The Slayer

1982 "She searched through the dark corridors of the unknown only to find ... The Slayer"
5.2| 1h20m| R| en| More Info
Released: 08 October 1982 Released
Producted By: The International Picture Show Company
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

Siblings, Eric & his surreal artist sister Kay, her doctor husband David, her sister-in-law Brooke along with pilot Marsh become stranded on a rugged isle face off against a supernatural beast drawn to Kay who dreams of its killings.

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Reviews

Karry Best movie of this year hands down!
Stometer Save your money for something good and enjoyable
Steineded How sad is this?
LouHomey From my favorite movies..
Mark Turner I've noted before that the eighties were a high time for low budget horror films, equaled only by the ton of horror movies released to the drive-in market of the early sixties. But with the drive-ins in decline the outlet that took advantage of this were the mom and pop video stores across the country. In need of product for their shelves all sorts of movies were being made and horror was one of the main staples. Some were good and some were bad but most landed somewhere in between. THE SLAYER falls into this category but leans to better than expected.Kay (Sarah Kendall) is an artist plagued by terrifying images in her sleep. In an effort to relieve the stress of an upcoming gallery showing her husband David (Alan McRae), brother Eric (Frederick Flynn) and sister in law Brooke (Carol Kottenbrook) have arranged a short vacation. The location is a secluded island owned by one of Eric's friends. It's the off season and no one else is on the island. With the pantry and fridge stocked, the four set off for a quiet time away from phones and worries.But once they hit the island the fears Kay has had come up again. Various items on the island are scenes she has painted in recent months, even though she's never been to this island. The rest of the group tells her she's imagining things and they find the house and settle in. Then things begin to happen. Eventually the members of this group begin to be killed one by one. Is someone else on the island, perhaps the pilot who brought them there? Or maybe someone else, someone who has been stalking Kay? Then again maybe it is the terrifying creature she only catches glimpses of in her dreams.The movie is well made and for a group of actors who were basically unknowns they to a good job here. Kendall is particularly good with a haunted look to her that makes the character of Kay, a woman who is afraid of sleep for fear of her dreams, quite believable. Of the four main actors Kottenbrook comes off as the most skilled and her shift from perturbed at their vacation location to concern for her sister in law is well played.What makes the movie work most of all though is the way it's plotted out. We don't take too much time in exposition setting up the story but it does give us enough background to inform us. The pacing works well here too without providing an immediate murder to keep us watching but playing out the suspense enough to make us ponder whether or not Kay is insane or being pursued by a potentially supernatural force.Of course the first thing horror fans will note is her fear of sleeping. Some might think that this makes the film a rip off of the NIGHTMARE ON ELM STREET films. But check the date of release and you'll find that this movie predates the first film of that series by 2 years.Arrow Video does their usual bang up job here offering a restoration of the film from 4k scan of the original negative. Extras are fairly limited but include new interviews with the cast and crew, the original theatrical trailer, a reversible sleeve with artwork by Justin Osbourn and a booklet featuring new liner notes by writer Lee Gambin for those who pick up the first printing of the disc.A few companies have seen the success that Arrow Video has had by reclaiming these lost video store gems and are trying to compete with them now. But no one has equaled the amount of affection that Arrow has for these titles. Until they do Arrow will be the company to look for when choosing movies from this category and time period.
Mr_Ectoplasma "The Slayer" follows a troubled avant-garde artist with psychic proclivities who travels to a remote island with her husband, brother, and sister-in-law in order to regroup. Immediately bothered by the atmosphere of the island, she insists something is amiss among the forests and derelict buildings— but the three dismiss her. Unfortunately, they're wrong.An early entry in eighties horror that somehow got sidelined by history, "The Slayer" is shockingly good given its lack of notoriety. The set-up is straightforward, and the low character number means there isn't much in the way of the expected body count, but in its brisk eighty minutes, the film manages to achieve a dreadful atmosphere and also boasts some shockingly realistic and disturbing murder scenes.J.S. Cardone, directed and co-wrote the film—it's his first