructed the environment. I've read that the set of Death of a Salesman is mainly composed of an old play setting, most likely from a version of the play, meaning several buildings don't have roofs, several backdrops are artificial, and several background buildings are one-dimensional cutouts designed to only give the look of the environment. This isn't as disconcerting as it sounds, but it livens the film to a new height, making it closer to the feeling of an actual play rather than abandoning the stage-feel to favor a more polished cinematic feel.Schlöndorff's directorial efforts to make Death of a Salesman a functioning film and playwright Arthur Miller taking his personal material into his own hands to give fans and newcomers the version he wants on screen have both worked wonderfully. This is a complex picture, doing different things for different people and showing each person a different theme or meaning. Whether it be a commentary on the business world, a tragic story of a once-successful businessman who was never "once-successful," a picture showing an American's tragic existence, a failed American Dream, an insight into the tragic hero, or how one man can collectively bring down his entire family by his own delusional self, this is a gripping story made into a surprisingly efficient film with performances of impact and style to laud.Starring: Dustin Hoffman, Kate Reid, John Malkovich, Stephen Lang, Charles Durning, and Louis Zorich. Directed by: Volker Schlöndorff.
gallagher-dylan
Throughout the movie we are constantly reminded that there is nothing special about Willy, he is simply an aging man with a family and a dream. Yet, because he is so average, any one who as ever experienced hardship can connect with him; Arthur Miller's character, via Dustin Hoffman, is able to reach anybody. Arthur Miller's original screenplay is a work of art in its self, however, Hoffman gives a spectacular performance. And, with John Malkovich's fine supporting performance, the movie becomes, truly, powerful. The movie has a very definitive ending, but it leaves the watcher with a question to reflect upon: Did this man with the dream really have the right dream after all.
MarieGabrielle
This film counts as one of those that are uncomfortable, well-acted, and disturbingly real.John Malkovich and Gary Sinise are very real, as well as Dustin Hoffman. It is an initial shock to see him as an aged man.The cinematography is stark and unforgiving. Willy Loman has lived in ineffective and meaningless life. He will die as a salesman, bragging about sales which mean nothing, building up his sons into something they never were.Anyone who has read or seen the play will feel the desperation of Biff, and Happy, young men who witness their father's depression, and cannot alter the outcome.Arthur Miller has touched the reality of American life in the depression. A brilliant playwright, he addresses issue of the family, and struggling economy which today are still avoided. Kurt Vonnegut once wrote that America is a prosperous nation because the poor will never admit they are poor, and therefore the elite classes have had less social responsibility since the Napoleonic era. A brilliant insight that has been perpetuated since WWII. 9/10.
Claudio Carvalho
On the age of sixty and something years, the salesman Willy Loman (Dustin Hoffman) realizes that he is a loser and his empty life was a worthless fraud. The disturbed and deranged Willy becomes delusional, mixing fantasy and reality, and disclosing secrets of his family."Death of the Salesman" is a very depressive and tragic theatrical movie with awesome performances, mainly of Dustin Hoffman, Kate Reid and John Malkovitch. I have never read Arthur Miller's novel or seen the movie or the play; therefore I did not expect such a sad story with so complex characters. The story, in the 40's, shows the evil face of the capitalism (and the American Dream), and the character of Dustin Hoffman becomes insane when he sees that he is a loser and his life a complete failure: he is paying the last installment of his old house after thirty years of sacrifice; his sons have not been successful in life; his old car is broken; his old refrigerator needs repair; he does not have any money after more than thirty years working for the same company and in the end he is treated like a street dog and fired. For a viewer that does not know this drama (like me), I recommend to see this movie in a happy day, otherwise he or she may become too much depressed with such heart-breaking story. My vote is eight.Title (Brazil): "Morte do Caixeiro-Viajante" ("Death of the Salesman")
