The Seed of Discord

2008
5.5| 1h25m| en| More Info
Released: 05 September 2008 Released
Producted By: Rodeo Drive
Country: Italy
Budget: 0
Revenue: 0
Official Website:
Synopsis

On the day she learns of her pregnancy, a woman also finds out that her husband is sterile.

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Rodeo Drive

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Reviews

Ava-Grace Willis Story: It's very simple but honestly that is fine.
Roman Sampson One of the most extraordinary films you will see this year. Take that as you want.
Curt Watching it is like watching the spectacle of a class clown at their best: you laugh at their jokes, instigate their defiance, and "ooooh" when they get in trouble.
Jenni Devyn Worth seeing just to witness how winsome it is.
Anton Versluys Veronica (Gorgeous Italian actress and former Bond-girl Caterina Murino) is a young and exuberant woman dealing in the everyday with issues in her job, she also has to handle her meddlesome mother begging for a grandson and (what makes this petition a difficult goal to achieve) she is routinely married to an itinerant seller more concerned in his work (and the adulterous flirting with some of his loyal customers) than his beautiful wife. One night, Veronica's monotone life turns into a bizarre twist after being assaulted in an alley on her way home and left unconscious, being aided only by a security guard (Michele Venitucci) who beyond his good Samaritan speech, is secretly in love of her, but the weirdest consequence will surface weeks after the incident as she realizes she's pregnant... despite her husband's infertility, driving her to follow any evidence able to lead her to identify the unknown perpetrator who raped, and impregnated her.This movie is, in fact, a "dramedy" that relies on a tradition of spicy Italian comedies but without their festive eroticism. Quite the opposite, there is something profoundly degrading in the story which also is the most interesting part, however -and paradoxically- it never takes off because of the poorly acted one-dimensional characters. Caterina Murino shines like a top model going through the catwalk, but her acting is as abysmal as the way her character behaves. She does not have what it takes to portray such a complex role, and that's precisely the reason why the whole scheme fails: It never decides whether being a light moral tale or a sordid take on a bourgeoisie nightmare. The humor is not as dark and corrosive as its needed, nor the dramatic elements are strong enough to feel involved with. The movie even deals with controversial themes like abortion and features some of the most shallow commentaries about real rape victims ever heard on film, something as outrageous as the story itself.Screened at Venice Film Festival in 2008, this interesting story not-so-interestingly crafted and developed into a disappointing movie has not better quality than any mediocre made-for-TV prime time drama, although it still remains as a film to be seen with ingredients worth to watch.
johno-21 I recently saw this at the 2009 Palm Springs International Film Festival. This story by director Pappi Corsicato is loosely based on the novel The Marquise of O by Heinrich von Kleist with screenplay by Corsicato is about the beautiful Veronica (Caterina Murino) who owns an upscale women's clothing boutique in Naples and has a handsome but faithless husband Mario (Alessandro Gassman) who is a fertilizer salesman. The irony being that a fertilizer salesman is himself infertile and the couple is childless. Veronica runs the shop with assistant Nike (Martina Stella) who moonlights as an exotic dancer. A constant admirer of both Nike and Veronica is the building security guard Gabriele (Michele Venitucci). Not knowing that Mario is unable to conceive Veronica's mother (Valeria Fabrizi) is constantly pressuring Veronica to make her a grandmother. One night on her way home from work, Veronica is assaulted by two thugs. Gabriele, to the apparent rescue, chases them off. Soon after Mario learns he is sterile and Veronica learns she is pregnant. I don't know how a comedy that revolves around a rape is supposed to be funny but that's the premise here. the film looks good thanks to distinguished veteran cinematographer Ennio Guarnieri but the supposed comedy is about as forced as the assault. Overall a bad script, bad dialog, non-essential characters come in and out and a silly ending. I would give this a 5.0 out of 10 and would not recommend it.

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