picture, and he has gone on to work mainly in genre films over the years, giving us the marginalized 2001 vampire flick "The Forsaken" and 2006's "Wicked Little Things." Compared to those films, "The Slayer" is rather minimalistic, but there is a unique sense of foreboding in this film that is something that slasher flicks particularly don't always seem to achieve. The island locale is woodsy and populated with derelict buildings from when it was a resort years prior—an idyllic setting for a horror film. The film in some ways reminded me of a non-wintry "Ghostkeeper," another debased eighties horror picture. The score is quite elegant and ominous, and there are also high-caliber special effects throughout, which are on show during each death sequence, as well as during the monstrous reveal at the finale. Some have argued that the conclusion to "The Slayer" is a cop out. I don't know if I necessarily feel that way. It is rather abruptly thrown at the audience, but it also has narrative significance, linked to threads that are presented earlier on in the film. If anything, it's a somewhat bold move.Overall, I was quite surprised by how well-crafted this film was. It's not a groundbreaker, but it's a sturdy exercise in dread that happens to be well-shot and eerie. Serious fans of stalk-and- slash movies may find it a bit slow, but it's worth holding out for the impressively jarring murder scenes and the wild card of a conclusion. 8/10.
MARIO GAUCI I have toyed with the idea of renting this obscure "Video Nasty" from my local DVD shop for years but only now – that I have watched Nucleus Films' exemplary VIDEO NASTIES: MORAL PANIC, CENSORSHIP AND VIDEOTAPE (2010) documentary and have been going through a handful of them for this ongoing "Halloween Challenge" – have I finally bit the bullet and went for it. Unfortunately, THE SLAYER turned out to be one of those titles in that much-discussed list which does not deserve its inclusion, being far too slowly-paced to compel one's full attention and, ultimately, far too tame to satisfy the gorehounds' tastebuds. Sure, there is a bizarre beheading (sort of), a beating-to-death with a paddle (to a completely peripheral character!), a human 'hooked-up' like a fish, a flare being shot into a man that subsequently catches on fire and an impalement-by-pitchfork but, for the most part, the four lead characters spend the time talking in circles (about the artistic female protagonist's current frame-of-mind) or wandering around the abandoned island they are ostensibly vacationing on looking for one another! Apart from a few welcome humorous touches present during its earlier stages, the best part of the film is decidedly the concept – originated in the classic sci-fi piece FORBIDDEN PLANET (1956) and clearly picked up and improved upon by Wes Craven for the original A NIGHTMARE ON ELM STREET (1984) and the consequent "Freddy Krueger" franchise – of a murderous being from the id, created by the lead character in her dream-state, eventually materializing in the real world to violently dispose of her unbelieving friends. However, the film-makers end up fumbling that asset as well because, not only is the talon-sporting titular character hardly seen at all, but when he does appear in close-up towards the end, his merely skeletal visage leaves one underwhelmed. To add insult to injury, the film leaves off with one of those stupid cop-out endings where it is revealed that all the events that had gone on before were only the nightmare suffered by the leading lady who, in this case, even goes all the way back to her childhood trauma of receiving a black cat as a gift…WTF?!
Toronto85 The Slayer is a very good 80's slasher film that, unfortunately, is very hard to find. It's not out on DVD (Region 1) and the VHS tape is way too expensive online. I actually watched this on youtube the other day, that's pretty much the only possible way to watch this unless you want to spend upwards of $40 on Ebay. A group of four go on vacation to a deserted island. Every time the main character Kay goes to sleep, she has terrible nightmares of murder. Each time she falls asleep, someone around her dies. Are the murders a dream or reality? I have to say for a low budget horror film, The Slayer looks really good. The location shots of the beach and the sets are nice, and the gore is really well done and quite gruesome. The acting is actually pretty good from all of the main actors. I like the story too. Having Kay seem sort of "off" from the rest makes her a suspect. Maybe I am the only one who thought that, but an hour into the movie I believed their was a good chance she was the killer. The death scenes as I mentioned were pretty gruesome, namely the pitchfork scene. The ending was sort of hokey and a weak spot to the movie, but it was a little bit of a "twist" I guess. It didn't take anything away from the rest of the film.The Slayer is a low budget slasher film with a lot more class then many others made around this time. It's a shame this is not out on DVD because it deserves a release.8/10